<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Knowledge Commons | Holly Dugan | Activity</title>
	<link>https://hcommons.org/members/trickyholly/activity/</link>
	<atom:link href="https://hcommons.org/members/trickyholly/activity/feed/" rel="self" type="application/rss+xml" />
	<description>Activity feed for Holly Dugan.</description>
	<lastBuildDate>Sun, 05 Apr 2026 04:36:49 -0400</lastBuildDate>
	<generator>https://buddypress.org/?v=10.6.0</generator>
	<language>en-US</language>
	<ttl>30</ttl>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>2</sy:updateFrequency>
	
						<item>
				<guid isPermaLink="false">764ae69e99958dc7962065a209d6ebd6</guid>
				<title>Holly Dugan&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1740745/</link>
				<pubDate>Mon, 07 Jun 2021 15:32:29 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">f0d34613f0f442721a32ce6165b5e8f3</guid>
				<title>Holly Dugan posted a new activity comment</title>
				<link>https://hcommons.org/activity/p/1696370/#acomment-1696371</link>
				<pubDate>Fri, 10 Jul 2020 12:29:58 -0400</pubDate>

									<content:encoded><![CDATA[<p>Hello and thank you for your comment--yes! I've been working on another project but it just finished up and I hope to start posting here more regularly about research on 18th-century apes and about sixteenth-century ones as well. More soon!</p>
				<strong>In reply to</strong> -
				<a href="https://hcommons.org/members/trickyholly/" rel="nofollow ugc">Holly Dugan</a> wrote a new post, <a href="https://thefamousape.hcommons.org/?p=55" rel="nofollow ugc">"A Chimp for All Seasons"</a>, on the site <a href="https://thefamousape.hcommons.org" rel="nofollow ugc">The Famous Ape</a> 

One thing that is hard about documenting the lives of famous apes (especially those who are/were famous as performers) is the [&hellip;]			]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">bba4db82c0680145528b2a0da404f1bb</guid>
				<title>Holly Dugan deposited Shakespeare Performed: Courtyard Theatre's King Lear with Sheep</title>
				<link>https://mla.hcommons.org/activity/p/1615381/</link>
				<pubDate>Mon, 13 Aug 2018 17:40:56 -0400</pubDate>

									<content:encoded><![CDATA[<p>Draft of pre-publication review of Courtyard Theatre's 2016 production of Missouri Williams' King Lear with Sheep. For the published and corrected version, please see: <a href="https://shakespearequarterly.folger.edu/web_exclusive/shakespeare-performed-courtyard-theatres-king-lear-with-sheep/" rel="nofollow ugc">https://shakespearequarterly.folger.edu/web_exclusive/shakespeare-performed-courtyard-theatres-king-lear-with-sheep/</a></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">9bf60133cc424dc3fcde8389a30b8f84</guid>
				<title>Holly Dugan wrote a new post, "A Chimp for All Seasons", on the site The Famous Ape</title>
				<link>https://thefamousape.hcommons.org/?p=55</link>
				<pubDate>Fri, 27 Jul 2018 10:55:28 -0400</pubDate>

									<content:encoded><![CDATA[<p>One thing that is hard about documenting the lives of famous apes (especially those who are/were famous as performers) is the way that we conflate character, stage name, and animal. We see “Cheeta,” “Zi [&hellip;] <img loading="lazy" src="https://hcommons.org/app/uploads/sites/1001114/2018/07/Screenshot-2018-07-18-16.29.58.png" /></p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">6a006041c257799f61b786b4bdcd15ef</guid>
				<title>Holly Dugan&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1613940/</link>
				<pubDate>Wed, 25 Jul 2018 17:59:03 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">58717573ed0b40ad7a748a8e42841296</guid>
				<title>Holly Dugan deposited Shakespeare and the Senses</title>
				<link>https://mla.hcommons.org/activity/p/1610849/</link>
				<pubDate>Thu, 14 Jun 2018 19:16:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>his article examines recent critical approaches to Shakespeare and the senses. Historicizing the senses has posed certain methodological challenges: what is the relationship between subjective sensory perceptions and broader cultural understandings of sensation? Does the sensate have a history? Recent work on each of the five senses demonstrates&hellip;<span class="activity-read-more" id="activity-read-more-1610849"><a href="https://mla.hcommons.org/activity/p/1610849/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">07041c64fd8a4ce115d9ece0b1ec64d6</guid>
				<title>Holly Dugan deposited "To Bark With Judgement": Playing Baboon in Early Modern London</title>
				<link>https://hcommons.org/activity/p/1610848/</link>
				<pubDate>Thu, 14 Jun 2018 19:10:24 -0400</pubDate>

									<content:encoded><![CDATA[<p>Who or what played the baboon on early modern London's stages? Such a question may seem as obscure as its answer obvious; I ask it, however, to foreground the long history of trained animal performers and their relationship to canonical English drama. The surprising presence of performing baboons in early modern London has been mostly forgotten or&hellip;<span class="activity-read-more" id="activity-read-more-1610848"><a href="https://hcommons.org/activity/p/1610848/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">f6bcdce65d55b072348ecede4fb3eec7</guid>
				<title>Holly Dugan deposited Scent of a Woman: Performing the Politics of Smell in Late Medieval and Early Modern England</title>
				<link>https://mla.hcommons.org/activity/p/1606000/</link>
				<pubDate>Tue, 10 Apr 2018 19:42:57 -0400</pubDate>

									<content:encoded><![CDATA[<p>Olfaction has not figured largely in scholarly or popular understanding of early English stages; as stage properties, scents have rarely impacted the critical work on late medieval or early modern material histories of the stage, no doubt due to the assumption that olfaction lacks both a history and an archive.  Nonetheless, for late medieval and&hellip;<span class="activity-read-more" id="activity-read-more-1606000"><a href="https://mla.hcommons.org/activity/p/1606000/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">d5ae439770c29ba85d64fb04ff58a514</guid>
				<title>Holly Dugan&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1605983/</link>
				<pubDate>Tue, 10 Apr 2018 18:18:55 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
		
	</channel>
</rss>