Other Publications
“Who Wooed Desdemona? The Crux at Othello III, iii, 94.”
Notes and Queries, 64.2 (June 2017): 284-287.
“Shakespeare’s Hand Unknown in
Sir Thomas More: Thompson, Dawson, and the Futility of the Paleographic Argument.”
Shakespeare Quarterly, 67.2 (Summer 2016): 180-203.
Shakespearean Tragedy as Chivalric Romance: RethinkingMacbeth, Hamlet, Othello,
andKing Lear. 2ndedn., revised and enlarged. 2014.
http://umich.academia.edu/MichaelLHays
http://shakespearebywhiteknyght.blogspot.com
“What Kind of Play Is
Troilus and Cressida?”
Explorations in Renaissance Culture, 39.2 (Winter 2013): 41-52.
“Othello’s Jealousy: From Textual Crux to Critical Conundrum.”
Discoveries in Renaissance Culture. Online Publications of the South-Central Renaissance Conference, 29.1 (Spring 2012).
“Roles, Wrongs, and Revenge: Malvolio in
Twelfth Night.”
The Shakespeare Newsletter, 59.3 No. 279 (Winter 2009/2010): 101-02, 110.
“What Means a Knight?: Red Cross Knight and Edgar.”
Shakespeare and Spenser: Attractive Opposites. Manchester: Manchester University Press, 2008. 226-41.
“Is Renaissance Shakespeare Medieval or Modern?”
Discoveries in Renaissance Culture. Online Publications of the South-Central Renaissance Conference, 25.1 (Spring 2008).
Shakespearean Tragedy as Chivalric Romance: RethinkingMacbeth, Hamlet, Othello,
andKing Lear. Woodbridge: Boydell & Brewer, 2003.
Review of
Shakespeare after Theory, by David Scott Kastan.
Comparative Drama35.1 (Spring 2001): 125-38.
King Horn: A Prose Rendition. (Copyrighted 1987, 1989, 1994, 1999).
“A Bibliography of Dramatic Adaptations of Medieval Romances and Renaissance Chivalric Romances First Available in English through 1616.”
Research Opportunities in Renaissance Drama, XXVIII (1985 [1986]): 87-109.
“Shakespeare’s Hand in
Sir Thomas More: Some Aspects of the Paleographic Argument.”
Shakespeare StudiesVIII (1975): 241-53.
Review of
The Dark Ages and the Age of Gold, by Russell Fraser.
Modern Language Review70 (1975): 384-85.
“Watermarks in the Manuscript of
Sir Thomas Moreand a Possible Collation.”
Shakespeare QuarterlyXXVI.1 (Winter, 1975): 66-69.
“An Appraisal of Alfred de Vigny’s
Le More de Veniseand its Place in the History of the French Theatre.”
Rackham Literary Studies 1972, No. 3 (Fall 1973): 51-63.
