The Post-1945 Music Analysis Interest Group is a discursive space for scholars of music after 1945, with an emphasis on the modernist, experimental, and avant-garde. Through its annual meetings and online communications, the group aims to strengthen, support, and develop its members’ ideas and sense of community. It also seeks to bring attention to and foster scholarship on post-1945 music both within the Society for Music Theory and in music scholarship at large.
SMT Global Interculturalism/Post-1945 IG Joint Meeting
-
-
At SMT 2024 Jacksonville (9 Nov. 2024, 7 – 8:30 EST, River Terrace 2), The Global Interculturalism & Musical Peripheries/Post-1945 Music Analysis Interest Group will host three research presentations investigating post-war and contemporary global music. Responses to the presentations by Dr. Yayoi Uno Everett and Dr. Chelsea Burns will then follow.
- 7:00 pm. Welcome and announcements (5 minutes)
- 7:05 pm. Stephen Slottow. “Frontier Zen: Transformations of Japanese-Derived Zen Chanting in American Zen Groups.” (15 minutes + 5 minutes for questions)
- 7:25 pm. Chenyu Xiao. “‘Sheng But Not Quite’: Manifestations of Hybridity in Unsuk Chin’s Šu for Sheng Concerto (2009).” (15 minutes + 5 minutes for questions)
- 7:45 pm. Juan Patricio Saenz. “America Mágica: Identity, Migration, and Pan-Americanism in Ginastera’s Late Style.” (15 minutes + 5 for questions)
- 8:05 pm. Response by Yayoi Uno Everett (10 minutes)
- 8:15 pm. Response by Chelsea Burns (10 minutes)
- 8:25 pm. General Q&A (5 minutes)
Please feel free to send any questions to Post-1945 Music Analysis IG Chairs (Noah Kahrs noah.kahrs@nau.edu; Gui Hwan Lee lee3gh@jmu.edu) and Global Interculturalism & Musical Peripheries IG Chairs (Desirée Mayr djmayr@gmail.com; Ji Yeon Lee jlee227@central.uh.edu).
NB: You can find the same info in the SMT online program: https://www.conftool.org/smt2024/index.php?page=browseSessions&form_session=44
-
- You must be logged in to reply to this topic.