I am a digital public historian and a program officer. I am the former Director of Strategic Initiatives at the Roy Rosenzweig Center for History and New Media where I also worked as a Research Associate Professor in History and Art History at George Mason University. My long form publication, Stamping American Memory: Collectors, Citizens, and the Post, is available as an open access digital and print monograph from the University of Michigan’s Digital Culture Books series (2018). It offers the first cultural history of stamp collecting through closely examining the Post Office’s commemorative stamp program. Designed to be saved as souvenirs, commemoratives circulated widely and stood as miniature memorials to carefully selected snapshots from the American past that also served the political needs of small interest groups. I began my career working in public museums, and served as the Director of Education and Public Programs at the U.S. Navy Museum in Washington, DC for seven years before I came to RRCHNM in 2005. At the Center, I directed and managed 30+ projects. The first project that I managed and worked on from start to finish was the Hurricane Digital Memory Bank. After HDMB, I became part of the original Omeka team (2007-present), and continued to work on many other digital humanities and cultural heritage projects. In collaboration with colleagues at RRCHNM, I wrote many successful grant applications to public agencies (NEH, IMLS, and NSF) and private foundations (Mellon, Getty, Sloan, and Kress) that funded our work, and was an ACLS Digital Extension Fellow. My dissertation, “Stamping American Memory: Stamp Collecting in the U.S. 1880s-1930s,” earned the Moroney Prize for Scholarship in Postal History. I was awarded the University of Michigan Press-HASTAC Prize for Digital Humanities to write and publish, Stamping American Memory, as an open peer-reviewed, open access digital publication. I write and present on topics in digital humanities, public history, memorials and memorialization, museums and technology, and collecting practices. I am an experienced teacher and leader of digital humanities workshops designed for scholars, GLAM professionals, and graduate students.
How did the earliest printing techniques in Europe shape visual communication at the end of the medieval era and the start of the modern, c.1450–1600?
- Co-Director, Book and Print Initiative
- Director, Printing Colour Project, http://www.printingcolourproject.com
- Convenor, London Rare Books School courses on historical printing techniques and illustrations
Bradley J. Fest is assistant professor of English at Hartwick College, where he has taught courses in creative writing, poetry and poetics, and twentieth- and twenty-first-century United States literature since 2017. He is the author of two volumes of poetry, The Rocking Chair (Blue Sketch, 2015) and The Shape of Things (Salò, 2017), and his poems have appeared in over thirty journals and anthologies, including recent work in Always Crashing, Dispatches from the Poetry Wars, Pamenar, The Second Chance Anthology (Variant Literature, 2020), Verse, and elsewhere. He has also written a number of essays on contemporary literature and culture, which have been published or are forthcoming in boundary 2, CounterText, Critique, Genre, Scale in Literature and Culture (Palgrave Macmillan, 2017), and elsewhere. More information is available at bradleyjfest.com.
I am an experienced researcher and project officer with a particular interest in ideas of space and place in fictional and non-fictional writing in Wales, heritage tourism, maritime history and cultural geography.
I am medical rhetorician and technical and professional writing scholar. I teach writing at Harold Washington College — one of the City Colleges of Chicago. There, I am an Associate Professor of English and a member of the City Colleges of Chicago Institutional Review Board (IRB). I am a Newberry Library scholar-in-residence for 2018-2020, a 2018 recipient of a Council for Programs in Technical and Scientific Communication (CPTSC) research grant, a 2019 recipient of Special Interest Group on the Design of Information early career research grant, and an associate editor for the Foundations and Innovations in Technical and Professional Communication book series. You can see more information about me on my CV.
Jonathan L. Best holds a Ph.D. in Practical Theology from St. Thomas University in Miami, FL. His dissertation is titled: A Postmodern Theology of Ritual Action? An Exploration of Foot Washing among the Original Free Will Baptist Community. Jonathan also holds a M.Div. from Campbell University and a B.S. in History from the University of Mount Olive. Jonathan is also the founder of Best Academic Editing. An editing service specializing in dissertation and theses writing. Explore his services here: http://www.bestacademicediting.com Jonathan is an ordained ministry of the Original Free Will Baptist Convention
Antonio Loriguillo-López is a post-doctoral fellow at the Communication Sciences Department at Universitat Jaume I, Castelló de la Plana (Spain). He is a member of ITACA-UJI research group. He is the author and co-author of several scientific articles and book chapters focused on the crossroads between Japanese contemporary animation and complex narration.
I work on themes at the intersection of metaphilosophy, aesthetics and bioethics. I am currently a postdoctoral researcher at University College Dublin. I am a member of the American Voice in Philosophy project team.
Anna Zofia Gąsienica Byrcyn is a literary translator and a lecturer. She is interested in modern & ancient languages, literature, translation, art, photography, film, myths in literary texts, folklore, language acquisition & pedagogy, the Tatra Mountains in Polish literature, art, and music.