Geocriticism, American Literature, the Spatial Turn, the Railroad, 19th Century American Literature, 20th Century American Literature
This short paper considers the ways in which psychologists in the 20th century have put children and the playground under the metaphorical microscope.
How we, as Americans, see warfare in our late 20th century mindset.
I am a Junior Research Fellow at Emmanuel College. Having received my BA from the University of Cambridge in 2013, I went on to do an MA at the University of Nottingham the following year. I completed my PhD (funded by the AHRC) at Cambridge under the supervision of Dr Benjamin Walton in October 2017. My research focuses on operatic mobility in the nineteenth century, using the translation of opera into non-European environments as a way of examining questions of international cultural transfer in the period more broadly. So far, I have worked on New Orleans, which was home to the first (and, for some thirty-five years, the only) permanent opera company in North America, and recruited its performers each year from Europe. I have explored the city’s place within growing global operatic systems, arguing for the centrality of human agency to the long-term development of transatlantic networks of production, as well as the role of material culture in promoting an increasingly international operatic discourse. At the same time, I have sought to understand the more distinctively local aspects of the city’s operatic life, in terms of the theatre-going experience and the adaptation/reception of particular works. During my research fellowship, I look forward to beginning a larger project about touring opera in the Caribbean and southern United States, exploring the ways in which operatic translocation might challenge dominant narratives of nineteenth-century globalisation. My other research interests include Jules Massenet, operatic realism, and the influence of media technologies on the production and reception of opera in the late nineteenth century.
I am musicologist and classical guitarist, currently PhD candidate in Musicology at the University of California Riverside. Under the supervision of Dr. Walter Clark, my research focuses on realism and verismo in the Spanish musical theater at the crossroads of the 19th and 20th centuries. Other interests include Italian verismo, 19th-century Italian art songs, and 20th-century guitar repertoire.
20th-21st Century Fantastic Literature.
20th-21st Century Peninsular Narrative.
20th and 21st century Latin American literary and cultural studies, 20th and 21st century Korean literary and cultural studies, critical race and gender studies, global immigration studies, postcolonial theory.
19th to early 20th century African American and Caribbean literature, 19th to early 20th century Southern American literature, the Black Atlantic, whiteness studies; race performance; the neoslave narrative; slavery, gender, and sexual violence in literature
Literatures of the 19th Century and the Early-20th Century , Psychoanalytic Cultural Critique, Victorian Literature, Melville Studies, Modernist Literature
19th-century British literature, Early 20th-century British literature, gender and sexuality studies, George Eliot, Virginia Woolf