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	<title>Knowledge Commons | Ryan Watson | Activity</title>
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				<title>Ryan Watson deposited Introduction: radical documentary today in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1705413/</link>
				<pubDate>Sat, 15 Aug 2020 02:23:50 -0400</pubDate>

									<content:encoded><![CDATA[<p>The introduction to a special issue of Studies in Documentary Film I co-edited with Sarah Hamblin on "Radical Documentary in the Globalized Age of New Media"</p>
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				<title>Ryan Watson deposited Introduction: radical documentary today in the group Film Studies</title>
				<link>https://hcommons.org/activity/p/1705412/</link>
				<pubDate>Sat, 15 Aug 2020 02:23:41 -0400</pubDate>

									<content:encoded><![CDATA[<p>The introduction to a special issue of Studies in Documentary Film I co-edited with Sarah Hamblin on "Radical Documentary in the Globalized Age of New Media"</p>
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				<title>Ryan Watson deposited Introduction: radical documentary today</title>
				<link>https://hcommons.org/activity/p/1705396/</link>
				<pubDate>Fri, 14 Aug 2020 21:48:32 -0400</pubDate>

									<content:encoded><![CDATA[<p>The introduction to a special issue of Studies in Documentary Film I co-edited with Sarah Hamblin on "Radical Documentary in the Globalized Age of New Media"</p>
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				<title>Ryan Watson posted a new activity comment</title>
				<link>https://hcommons.org/activity/p/1664354/#acomment-1665599</link>
				<pubDate>Mon, 07 Oct 2019 01:17:50 -0400</pubDate>

									<content:encoded><![CDATA[<p>Thanks, Frank! I’ll take a look.</p>
				<strong>In reply to</strong> -
				<a href="https://hcommons.org/members/watsonry/" rel="nofollow ugc">Ryan Watson</a> deposited <a href="https://hcommons.org/deposits/item/hc:26745/" rel="nofollow ugc">In the Wakes of Rodney King: Militant Evidence and Media Activism in the Age of Viral Black Death</a> in the group <a href="https://hcommons.org/groups/film-studies/" rel="nofollow ugc">Film Studies</a> This essay explores the historical and critical legacy of the [&hellip;]			]]></content:encoded>
				
				
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				<title>Ryan Watson deposited Affective radicality: prisons, Palestine, and interactive documentary in the group Film Studies</title>
				<link>https://hcommons.org/activity/p/1664355/</link>
				<pubDate>Tue, 24 Sep 2019 16:25:53 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay analyzes two recent interactive documentary projects: Sharon Daniel’s Public Secrets (2006), an exploration of the prison industrial complex through the testimonies of female inmates in California, and Zohar Kfir’s Points of View (2014) which “maps” Palestinian video advocacy projects made for and/or disseminated by B’Tselem, a human r&hellip;<span class="activity-read-more" id="activity-read-more-1664355"><a href="https://hcommons.org/activity/p/1664355/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ryan Watson deposited In the Wakes of Rodney King: Militant Evidence and Media Activism in the Age of Viral Black Death in the group Film Studies</title>
				<link>https://hcommons.org/activity/p/1664354/</link>
				<pubDate>Tue, 24 Sep 2019 16:25:49 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay explores the historical and critical legacy of the Rodney King tape, namely, it’s transformation of the concerns of the field of documentary studies in the turn toward “visible evidence” in the 1990s. This turn privileged the power of visibility, particularly in radical and activist practices, but visibility is a fraught concept for m&hellip;<span class="activity-read-more" id="activity-read-more-1664354"><a href="https://hcommons.org/activity/p/1664354/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ryan Watson deposited Affective radicality: prisons, Palestine, and interactive documentary</title>
				<link>https://hcommons.org/activity/p/1664043/</link>
				<pubDate>Fri, 20 Sep 2019 14:16:27 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay analyzes two recent interactive documentary projects: Sharon Daniel’s Public Secrets (2006), an exploration of the prison industrial complex through the testimonies of female inmates in California, and Zohar Kfir’s Points of View (2014) which “maps” Palestinian video advocacy projects made for and/or disseminated by B’Tselem, a human r&hellip;<span class="activity-read-more" id="activity-read-more-1664043"><a href="https://hcommons.org/activity/p/1664043/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ryan Watson deposited In the Wakes of Rodney King: Militant Evidence and Media Activism in the Age of Viral Black Death</title>
				<link>https://hcommons.org/activity/p/1664041/</link>
				<pubDate>Fri, 20 Sep 2019 14:11:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay explores the historical and critical legacy of the Rodney King tape, namely, it’s transformation of the concerns of the field of documentary studies in the turn toward “visible evidence” in the 1990s. This turn privileged the power of visibility, particularly in radical and activist practices, but visibility is a fraught concept for m&hellip;<span class="activity-read-more" id="activity-read-more-1664041"><a href="https://hcommons.org/activity/p/1664041/" rel="nofollow ugc">[Read more]</a></span></p>
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