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MemberAlberto Campagnolo

Alberto Campagnolo trained as a book conservator (in Spoleto, Italy) and has worked in that capacity in various institutions, e.g. London Metropolitan Archives, St. Catherine’s Monastery (Egypt), and the Vatican Library. He studied Conservation of Library Materials at Ca’ Foscari University Venice, and holds an MA in Digital Culture and Technology from King’s College London. He pursued a PhD on an automated visualization of historical bookbinding structures at the Ligatus Research Centre (University of the Arts, London). He was a CLIR Postdoctoral Fellow (2016-2018) in Data Curation for Medieval Studies at the Library of Congress (Washington, DC). Alberto, in collaboration with Dot Porter (SIMS, UPenn Libraries, Philadelphia, PA), has been involved from the onset in the development of VisColl, a model and tool for the recording and visualization of the gathering structure of books in codex format. Alberto has served on the Digital Medievalist board since 2014, first as Deputy Director, and as Director since 2015, and has been in the Editorial Board of the Journal of Paper Conservation since 2016.

MemberMarco Heiles

Ich bin Wissenschaftlicher Mitarbeiter im Lehr- und Forschungsgebiet Germanistik/Mediävistik am Institut für Germanistische und Allgemeine Literaturwissenschaft der RWTH Aachen University. Im Sommersemester 2018 war ich Petra-Kappert-Fellow am SFB 950 ‘Manuskriptkulturen in Asien, Afrika und Europa’ an der Universität Hamburg. Nach dem Studium der Germanistik an den Universitäten Bonn und Oxford, war ich von April 2012 bis Juli 2015 Stipendiat im Graduiertenkolleg des SFB 950 der Universität Hamburg und wurde dort im Oktober 2016 von der Fakultät für Geisteswissenschaften im Fach Germanistik promoviert. Meine Dissertation zur “Lesersteuerung in deutschsprachigen Losbüchern des ausgehenden Mittelalters” ist 2018 unter dem Titel “Das Losbuch. Manuskriptologie einer Textsorte des 14.bis 16. Jahrhunderts” in der Reihe “Beihefte zum Archiv für Kulturgeschichte” im Böhlau Verlag erscheinen. Arbeitsschwerpunkte Forschung: Manuskriptforschung, Edition, Ausgrenzungsdiskurse, Magie und Divination, Rezeptliteratur Lehre: Höfische Klassik, Spätmittelalterliche Literatur, Fachliteratur, Handschriften, Früher Buchdruck, Edition

MemberPierre Chambert-Protat

Membre de l’École française de Rome, section Moyen Âge [lien] — Fellow du projet Fragmentarium (Université de Fribourg) [lien] Vie intellectuelle à Lyon au IXe siècle. — Florus de Lyon (flor. ca. 825-855) et son milieu : Leidrat, Agobard, Amolon et Remi de Lyon, Mannon de Saint-Oyen. — Pierre-François Chifflet (1591-1682). — Réception et diffusion de l’héritage tardo-antique au haut Moyen Âge et après. — Supports et vestiges matériels de l’activité intellectuelle.

MemberKaren Desmond

Karen Desmond is Associate Professor of Music at Brandeis University. Desmond was a Visiting Assistant Professor at Harvard in the Spring of 2018, and a Visiting Fellow at Clare Hall and Visiting Scholar at the Faculty of Music, University of Cambridge in the Spring of 2019. She has also taught and/or held research fellowships at University College Cork, the University of Cologne, and McGill University. Her monograph Music and the moderni, 1300-1350: The ars nova in Theory and Practice (Cambridge University Press, 2018) challenges prevailing accounts of the ars nova. External awards include an NEH Research Fellowship (2014), an SSHRC Banting Fellowship (2014-16), and an NEH Digital Humanities Advancement Grant (2019-20). She has begun writing her second monograph, tentatively titled Torso: Understanding the Polyphony of Late Medieval England from its Fragmentary Remains. Other book projects include her translation of Lambert’s Ars musica, edited by Christian Meyer (Ashgate, 2015) and The Montpellier Codex: The final fascicle, a collection of essays co-edited with Catherine Bradley (The Boydell Press, 2018). Desmond has published articles in the premier journals of her field including Early Music, Early Music History, Musica disciplina, and Plainsong and Medieval Music, and was co-editor for two journal special issues: one on the fourteenth-century composer, Philippe de Vitry (in Early Music), and one on the fourteenth-century astronomer and music theorist, Jean des Murs (in Erudition and the Republic of Letters). Online work includes a website of late medieval motets digitally encoded in mensural notation (http://www.measuringpolyphony.org) and a digital edition of an ars nova treatise (http://www.arsmusicae.org) . She has recently been appointed chair of the American Musicological Society’s Board Committee on Technology for a three-year term, and serves on the editorial board of the Journal of Musicology.