Digital media poetics, twentieth and twenty-first century American literature, critical security studies, digital game design, transnational American Studies, diaspora, graphic narratives
Jun Okada is Associate Professor in Visual and Media Arts at Emerson College. Her research centers on Asian American film and video, as well as global art cinema and film culture. She published Making Asian American Film and Video: History, Institutions, Movements, with Rutgers University Press in March 2015.
Michael Allan is editor of Comparative Literature and associate professor of Comparative Literature at the University of Oregon. He is affiliated with Cinema Studies, Arabic, Middle East Studies, New Media and Culture, African Studies, and Comics Studies. His research focuses on debates in world literature, postcolonial studies, literary theory, as well as film and visual culture, primarily in Africa and the Middle East. In both his research and teaching, he bridges textual analysis with social theory, and draws from methods in anthropology, religion, queer theory and area studies. He is the author of In the Shadow of World Literature: Sites of Reading in Colonial Egypt (Princeton 2016, Co-Winner of the MLA Prize for a First Book), and is at work on a second book, Picturing the World: The Global Routes of Early Cinema, 1896-1903, which traces the transnational history of camera operators working for the Lumière Brothers film company. He serves on the editorial board of the Journal of World Literature, Philological Encounters, Syndicate Lit, and Middle East Topics & Arguments. He was elected a member of the executive committee for LLC Arabic (2017-2021) and a delegate of Twentieth and Twenty-First Century Comparative Literature (2019-2021) for the Modern Language Association. He was a EUME Fellow at the Forum for Transregional Studies in Berlin (2011-12, 2017-2018), a Townsend Fellow at the Townsend Center for the Humanities in Berkeley (2006-7), and a Presidential Intern at the American University in Cairo, where he worked with its Institute of Gender and Women’s Studies (2000-1). For two summers (2011-12), he was the site director for the CLS Arabic Program in Tangier, Morocco.
My path to studies in Comparative Literature via a BA in Russian Studies from the American University and an MA in English from Andrews University has given me a variety of skills for examining texts and their contexts as well as for translating ideas from one language and culture to another. These complementary skills have informed the way I interact with colleagues and students in my work as a researcher, as an instructor, as a public relations coordinator, and as a technical writer. Because of my experiences working with academic and professional colleagues from around the world, I am committed to fostering diversity in the campus community by making the classroom a safe space for the exchange of ideas about race and ethnicity, gender identity and sexuality, politics, and faith.
Zach is a PhD student and graduate teaching associate in Sport Studies at the University of Tennessee. Before Tennessee, he completed an MA in Comparative Religion at Western Michigan University. His academic interests revolve primarily around religion and physical cultures in the US, and he is a research assistant at the Center for the Study of Sport and Religion at the University of Tennessee. His dissertation is an ethnographic study of Christian mixed martial arts.
Daughter of well-known philosopher of film, George M. Wilson (author of Narration in Light: Studies in Cinematic Point of View and Seeing Fictions in Film: The Epistemology of Movies), Flannery grew up in a suburb of Baltimore, MD. She graduated from Barnard College in 2003 with a degree in Italian. In 2005, she moved to Southern California to accept a competitive Chancellor’s Fellowship to attend a PhD program in Comparative Literature at the University of California, Riverside. She graduated in 2011 with a Dissertation Fellowship, a Barricelli Award for Research, and an Outstanding Teaching Award.She currently teaches film, visual and media studies, literary analysis, world literature, French and Italian and is working on her next book, on adaptation and the ethics of storytelling.Flannery’s published writing sheds light on cross-cultural interactions between French and Italian and East Asian cinema(s). Her articles have appeared in Modern Chinese Lit and Culture, Senses of Cinema, and The Journal of Japanese and Korean Cinema.Her dissertation, Echoing Across the Mediterranean and the Pacific: Cinematic Resonance and Cross-Cultural Adaptations in Contemporary European and East Asian Cinema, can be found here.Her book: New Taiwanese Cinema: Within and Beyond the Frame, for the “Traditions in World Cinema” series through Edinburgh University Press, was released in paperback in April of 2015.She is the current editor of: Humanities in Transition (an online journal).
I currently work as Head of Film Access at the Bundesarchiv in Berlin. Between 2016 and 2018 I was the administrative head and researcher at the Brandenburg Center for Media Studies in Potsdam. From 2010 to September 2016 I worked as researcher, curator and archivist at the Austrian Film Museum in Vienna. My main areas of expertise include database development and metadata structures as well as the publication of archival films on DVD and the internet (e.g. Kinonedelja – Online Edition, etc.). I obtained my PhD in Russian studies and a Masters in Comparative Literature from the University of Innsbruck and Vienna. In 2016 I have also completed Library- and Information Sciences at the Humboldt-University in Berlin. I am the author of the book Kollision der Kader. Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities (2016) and have published on Russian cinema, archival collections and visualization of filmic structures.
Transnational Literature, Postcolonial Studies, Feminist and Critical Race Theory, Film and Media Studies, Copyright, Politics of the Copy, Knowledge Production, Global South