My research focuses on Shakespeare and dramatic literature. I also write fiction and a bit of poetry.
I work on literary modernism and global modernism across the arts, as well as Theory (with a capital “t”). I’ve published a couple of books on modernism and theory, and a few articles as well.
I am a freelance writer, editor, and independent scholar with a PhD in ethnomusicology. I have conducted research on Afro-Cuban folkloric and popular musical practices since 2004, primarily in the cities of Havana, Matanzas, and Santiago. My dissertation, entitled “Localizing Hybridity: The Politics of Place in Contemporary Cuban Rumba Performance”, focused on recent innovations in rumba performance in the cities of Havana and Matanzas. My book, Geographies of Cubanidad: Place, Race, and Musical Performance in Contemporary Cuba, examines various Cuban musical practices – rumba, timba, son, and folklore oriental (eastern Cuban folklore) – and draws on recent fieldwork conducted in Santiago. My theoretical focus has centered on the entanglements of race and place in contemporary Cuba and their impact on musical performance. Beyond Cuban music, I am interested in African-derived practices from various sites throughout the diaspora, including Haiti, the Democratic Republic of the Congo, and black American popular genres such as hip-hop and soul.
I am the acquisitions editor at the University Press of Kansas, acquiring titles in political science and law. I completed my PhD in theology at Princeton Theological Seminary. My research is primarily in the fields of modern theology, hermeneutics, and missiology, with a special emphasis on Rudolf Bultmann.
From January, 1991 through May, 2016 I taught at the University of Wisconsin-Madison. I began as academic staff but eventually transitioned to tenured faculty, achieving the rank of Professor by retirement in May, 2016. I taught undergraduate courses in beginning and intermediate Biblical Hebrew, introductory courses in Hebrew Bible and Early Christian Literature, Prophets of the Bible, History-telling in the Bible, Jewish Literature of the Greco-Roman Period, The Gospels, and Pauline Christianity. In our graduate program in Hebrew Bible I taught year-long studies on the Hebrew books of the Pentateuch, Isaiah, Ezekiel, and Job, Advanced Hebrew Grammar and Composition, Syriac Language and Literature, and graduate seminars on The Book of the Twelve, Philology and Textual Criticism of the Hebrew Bible, and Jewish Hellenistic Literature. I continue to guide the work of dissertators and serve on dissertation defense committees. In the fall of 2017 I will join the Minister of Faith Formation at Wayzata Community Church, Rustin Comer (Ph.D. candidate in theology at Claremont Graduate University) in offering a full curriculum of biblical and theological courses in the church’s adult education program. From January, 2010 through May, 2014 I served as chair of the Department of Hebrew and Semitic Studies, overseeing the transfer of its program of modern Hebrew into the Jewish Studies Program and the merger of the program in Hebrew Bible with Classics to form a Department of Classical and Near Eastern studies.
Louise Hardiman is an art historian specialising in nineteenth- and twentieth-century Russian and Soviet art. She is a graduate of the universities of Oxford, London, and Cambridge, where she completed a PhD on the history of Russian Arts and Crafts in Victorian and Edwardian Britain. Her primary research areas concern the history of the neo-national revival and Anglo-Russian cultural exchange. Hardiman teaches for universities and adult education providers on a freelance basis and lectures frequently for education institutions, galleries, and museums. She was consultant to the Watts Gallery (Guildford, UK) exhibition ‘A Russian Fairy Tale: The Art and Craft of Elena Polenova’ (2014-15).
Currently located in Calgary, Canada, Colin Martin studies micropress publishing and circulation. Current projects include the rebuilding of his doctoral study of Canadian small press and micropress poetry publishing, a digital archive project proposed for a SSHRC-funded postdoc, and editing a collection of essays on Calgary poetics.
My current and past work examines how literacy learning and performance take place across spaces and modes ranging across classroom and community settings. Informed by an emphasis on modality, my research focuses on the affordances and constraints of different social, technical, and institutional settings to examine possibilities and call for changes that support more equitable participation of all members.
My research on classroom design and writing in the disciplines has increasingly drawn my attention to the institutional and infrastructural work of writing program administration. As writing specialists, we need to continue our decades-long work with colleagues across the university to design effective writing curricula based on our own disciplinary knowledge. However, as (unacknowledged) experts in active learning pedagogies, writing specialists and WPAs also have considerable expertise to contribute to learning space design initiatives, involving stakeholders outside academic departments at the level of the university’s physical facilities.
I teach classes in digital and print composing with an emphasis on (multi)modality, technical communication, writing studies, digital culture.
For five years I have been teaching Humanities, African American literature, and world literature at North Carolina A&T State University. During this time, as much as before, my research interests have been multicultural (emphasis on African American lit), encompassing both the world of American multi-ethnic studies and East-Central European studies (emphasis on Romania). Testifying to my global cultural interests, over the years I have been a Fulbright scholar, Vice-president and President of Romanian Studies Association of America, chair of the Romanian Discussion Group, member of MELUS, ACLA, SAMLA, Langston Hughes Society, Society of Romanian Studies, and others. Before coming to the U.S. as a Fulbright scholar I worked as a host and reporter for the Cultural Department of Romanian National TV station.