David Carson Berry is Professor of Music Theory at the University of Cincinnati’s College-Conservatory of Music, where he has taught since 2003. He earned his Ph.D. from Yale University in 2002, and received the Society for Music Theory’s “Emerging Scholar Award” in 2006. His research interests are wide-ranging and include: American popular music of the 1920s–60s; the theory and aesthetics of music of the mid-eighteenth through mid-twentieth centuries; and Schenkerian theory and its reception history in the U.S.
Rob is a lecturer in Archaeology in the School of History, Classics & Archaeology at Newcastle. Prior to joining Newcastle University, Rob was a Finds Liaison Officer for the Portable Antiquities Scheme.
I’m a political theorist in the Department of Political Science at the University of Amsterdam, and the co-editor of the European Journal of Political Theory. My main current project is a realist critical theory of legitimacy. This stems from the intersection of a number of interests: (i) methodological issues in political theory, e.g. realism vs moralism and, relatedly but separately, ideal vs non-ideal theory; (ii) the historical development liberal ideology; (iii) the normative status of political authority; (iv) the accommodation of diversity. More generally, I’m concerned with the relationship between the descriptive and the normative study of society.
Merrill Cole is Professor of English at Western Illinois University, where he teaches literature and creative writing. He spearheaded the development of the interdisciplinary undergraduate minor in Queer Studies, of which he serves as Advisor. In 2010-11, he was a Fulbright Senior Research Fellow in Germany. Cole is the author of The Other Orpheus: A Poetics of Modern Homosexuality, which was reissued in 2017, as well as numerous essays, creative narratives, and poems. His translation from the German of Anita Berber and Sebastian Droste’s Dances of Vice, Horror, and Ecstasy was published in 2012 by Side Real Press. He is HIV+.
I was born and raised in rural Northern Ontario and lived in Toronto for several years before relocating to the United States in 2015 to join the curatorial staff at Rare Book School. During my graduate studies, I worked at the rare book library and research centre, Joseph Sablé Centre for 19th Century French Studies, and taught undergraduate FSL and French Cultural Studies courses in the Department of French at the University of Toronto. My interdisciplinary doctoral dissertation focused on publishers of poetry in 19th century France, with particular attention paid to the careers of Auguste Poulet-Malassis, Alphonse Lemerre, and Léon Vanier. My current research has shifted towards the study of contemporary graphic novels and comic book culture.
Professor of Religious Studies | Mary W. and J. Stanley Johnson Professor of Humanities Scripps College (Claremont, California)
ECR based at UWA. Lover of all things Shakespearean. I work for the ARC Centre for Excellence for the History of Emotions (1100-1800) as its National Administrative Officer. I also work as the Executive Administrator for the Australian and New Zealand Association for Medieval and Early Modern Studies Inc., as the editorial assistant for the academic journal Parergon, and for the Centre for Medieval and Early Modern Studies at The University of Western Australia in both research and administrative roles. My current research project examines popular culture depictions of Richard III, and analyses how these works interpret and visually embody Richard and his disability. My research explores and analyses the clash between Early Modern performance texts and youth culture/popular culture, in particular the appropriation of Shakespeare by youth culture/popular culture and the expropriation of youth culture in the manufacture and marketing of Shakespeare. I have taught courses in Shakespeare, film adaptation, and Australian literature. My doctoral work concerned millennial Shakespearean cinematic adaptations, specifically the intersection of Shakespeare and popular culture, as well as the function of music within these films. As well as the analysis of film versions of Shakespeare, I am also interested in how Shakespeare is adapted in new media, such as music, advertising, television, graphic novels and children’s literature. In particular, I am interested at how Australian authors adapt Shakespeare for children via a variety of forms and genres.
Anna Viola Sborgi is a Film Studies graduate student at King’s College London. Her current research project focuses on representations of the urban regeneration of East London in screen media. She previously completed a PhD in Comparative Literature at the University of Genoa, Italy, in 2007. Her research has focused on film and television and on the relationships between literature and visual culture. She has published journal articles and presented at conferences on different subjects, from British film and television to literary and visual portraiture in Modernism. She is the editor, with Lawrence Napper of the special issue of Other Modernities ‘LondonIsOpen: London as a Cosmopolitan City in Contemporary Culture’. She was the lead organiser of the Cities in Crisis symposium at King’s College London in November 2016 and she co-chairs the Space and Place workgroup at NECS (European Network for Cinema and Media Studies). She an editorial board member at Mediapolis.