Early Modern art historian carrying out research based on archival investigation in the fields of history of collecting and art patronage in Renaissance and Early Modern Italy, applied and decorative arts and furniture history in Baroque Rome. Digital curator of Milestone Rome and ItineROME. Further info on my personal website.
My doctoral dissertation deals with historiographical depictions of the encounter between Christianity and Islam in late medieval Portugal (late thirteenth-fifteenth centuries). Approaching medieval chronicles and genealogies as literary representations and active social practices, I examine how the portrayals of the war against Islam not only served for the political legitimization of royalty and aristocracy, but also provided them with a raison d’être, a social usefulness. I am particularly interested in how culture – in this case, historiography – can be used as an ideological tool to justify, reinforce, reproduce, or transform an existing social order.
I am an experienced researcher and project officer with a particular interest in ideas of space and place in fictional and non-fictional writing in Wales, heritage tourism, maritime history and cultural geography.
Bradley J. Fest is assistant professor of English at Hartwick College, where he has taught courses in creative writing, poetry and poetics, and twentieth- and twenty-first-century United States literature since 2017. He is the author of two volumes of poetry, The Rocking Chair (Blue Sketch, 2015) and The Shape of Things (Salò, 2017), and his poems have appeared in over thirty journals and anthologies, including recent work in Always Crashing, Dispatches from the Poetry Wars, Pamenar, The Second Chance Anthology (Variant Literature, 2020), Verse, and elsewhere. He has also written a number of essays on contemporary literature and culture, which have been published or are forthcoming in boundary 2, CounterText, Critique, Genre, Scale in Literature and Culture (Palgrave Macmillan, 2017), and elsewhere. More information is available at bradleyjfest.com.
I am a digital public historian and a program officer. I am the former Director of Strategic Initiatives at the Roy Rosenzweig Center for History and New Media where I also worked as a Research Associate Professor in History and Art History at George Mason University. My long form publication, Stamping American Memory: Collectors, Citizens, and the Post, is available as an open access digital and print monograph from the University of Michigan’s Digital Culture Books series (2018). It offers the first cultural history of stamp collecting through closely examining the Post Office’s commemorative stamp program. Designed to be saved as souvenirs, commemoratives circulated widely and stood as miniature memorials to carefully selected snapshots from the American past that also served the political needs of small interest groups. I began my career working in public museums, and served as the Director of Education and Public Programs at the U.S. Navy Museum in Washington, DC for seven years before I came to RRCHNM in 2005. At the Center, I directed and managed 30+ projects. The first project that I managed and worked on from start to finish was the Hurricane Digital Memory Bank. After HDMB, I became part of the original Omeka team (2007-present), and continued to work on many other digital humanities and cultural heritage projects. In collaboration with colleagues at RRCHNM, I wrote many successful grant applications to public agencies (NEH, IMLS, and NSF) and private foundations (Mellon, Getty, Sloan, and Kress) that funded our work, and was an ACLS Digital Extension Fellow. My dissertation, “Stamping American Memory: Stamp Collecting in the U.S. 1880s-1930s,” earned the Moroney Prize for Scholarship in Postal History. I was awarded the University of Michigan Press-HASTAC Prize for Digital Humanities to write and publish, Stamping American Memory, as an open peer-reviewed, open access digital publication. I write and present on topics in digital humanities, public history, memorials and memorialization, museums and technology, and collecting practices. I am an experienced teacher and leader of digital humanities workshops designed for scholars, GLAM professionals, and graduate students.
How did the earliest printing techniques in Europe shape visual communication at the end of the medieval era and the start of the modern, c.1450–1600?
- Co-Director, Book and Print Initiative
- Director, Printing Colour Project, http://www.printingcolourproject.com
- Convenor, London Rare Books School courses on historical printing techniques and illustrations
Julian C. Chambliss is a Professor of English with an appointment in History and the Val Berryman Curator of History at the MSU Museum at Michigan State University. In addition, he is a core participant in the MSU College of Arts & Letters’ Consortium for Critical Diversity in a Digital Age Research (CEDAR). His research interests focus on race, culture, and power in real and imagined urban spaces. His recent writing has appeared in American Historical Review, Phylon, Frieze Magazine, Rhetoric Review, and Boston Review. An interdisciplinary scholar he has designed museum exhibitions, curated art shows, and created public history projects that trace community, ideology, and power in the United States. He is co-editor and contributor for Ages of Heroes, Eras of Men: Superheroes and the American Experience, a book examining the relationship between superheroes and the American Experience (2013). His recent book projects include Assembling the Marvel Cinematic Universe: Essays on the Social, Cultural and Geopolitical Domain (2018) and Cities Imagined: The African Diaspora in Media and History (2018). Chambliss is co-producer and host of Every Tongue Got to Confess, a podcast examining communities of color. Every Tongue is the winner of the 2019 Hampton Dunn New Media Award from the Florida Historical Society. In addition, he co-produced and co-hosted with Dr. Robert Cassanello from the University of Central Florida of The Florida Constitution Podcast, a limited series podcast that won the 2019 Hampton Dunn Internet Award from Florida Historical Society. He is the producer and host of Reframing History, a podcast exploring humanities theory and practice in the United States.
Anna Zofia Gąsienica Byrcyn is a literary translator and a lecturer. She is interested in modern & ancient languages, literature, translation, art, photography, film, myths in literary texts, folklore, language acquisition & pedagogy, the Tatra Mountains in Polish literature, art, and music.
Jonathan L. Best holds a Ph.D. in Practical Theology from St. Thomas University in Miami, FL. His dissertation is titled: A Postmodern Theology of Ritual Action? An Exploration of Foot Washing among the Original Free Will Baptist Community. Jonathan also holds a M.Div. from Campbell University and a B.S. in History from the University of Mount Olive. Jonathan is also the founder of Best Academic Editing. An editing service specializing in dissertation and theses writing. Explore his services here: http://www.bestacademicediting.com Jonathan is an ordained ministry of the Original Free Will Baptist Convention