I am a Berlin-based prehistoric archaeologist involved in research projects between the Carpathian Basin and the Near East, with a focus on the Neolithic and Bronze Age. My research interests include the archaeology of religion and cult, metallurgy, agents of craft in prehistory, and distribution modes of prehistoric innovations.
Jason M. Kelly is Director of the IUPUI Arts and Humanities Institute and Professor of History in the Indiana University School of Liberal Arts at IUPUI. He is also an Adjunct Professor of Africana Studies and American Studies. He is a Fellow of the Society of Antiquaries of London and a Fellow of the Royal Historical Society. Dr. Kelly received his Ph.D. from the University of California, Santa Barbara and is the author of The Society of Dilettanti: Archaeology and Identity in the British Enlightenment (Yale University Press and the Paul Mellon Centre for Studies in British Art, 2010), lead editor of Rivers of the Anthropocene (University of California Press, 2017), and co-editor of An Anthropocene Primer (2017). As Director of the IUPUI Arts and Humanities Institute, Dr. Kelly supports IUPUI’s research mission by directing the IAHI grant programs, identifying and fostering transdisciplinary research collaborations, and organizing research workshops and symposia. Additionally, he facilitates public arts and humanities partnerships, including research projects, performances, lectures, and exhibitions. Dr. Kelly’s current research projects focus on the histories of the environment, sciences, and art and architecture . He is currently writing A History of the Anthropocene, a deep history of human-nature relations. He leads The Anthropocenes Network, an international, transdisciplinary, collaborative network committed to developing innovative interventions in environmental research, pedagogy, and policy. The Anthropocenes Network is home to several projects including 1) Rivers of the Anthropocene, a research project focused on global freshwater systems and policy; 2) Voices from the Waterways, an oral history project; 3) The Anthropocene Household, a community-based research project that uses the household as a way to understand the lived experiences, knowledges, and practices associated with environmental change; and 4) Museum of the Anthropocene, an experimental platform to develop multi-sited, synchronous, interactive, networked environmental installations. Dr. Kelly directs The Cultural Ecologies Project, a research program and PhD track that works with community stakeholders to study and design cultural interventions across multiple scales — from the personal to the neighborhood to the city level. Most recently, he founded The Covid-19 Oral History Project, a rapid-response research collaboration that archives the lived experience of the Covid-19 pandemic. Dr. Kelly has received grants from the National Endowment for the Humanities, the National Endowment for the Arts, the Wenner-Gren Foundation, Lilly Endowment Inc., and the Clowes Foundation. He is the recipient of the IUPUI Research Trailblazers Award (2013), two IU Trustees Teaching Awards (2011, 2008), and the IU School of Liberal Arts at IUPUI Student Council Outstanding Academic Adviser Award (2010).
Caren Kaplan is Professor Emerita of American Studies at the University of California at Davis. She is the author of Aerial Aftermaths: Wartime from Above (Duke 2018) and Questions of Travel: Postmodern Discourses of Displacement (Duke 1996) and the co-author/editor of Life in the Age of Drone Warfare (Duke 2017), Introduction to Women’s Studies: Gender in a Transnational World (McGraw-Hill 2001/2005), Between Woman and Nation: Transnational Feminisms and the State (Duke 1999), and Scattered Hegemonies: Postmodernity and Transnational Feminist Practices (Minnesota 1994) as well as two large-scale, digital multi-media scholarly works, Dead Reckoning (2007) and Precision Targets (2010). She is the series co-editor of Next Wave: New Directions in Women’s Studies for Duke University Press.
Ph.D. candidate (ABD) at Southeastern Baptist Theological Seminary (Wake Forest, NC) in the Biblical Studies (NT) program; Advisor: L. Scott Kellum; Secondary Reader: Andreas J. Köstenberger; Outside Reader: Craig A. Evans; Adjunct Professor of Greek (SEBTS); Pastor (Mays Chapel Baptist Church [SBC] Bear Creek, NC); Solo/Lead Docent Researcher; former VP and NT Editor of Inservimus – the PhD student journal of SEBTS; Research interests include: Paul (esp. Philippians), joy and human flourishing, marriage and family, faith, work, and economics, ars vivendi/moriendi, the afterlife imagery of the NT, and the parables of Jesus (esp. Lukan parables). Seeking a full-time teaching/ministry position.
