medieval and early modern law and literature, digital humanities, digital pedagogy, critical legal studies, wine, books, kids, and cheese
Scholarly interests in late 19th- and early 20th-century American literature and culture (esp. Wharton and Dreiser), African American and Native American writers, travel writing, cultural and critical race theory, digital humanities
The book is a popular monograph study in the life and works of the American novelist and painter William Wharton (Albert du Aime, 1925-2008). William Wharton gained international fame and popularity with his first awarded novel ‘Birdy’ (1979), his popularity was furthered strengthened by such books as ‘Dad’ and ‘Midnight Clear’, all of which were made into movies, while ‘Birdy’ was also made into a play. Although in the 1990s his popularity in the United States gradually decreased and his later books were not received so well, at the same time Wharton started to enjoy an immense popularity in numerous non-English speaking countries (‘Birdy’ alone has been translated into 19 foreign languages) which has continued even after his death as new translations are still published. And yet Wharton still remains something of a secret writer with a cult following as available critical sources are minor and often incomplete while the author deserves a critical monograph. My book will be the first attempt in English to deal with this task, offering an evaluation of a critically neglected novelist. Wharton could not be easily put in a cathegory and he escaped the attention of American and British literary scholars. Among reasons one must list here his refusal to adhere to any literary group or generation (Wharton was once defined as “a beat novelist quarter of a century late”) and his adamant refusal to become involved in any public activities or promotion. He may have missed his chance to become a first rate novelist also by delaying his debut until his fifties, still, his oeuvre includes several novels worthy of intrest which brought him an impressive international popularity which amply justifies publication of a critical monograph study.
The article attempts to present the ethical teaching in the novels of the American novelist William Wharton. Pyzik, Teresa and Paweł Jędrzejko, eds. Reflections on Ethical Values in Post (?) Modern American Literature. Katowice: Wydawnictwo Uniwersytetu Śląskiego, 2000 pp. 97-103
The article describes the use of various of fonts in the novels of the American novelist William Wharton as a means of extralinguistic communication with the reader. The article concentrates on the novels Birdy, Franky Furbo, and Last Lovers. Edelson, Maria, Adam Sumera and Jadwiga Uchman eds. PASE Papers in Literature and Culture. Proceedings of the Fifth Annual Conference of the PASE Łódź 1996, Łódź: Wydawnictwo Uniwersytetu Łódzkiego, 1999 pp. 23-28
The manuscript now called the Salisbury Breviary (Paris, Bibliotheque Nationale de France, MS lat. 17294) contains the only extant illustrated cycle of of the Life of St Edith of Wilton; the fifteen miniatures accompany the readings for the feast of St Edith. These images emphasize the connections among Edith’s holiness, royal genealogy, and obedience to her earthly and spiritual fathers. The cycle thus presents in microcosm the book’s overall objective to proclaim and glorify the rightfully inherited temporal and spiritual power of its patron, John of Lancaster, the Duke of Bedford.