20th Century Literature, Modernist Studies, Fairy Tale and Myth, Mystery and Detective Fiction, Speculative Fiction, Cinema Studies, Museum Studies
Para-academic. Interested in power and subjection, language and culture. Works at a bookstore in Berkeley. Affiliated with the Humanities and Critical Code Studies Lab at USC.
I am senior acquiring editor in the fields of Native American and Indigenous Studies, Cultural Anthropology and Ethnography, History of Anthropology, Non-fiction of the American West, and Literary Memoir of the American West. I conceived the major, social science documentary project, The Franz Boas Papers: Documentary Edition (25 vols.) with my colleagues at University of Nebraska Press, Regna Darnell of University of Western Ontario, and Martin Levitt of American Philosophical Society, funded by $2.5 million CAD from the Social Science and Humanities Research Council of Canada. I am an American and European historian (PhD, Temple University, 1999) in intellectual, social, and cultural history of the 19th and 20th Century that writes about urban history, architecture and urban planning, historical memory, anthropological race theory, history of science, intellectuals and war, and California and US Southwest history. My work has been published in scholarly journals such as the Journal of the American Planning Association, Reviews in American History, AHA Perspectives, and the New Mexico Historical Review. I am author of The San Diego World’s Fairs and Southwestern Memory, 1880-1940 (University of New Mexico Press, 2005), a finalist for the San Diego Book Award. My reviews have been published in American Historical Review, Journal of American History, Journal of Religion, Journal of American Ethnic History, Pacific Historical Review, Western American Literature, Western Historical Quarterly, and New Mexico Historical Review. I am currently working on a new book, entitled “Manic-Depressive Illness: An Intellectual History of Bipolar Disorder from Hippocrates to Biological Psychiatry.” I play lead guitar in Red Cities (Lincoln, NE), a garage punk band on Modern Peasant Records. The Big Takeover Magazine said: “On breakneck blasters like ‘Worker Song’ and ‘Come Now Baby,’ Red Cities’ unashamedly summon slashing ‘Search and Destroy’ simulating riffs – tension-building, jet engine-explosive punk that exhilarates.” I am also a producer for Modern Peasant Records, having sponsored The Sinners’ Drunk on the Lord’s Day (MPR-013) and John Wayne’s Bitches’ Bitched Out (MPR-011). I blog about the history of punk rock, hardcore, and indy rock at the music podcast Doc Rockavoy’s Indy Music Garage.
Gladys Nubla is a Visiting Assistant Professor in the Intercollegiate Department of Asian American Studies (IDAAS) at Pitzer College, where she teaches literature, feminist/gender/sexuality studies, popular culture, and theories and research methods. Her book manuscript in progress, titled Children of Empire: Narratives of Sexuality and Human Rights in Filipinx/American Contact Zones, examines the figure of the sexualized native child across cultural and activist arenas, tracing the presence of the colonial past in Filipinx American and Philippine narratives of sexual awakening and sexual violation and in the institutional avenues for redress.
Philip Gentry is a musicologist specializing in the history of music in the United States during the twentieth century, both popular and classical. He is particularly interested in theoretical questions of history, identity, and politics. His book What Will I Be: American Music and Cold War Identity (Oxford University Press, 2017) traces the changing relationship between music and identity in four diverse musical scenes: the R&B world of doo-wop pioneers the Orioles, the early film musicals of Doris Day, Asian American cabaret in San Francisco, and John Cage’s infamous silent piece 4’33”. He has also published an article on Leonard Bernstein’s second symphony and a review essay of the musical Hamilton. He is currently writing a new book on 20th- and 21-century performances of early American history, analyzing how these creative historiographic practices inform contemporary political culture. Originally from the San Francisco Bay Area, Gentry earned his Ph.D. at UCLA and taught at the College of William & Mary before coming to the University of Delaware. At Delaware he teaches the music history sequence for undergraduates; graduate seminars in research methods and various special topics; literature surveys of symphonic and chamber repertoires, and general interest courses on soul, hip-hop and LGBTQ music history.He has also served a term as an at-large member of the national council of the American Musicological Society, and two terms as president of the society’s mid-Atlantic chapter. He lives in Philadelphia.