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	<title>Knowledge Commons | Willamae Boling | Activity</title>
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				<title>Willamae Boling wrote a new post, Read my talk at NYC DH Week!, on the site W Boling @ Humanities Commons</title>
				<link>https://boling.hcommons.org/?p=65</link>
				<pubDate>Tue, 16 Jun 2020 16:26:24 -0400</pubDate>

									<content:encoded><![CDATA[<p>NYC DH week was great, but wow, what a long time ago. Listen, there's been a pandemic since then, a lot is going on. Anyway, I invite you to read the talk I gave, and to take a look at the power point. It's up over here.</p>
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				<title>Willamae Boling wrote a new post, Gender Reveal Party Updates!, on the site W Boling @ Humanities Commons</title>
				<link>https://boling.hcommons.org/?p=54</link>
				<pubDate>Mon, 16 Dec 2019 03:05:41 -0500</pubDate>

									<content:encoded><![CDATA[<p>Gender Reveal Party is now ready to be launched into the world for the very first time. It is still broken in some crucial ways, but I think that the preponderance of acts one and two are playable, without screen [&hellip;] <img loading="lazy" src="https://hcommons.org/app/uploads/sites/1001560/2019/12/StartPage_2019_12_15-300x169.png" /></p>
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				<title>Willamae Boling&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1669846/</link>
				<pubDate>Mon, 11 Nov 2019 20:01:25 -0500</pubDate>

				
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				<title>Willamae Boling created the site W Boling @ Humanities Commons</title>
				<link>https://hcommons.org/activity/p/1667138/</link>
				<pubDate>Tue, 22 Oct 2019 15:43:33 -0400</pubDate>

				
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				<title>Willamae Boling deposited Who Killed B. B. Homemaker?  Normative and Critical Whiteness in Beyoncé’s Music Videos in the group Performance Studies</title>
				<link>https://hcommons.org/activity/p/1662910/</link>
				<pubDate>Mon, 09 Sep 2019 16:26:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>This thesis focuses on the ways that Beyoncé traverses the boundaries between black and white. In his oft-quoted maxim from White, Richard Dyer states the goal of his book: to make whiteness strange. Using the lenses of critical whiteness studies, and performance studies, I mark the ways in which Beyoncé, one of the pre-eminent pop star of our t&hellip;<span class="activity-read-more" id="activity-read-more-1662910"><a href="https://hcommons.org/activity/p/1662910/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Willamae Boling deposited Who Killed B. B. Homemaker?  Normative and Critical Whiteness in Beyoncé’s Music Videos</title>
				<link>https://hcommons.org/activity/p/1662573/</link>
				<pubDate>Thu, 05 Sep 2019 15:38:18 -0400</pubDate>

									<content:encoded><![CDATA[<p>This thesis focuses on the ways that Beyoncé traverses the boundaries between black and white. In his oft-quoted maxim from White, Richard Dyer states the goal of his book: to make whiteness strange. Using the lenses of critical whiteness studies, and performance studies, I mark the ways in which Beyoncé, one of the pre-eminent pop star of our t&hellip;<span class="activity-read-more" id="activity-read-more-1662573"><a href="https://hcommons.org/activity/p/1662573/" rel="nofollow ugc">[Read more]</a></span></p>
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