<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Knowledge Commons | Zahid R. Chaudhary | Activity</title>
	<link>https://hcommons.org/members/zrc/activity/</link>
	<atom:link href="https://hcommons.org/members/zrc/activity/feed/" rel="self" type="application/rss+xml" />
	<description>Activity feed for Zahid R. Chaudhary.</description>
	<lastBuildDate>Sat, 04 Apr 2026 09:21:12 -0400</lastBuildDate>
	<generator>https://buddypress.org/?v=10.6.0</generator>
	<language>en-US</language>
	<ttl>30</ttl>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>2</sy:updateFrequency>
	
						<item>
				<guid isPermaLink="false">d188d220a34f328cb460611dd7124856</guid>
				<title>Zahid R. Chaudhary deposited Paranoid Publics in the group 2020 MLA Convention</title>
				<link>https://mla.hcommons.org/activity/p/1780938/</link>
				<pubDate>Sat, 07 May 2022 02:24:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article takes up the insurrection in Washington DC, and the paranoid politics of QAnon. It analyzes the gamification of paranoia across QAnon and related paranoid publics, tracking such gamification as a political-economic demand generated by neoliberalism. Taking seriously Sigmund Freud's insight that delusional formations are attempts at&hellip;<span class="activity-read-more" id="activity-read-more-1780938"><a href="https://mla.hcommons.org/activity/p/1780938/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">1431b7bec17bc431656c5f9b2d3cac61</guid>
				<title>Zahid R. Chaudhary deposited Paranoid Publics</title>
				<link>https://hcommons.org/activity/p/1780886/</link>
				<pubDate>Fri, 06 May 2022 14:02:08 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article takes up the insurrection in Washington DC, and the paranoid politics of QAnon. It analyzes the gamification of paranoia across QAnon and related paranoid publics, tracking such gamification as a political-economic demand generated by neoliberalism. Taking seriously Sigmund Freud's insight that delusional formations are attempts at&hellip;<span class="activity-read-more" id="activity-read-more-1780886"><a href="https://hcommons.org/activity/p/1780886/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">c6ee2dfb6498bbbe2bf243086c470faa</guid>
				<title>Zahid R. Chaudhary deposited The Politics of Exposure: Truth After Post-Facts in the group 2020 MLA Convention</title>
				<link>https://mla.hcommons.org/activity/p/1692263/</link>
				<pubDate>Fri, 19 Jun 2020 03:50:57 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay analyzes contemporary politics of truth across overlapping contexts: the predicament of whistleblowers, the proliferation of digital disinformation, the extractive imperatives of data economies, and the impossibility of exposing the truth when exposé becomes itself a game. The essay reads the recent cultural and political interest in&hellip;<span class="activity-read-more" id="activity-read-more-1692263"><a href="https://mla.hcommons.org/activity/p/1692263/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">3f358768528b47e26ef02f5c2235d257</guid>
				<title>Zahid R. Chaudhary deposited The Politics of Exposure: Truth After Post-Facts</title>
				<link>https://mla.hcommons.org/activity/p/1692163/</link>
				<pubDate>Thu, 18 Jun 2020 15:06:27 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay analyzes contemporary politics of truth across overlapping contexts: the predicament of whistleblowers, the proliferation of digital disinformation, the extractive imperatives of data economies, and the impossibility of exposing the truth when exposé becomes itself a game. The essay reads the recent cultural and political interest in&hellip;<span class="activity-read-more" id="activity-read-more-1692163"><a href="https://mla.hcommons.org/activity/p/1692163/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">2dbd5e8f90b5bcb2497a7eb9e00bee52</guid>
				<title>Zahid R. Chaudhary deposited Sacrificing Citizenship: On Muslims and Assimilation in a Neoliberal Frame</title>
				<link>https://hcommons.org/activity/p/1665355/</link>
				<pubDate>Thu, 03 Oct 2019 16:55:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article analyzes the discourse concerning the assimilation of Muslim minorities in the United States and suggests that calls for assimilation are solicitations for a form of self-renunciation and sacrifice. Yet such solicitations occur against the economic and political background of neoliberalism, in which all citizens are asked to make&hellip;<span class="activity-read-more" id="activity-read-more-1665355"><a href="https://hcommons.org/activity/p/1665355/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">6d924e19fbfe3393c6f61bbb9e86aef6</guid>
				<title>Zahid R. Chaudhary deposited Desert Blooms</title>
				<link>https://hcommons.org/activity/p/1659212/</link>
				<pubDate>Wed, 31 Jul 2019 21:25:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay considers the place of abstraction in documentary photography, a genre whose primary aesthetic-political commitment is usually assumed to be on the side of figuration, denotation, and facticity. Taking up photographer Fazal Sheikh's photographic series Desert Bloom, which records natural and human-made disturbances in the Naqab/Negev&hellip;<span class="activity-read-more" id="activity-read-more-1659212"><a href="https://hcommons.org/activity/p/1659212/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">2e1932a256ad1e6b582565cca591ebcf</guid>
				<title>Zahid R. Chaudhary&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1630235/</link>
				<pubDate>Thu, 24 Jan 2019 18:13:55 -0500</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">1dc1535754e21ca47226208de21b91bb</guid>
				<title>Zahid R. Chaudhary deposited Subjects in Difference: Walter Benjamin, Frantz Fanon, and Postcolonial Theory</title>
				<link>https://hcommons.org/activity/p/1629615/</link>
				<pubDate>Thu, 17 Jan 2019 18:50:56 -0500</pubDate>

