The Post-1945 Music Analysis Interest Group is a discursive space for scholars of music after 1945, with an emphasis on the modernist, experimental, and avant-garde. Through its annual meetings and online communications, the group aims to strengthen, support, and develop its members’ ideas and sense of community. It also seeks to bring attention to and foster scholarship on post-1945 music both within the Society for Music Theory and in music scholarship at large.
2025 Publication Awards Nominations are Now Accepted! (From Today to March 31)
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Dear scholars of post-1945 music,
The SMT Post-1945 Music Analysis Interest Group is now accepting nominations of published articles or book chapters for its annual Publication Award. Please consider nominating recent work in the field from the past three years. Self-nominations are welcome.
Any peer-reviewed article or book chapter published between January 2022 and December 2024 on analysis of post-1945 music within modernist, experimental, avant-grade and related musical discourses is eligible.
A substantial work of scholarship that is not formally peer-reviewed may be considered at the discretion of the committee. Previous award recipients are ineligible to compete for the same award in subsequent years.
We strongly encourage nominations by and about scholars/artists of color and members of other underrepresented groups in music scholarship.
Please send your submission for the Post-1945 Music Analysis Interest Group Publication Award as a pdf attachment to Gui Hwan Lee at lee3gh@jmu.edu no later than March 31, 2025. Please do not nominate more than one article by the same author.
With best wishes,
Gui Hwan Lee and Noah Kahrs
2024 SMT Post-1945 Music Analysis IG Publication Award Committee:
Robert Hasegawa (Chair)
Antares Boyle (2024 award winner)
Judith Lochhead
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