Andrew Murphie works on process philosophy and a politics of differential social organisation, currently within a “third revolution” in media and communications (AI and automation, VR, data and signaletics, the world as medium). He has specialisations in digital and networked media, interaction, design, theories of affect, mind and world, Deleuze, Guattari and Whitehead, critical approaches to audit culture and managerial and educational uses of pseudoscience, and, more recently, AI and the future, including the future of education. He also works on climate change (and climate change communication) as part of a “catastrophic multiplicity” (at the junction of climate with media and social/economic changes). He was until 2020 an Associate Professor in Media and Communications at UNSW Sydney and has had an extensive working relationship with the good folks at The Senselab in Montréal. He has also been lucky enough to collaborate with Danish researchers in research that is ongoing. He has worked extensively in publishing, especially Open Access publishing, and has a strong interest in changing means of scholarly and para-academic communication. He is Editor of the Fibreculture Book Series with Open Humanities Press, Founding Editor in 2002, and continuing Editor, of the Fibreculture Journal, and an Editor of the Immediations Books Series with Punctum Books. He is on numerous other journal and book series boards. Recent and forthcoming publications include: “Technics Lifeless and Alive: Activity Without and With Content”, “The World as Medium: A Whiteheadian Media Philosophy”, “Fielding Affect”, “On Being Affected: feeling in the folding of multiple catastrophes”, “An Internet of Actual Occasions: Notes towards understanding 21st century tendencies in media, communications, and world”, “Auditland”, “On Not Performing”, “Making Sense: the transformation of documentary by digital and networked media”, “The Digital’s Amodal Affect”, and, with Lone Bertelsen, “An Ethics of Everyday Infinities and Powers: Félix Guattari on Affect and the Refrain”. Andrew has taught courses in Advanced Media Issues (from alternative, process and broadly ecologically based media and communications theories of the world as medium to considerations of the current third media revolution (after writing, and the duplication and distribution of representations [printing to computing]), and Climate Crisis, Media and Communications. He has has a longstanding interest in developing new situations in which learning can take place. He is a strong promoter and critic of educational technologies and techniques. He has also worked in the fields of Theatre and Performance, Film Studies, Literature and Cultural Studies and long ago as a Theatre Director. He is currently working on a book on The World as Medium, on reports and analyses of AI and other “third media revolution” technologies, and a co-authored book on the signaletic. Founding and Ongoing Editor The Fibreculture Journal Editor Fibreculture Books Editor 3Ecologies Books
Professor Development Studies UNSW. Recent books Borderland City in New India: frontier to gateway (2016: Amsterdam University Press), Debating Race in Contemporary India (2015: Palgrave/Springer), Northeast Migrants in Delhi: race, refuge, and retail (2012, Amsterdam University Press). Associate Editor South Asia: journal of South Asian studies (Taylor and Francis), Editorial Board Asian Borderlands Book Series (Amsterdam University Press), editor in Chief ASAA South Asia Book Series (Routledge), committee Asian Borderlands Research Network.
…ta de Flusser: Realidade na Era da Tecno-imagem. BOCC. Biblioteca On-line de Ciências da Comunicação, v. 2010, p. 1-8, 2010.60. VENANCIO, R. D. O.. Filosofia das Massas no Pós-Modernismo: Simulacro, Multiplicidade, Jogos de Linguagem e Multitude. Akrópolis (UNIPAR), v. 18, p. 183-194, 2010.61. VENANCIO, R. D. O.. Ironia e o Jornalismo de Karl Marx e Fri…
I am an Assistant Professor at the University of Augsburg, specialized in Latin American, Latina/o, Brazilian and Iberian Literatures, Cultural Studies and Film. The literatures I investigate in the United Stated (and beyond) are mostly written in Spanish and Portuguese. I am also most interested in indigenous notions and texts. Since 2007, I have been especially working on US Latina/o Literatures, Luso-American Literature (Adriana Lisboa) and Chicana Theory (Norma Alarcón, Chela Sandoval, Norma Cantú, Sandra Cisneros, Lourdes Portillo, etc.) which I have been both investigating and applying in my research as frame of reference on an international scale. I have been presenting in the El Mundo Zurdo Conference in San Antonio since 2009 (a conference organized to honor the life and work of Gloria Anzaldúa), and have been a member of the organizing committee since 2015. Here is my reading on Anzaldúa’s 2015 (posthumous) book “Light in the Dark”, published in August 2016 in Women’s Review of Books: https://www.wcwonline.org/Women-s-Review-of-Books-Mar/Apr-2016/conocimiento-lunar-lunar-knowledge In Europe, I am member of the ISLA (Institute for the Study of the Americas and the Iberian Peninsula) at the University of Augsburg, Germany, member of the AKA (Cultural Analysis Study Group) at the University of Vienna, and member of the ACE Traductores (Literary Translators of Spain). In the latter one, I have been recently translating Harold Pinter and John Barth from English to Spanish for the Spanish Edition of GRANTA (Galaxia Gutenberg, Barcelona) in the Casa del Traductor/Tarazona collective. Please read my text about this recent experience: https://actividadesacetraductores.wordpress.com/2016/07/27/cronica-de-los-talleres-de-traduccion-literaria-y-proceso-editorial-en-la-casa-del-traductor/