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Max Marmor's profile was updated on ARLISNA Commons 11 months, 1 week ago
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Joanna Gardner-Huggett's profile was updated on Humanities Commons 1 year ago
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Max Marmor's profile was updated on Humanities Commons 1 year, 8 months ago
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Joanna Gardner-Huggett's profile was updated on Humanities Commons 1 year, 9 months ago
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Nina Lager Vestberg's profile was updated on Humanities Commons 2 years, 7 months ago
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Nina Lager Vestberg changed their profile picture on Humanities Commons 2 years, 7 months ago
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Joanna Gardner-Huggett's profile was updated on Humanities Commons 3 years, 2 months ago
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Joanna Gardner-Huggett's profile was updated on Humanities Commons 3 years, 2 months ago
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Matthew Lincoln deposited Dissertation Proposal: Modelling the Network of Dutch and Flemish Print Production, 1500-1700 on Humanities Commons 3 years, 10 months ago
Dissertation proposal for a graduate thesis in the history of art that examines large-scale changes in the organizational patterns and artistic strategies of reproductive printmakers and publishers in the Netherlands during the sixteenth and seventeenth centuries. The proposal outlines a literature review of historical network analysis in relation…[Read more]
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Matthew Lincoln's profile was updated on Humanities Commons 4 years, 2 months ago
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Anne Swartz deposited With Pleasure: Pattern and Decoration in American Art 1972–1985 in the group
History of Art on Humanities Commons 4 years, 2 months ago
This review examines the exhibition catalogue for the exhibition, originated by the Museum of Contemporary Art Los Angeles in 2019-20, which traveled to the Hessel Museum at Bard College in 2021.
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Anne Swartz deposited With Pleasure: Pattern and Decoration in American Art 1972–1985 in the group
Feminist Humanities on Humanities Commons 4 years, 2 months ago
This review examines the exhibition catalogue for the exhibition, originated by the Museum of Contemporary Art Los Angeles in 2019-20, which traveled to the Hessel Museum at Bard College in 2021.
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Anne Swartz deposited With Pleasure: Pattern and Decoration in American Art 1972–1985 on Humanities Commons 4 years, 2 months ago
This review examines the exhibition catalogue for the exhibition, originated by the Museum of Contemporary Art Los Angeles in 2019-20, which traveled to the Hessel Museum at Bard College in 2021.
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Jasmine Burns deposited A Critical Response to “The value of mass-digitised cultural heritage content in creative contexts” by Melissa Terras, et al, Published in “Big Data and Society” in the group
Library & Information Science on Humanities Commons 4 years, 4 months ago
This is a gut-reaction response to the recent article “The value of mass-digitised cultural heritage content in creative contexts” by Melissa Terras, et al, published in Big Data and Society on April 6, 2021, doi: https://doi.org/10.1177/20539517211006165. My main argument is that exploiting labor and appropriating cultural heritage are int…[Read more]
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Jasmine Burns deposited A Critical Response to “The value of mass-digitised cultural heritage content in creative contexts” by Melissa Terras, et al, Published in “Big Data and Society” in the group
Digital Art History on Humanities Commons 4 years, 4 months ago
This is a gut-reaction response to the recent article “The value of mass-digitised cultural heritage content in creative contexts” by Melissa Terras, et al, published in Big Data and Society on April 6, 2021, doi: https://doi.org/10.1177/20539517211006165. My main argument is that exploiting labor and appropriating cultural heritage are int…[Read more]
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Jasmine Burns deposited A Critical Response to “The value of mass-digitised cultural heritage content in creative contexts” by Melissa Terras, et al, Published in “Big Data and Society” on Humanities Commons 4 years, 4 months ago
This is a gut-reaction response to the recent article “The value of mass-digitised cultural heritage content in creative contexts” by Melissa Terras, et al, published in Big Data and Society on April 6, 2021, doi: https://doi.org/10.1177/20539517211006165. My main argument is that exploiting labor and appropriating cultural heritage are int…[Read more]
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Anne Swartz deposited Review, -Agnes Pelton- Desert Transcendentalist- at the Whitney Museum of American Art in the group
Women in the Arts on Humanities Commons 4 years, 8 months ago
This exhibition review examined “Agnes Pelton: Desert Transcendentalist,” recently on view at the Whitney Museum of American Art in New York City. This exhibition is a traveling show and this venue was its second installation.
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Anne Swartz deposited Review, -Agnes Pelton- Desert Transcendentalist- at the Whitney Museum of American Art in the group
History of Art on Humanities Commons 4 years, 8 months ago
This exhibition review examined “Agnes Pelton: Desert Transcendentalist,” recently on view at the Whitney Museum of American Art in New York City. This exhibition is a traveling show and this venue was its second installation.
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Anne Swartz deposited Review, -Agnes Pelton- Desert Transcendentalist- at the Whitney Museum of American Art in the group
Feminist Humanities on Humanities Commons 4 years, 8 months ago
This exhibition review examined “Agnes Pelton: Desert Transcendentalist,” recently on view at the Whitney Museum of American Art in New York City. This exhibition is a traveling show and this venue was its second installation.
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Anne Swartz deposited Review, -Agnes Pelton- Desert Transcendentalist- at the Whitney Museum of American Art on Humanities Commons 4 years, 8 months ago
This exhibition review examined “Agnes Pelton: Desert Transcendentalist,” recently on view at the Whitney Museum of American Art in New York City. This exhibition is a traveling show and this venue was its second installation.
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