									<content:encoded><![CDATA[<p>This essay aims to rethink historical difference in light of Walter Benjamin’s formulation of mimesis and Frantz Fanon’s phenomenology of difference. Divided into three parts, the essay engages Dipesh Chakrabarty’s account of historical difference, considers how an understanding of mimesis might safeguard against some of the philosophical pitfa&hellip;<span class="activity-read-more" id="activity-read-more-1629615"><a href="https://hcommons.org/activity/p/1629615/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">ffe1a9020a3ca7aca92d01739fe913eb</guid>
				<title>Zahid R. Chaudhary deposited Itinerant Photography: Medium and Translation in the Work of Imran Channa</title>
				<link>https://hcommons.org/activity/p/1629614/</link>
				<pubDate>Thu, 17 Jan 2019 18:47:49 -0500</pubDate>

									<content:encoded><![CDATA[<p>Analysis of photography's engagement with history and its implications for photographic medium</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">d0ebb7ff2b03c25f74ecfa325cb520f6</guid>
				<title>Zahid R. Chaudhary deposited On Finitude: Life and Death Under Neoliberalism</title>
				<link>https://hcommons.org/activity/p/1629610/</link>
				<pubDate>Thu, 17 Jan 2019 18:39:43 -0500</pubDate>

									<content:encoded><![CDATA[<p>Essay in contemporary Indian photography, for Fotofest 2018</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">8a5d6641d990ca5ab8ea186b2fa75b9a</guid>
				<title>Zahid R. Chaudhary deposited Impunity (Political Concepts)</title>
				<link>https://hcommons.org/activity/p/1629609/</link>
				<pubDate>Thu, 17 Jan 2019 18:33:44 -0500</pubDate>

									<content:encoded><![CDATA[<blockquote class="wp-embedded-content" data-secret="lsFzQeq6l5"><p><a href="https://www.politicalconcepts.org/impunity-zahid-r-chaudhary/" rel="nofollow ugc">Impunity : Zahid R. Chaudhary</a></p></blockquote>
<p><iframe loading="lazy" class="wp-embedded-content" sandbox="allow-scripts" security="restricted" style="position: absolute; visibility: hidden;" title="&#8220;Impunity : Zahid R. Chaudhary&#8221; &#8212; " src="https://www.politicalconcepts.org/impunity-zahid-r-chaudhary/embed/#?secret=IMsr4yLTYl#?secret=lsFzQeq6l5" data-secret="lsFzQeq6l5" width="500" height="282" frameborder="0" marginwidth="0" marginheight="0" scrolling="no"></iframe></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">d8680c319fa41358f5d7223e71fc1051</guid>
				<title>Zahid R. Chaudhary deposited This Time with Feeling: Impunity and the Play of Fantasy in The Act of Killing</title>
				<link>https://hcommons.org/activity/p/1629605/</link>
				<pubDate>Thu, 17 Jan 2019 18:29:16 -0500</pubDate>

									<content:encoded><![CDATA[<p>Through a psychoanalytic reading of Joshua Oppenheimer’s documentary The Act of Killing, this essay considers the role of fantasy in genocidal Cold War violence. Considering both Oppenheimer’s film and also Frantz Fanon’s clinical case studies as investigations into impunity, the essay analyzes fantasy’s place in global violence and in the psychol&hellip;<span class="activity-read-more" id="activity-read-more-1629605"><a href="https://hcommons.org/activity/p/1629605/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">1c6b9f3a437874d6c26c1802406345b6</guid>
				<title>Zahid R. Chaudhary deposited Humanity Adrift: Race, Materiality, and Allegory in Alfonso Cuarón's Children of Men</title>
				<link>https://hcommons.org/activity/p/1629602/</link>
				<pubDate>Thu, 17 Jan 2019 18:25:23 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article aims for an account of materiality that helps apprehend race as a material reality while attending to its semiotic, aesthetic, and cultural signification. Through a close reading of Alfonso Cuarón's film, Children of Men (UK, 2006), the author argues that allegory is a figure for recasting the problematic of racial alterity as a&hellip;<span class="activity-read-more" id="activity-read-more-1629602"><a href="https://hcommons.org/activity/p/1629602/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">118468d17e36e77b1e4b4659afa95e27</guid>
				<title>Zahid R. Chaudhary&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1629590/</link>
				<pubDate>Thu, 17 Jan 2019 18:04:42 -0500</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
		
	</channel>
</rss>