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	<title>Knowledge Commons | Susan M. Nakley | Activity</title>
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				<title>Susan M. Nakley&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1795053/</link>
				<pubDate>Wed, 21 Sep 2022 16:34:08 -0400</pubDate>

				
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				<title>Susan M. Nakley deposited "Rowned She a Pistel": National Institutions and Identities According to Chaucer's Wife of Bath in the group LLC Middle English</title>
				<link>https://mla.hcommons.org/activity/p/1622019/</link>
				<pubDate>Thu, 25 Oct 2018 03:54:28 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article analyzes the politics of anachronism in Chaucer’s Wife of Bath’s Tale. It argues that the Wife of Bath counters the Man of Law’s descending model of sovereignty and regulation of feminine agency with a powerful heroine who wields ascending sovereignty. The Old Wife lives in her Arthurian present and its English future simul&hellip;<span class="activity-read-more" id="activity-read-more-1622019"><a href="https://mla.hcommons.org/activity/p/1622019/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Susan M. Nakley deposited "Rowned She a Pistel": National Institutions and Identities According to Chaucer's Wife of Bath in the group LLC Chaucer</title>
				<link>https://mla.hcommons.org/activity/p/1622018/</link>
				<pubDate>Thu, 25 Oct 2018 03:52:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article analyzes the politics of anachronism in Chaucer’s Wife of Bath’s Tale. It argues that the Wife of Bath counters the Man of Law’s descending model of sovereignty and regulation of feminine agency with a powerful heroine who wields ascending sovereignty. The Old Wife lives in her Arthurian present and its English future simul&hellip;<span class="activity-read-more" id="activity-read-more-1622018"><a href="https://mla.hcommons.org/activity/p/1622018/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Susan M. Nakley deposited "Rowned She a Pistel": National Institutions and Identities According to Chaucer's Wife of Bath in the group CLCS Medieval</title>
				<link>https://mla.hcommons.org/activity/p/1622017/</link>
				<pubDate>Thu, 25 Oct 2018 03:50:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article analyzes the politics of anachronism in Chaucer’s Wife of Bath’s Tale. It argues that the Wife of Bath counters the Man of Law’s descending model of sovereignty and regulation of feminine agency with a powerful heroine who wields ascending sovereignty. The Old Wife lives in her Arthurian present and its English future simul&hellip;<span class="activity-read-more" id="activity-read-more-1622017"><a href="https://mla.hcommons.org/activity/p/1622017/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Susan M. Nakley deposited "Rowned She a Pistel": National Institutions and Identities According to Chaucer's Wife of Bath in the group CLCS Arthurian</title>
				<link>https://mla.hcommons.org/activity/p/1622016/</link>
				<pubDate>Thu, 25 Oct 2018 03:48:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article analyzes the politics of anachronism in Chaucer’s Wife of Bath’s Tale. It argues that the Wife of Bath counters the Man of Law’s descending model of sovereignty and regulation of feminine agency with a powerful heroine who wields ascending sovereignty. The Old Wife lives in her Arthurian present and its English future simul&hellip;<span class="activity-read-more" id="activity-read-more-1622016"><a href="https://mla.hcommons.org/activity/p/1622016/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Susan M. Nakley started the topic MLA Committee Elections:  LLC Middle English in the discussion LLC Middle English</title>
				<link>https://mla.hcommons.org/groups/middle-english/forum/topic/mla-committee-elections-llc-middle-english/</link>
				<pubDate>Wed, 24 Oct 2018 17:13:37 -0400</pubDate>

									<content:encoded><![CDATA[<p>Hello, fellow Middle English Forum members! My name is Susan Nakley, and I am both honored and thrilled to be nominated for election to our forum’s executive committee. Currently, I am an Associate Professor and the Associate Chairperson in the English Department at St. Joseph’s College, New York, where I began teaching after defending my dis&hellip;<span class="activity-read-more" id="activity-read-more-1621964"><a href="https://mla.hcommons.org/groups/middle-english/forum/topic/mla-committee-elections-llc-middle-english/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Susan M. Nakley deposited On the Unruly Power of Pain in Middle English Drama in the group TC Postcolonial Studies</title>
				<link>https://mla.hcommons.org/activity/p/1621953/</link>
				<pubDate>Wed, 24 Oct 2018 16:41:24 -0400</pubDate>

									<content:encoded><![CDATA[<p>Late medieval culture tends to value pain highly and positively. Accordingly, much medievalist scholarship links pain with fear and emphasizes their usefulness in the period’s philosophy, literature, visual art, and drama. Yet, key moments in The York Play of the Crucifixion, The Second Shepherds’ Play, and The Tretise of Miraclis Pleyinge tro&hellip;<span class="activity-read-more" id="activity-read-more-1621953"><a href="https://mla.hcommons.org/activity/p/1621953/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Susan M. Nakley deposited On the Unruly Power of Pain in Middle English Drama in the group TC Philosophy and Literature</title>
				<link>https://mla.hcommons.org/activity/p/1621951/</link>
				<pubDate>Wed, 24 Oct 2018 16:33:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>Late medieval culture tends to value pain highly and positively. Accordingly, much medievalist scholarship links pain with fear and emphasizes their usefulness in the period’s philosophy, literature, visual art, and drama. Yet, key moments in The York Play of the Crucifixion, The Second Shepherds’ Play, and The Tretise of Miraclis Pleyinge tro&hellip;<span class="activity-read-more" id="activity-read-more-1621951"><a href="https://mla.hcommons.org/activity/p/1621951/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Susan M. Nakley deposited On the Unruly Power of Pain in Middle English Drama in the group LLC Middle English</title>
				<link>https://mla.hcommons.org/activity/p/1621950/</link>
				<pubDate>Wed, 24 Oct 2018 16:32:02 -0400</pubDate>

									<content:encoded><![CDATA[<p>Late medieval culture tends to value pain highly and positively. Accordingly, much medievalist scholarship links pain with fear and emphasizes their usefulness in the period’s philosophy, literature, visual art, and drama. Yet, key moments in The York Play of the Crucifixion, The Second Shepherds’ Play, and The Tretise of Miraclis Pleyinge tro&hellip;<span class="activity-read-more" id="activity-read-more-1621950"><a href="https://mla.hcommons.org/activity/p/1621950/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Susan M. Nakley deposited On the Unruly Power of Pain in Middle English Drama in the group GS Drama and Performance</title>
				<link>https://mla.hcommons.org/activity/p/1621949/</link>
				<pubDate>Wed, 24 Oct 2018 16:27:46 -0400</pubDate>

									<content:encoded><![CDATA[<p>Late medieval culture tends to value pain highly and positively. Accordingly, much medievalist scholarship links pain with fear and emphasizes their usefulness in the period’s philosophy, literature, visual art, and drama. Yet, key moments in The York Play of the Crucifixion, The Second Shepherds’ Play, and The Tretise of Miraclis Pleyinge tro&hellip;<span class="activity-read-more" id="activity-read-more-1621949"><a href="https://mla.hcommons.org/activity/p/1621949/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Susan M. Nakley deposited On the Unruly Power of Pain in Middle English Drama in the group CLCS Medieval</title>
				<link>https://mla.hcommons.org/activity/p/1621948/</link>
				<pubDate>Wed, 24 Oct 2018 16:25:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>Late medieval culture tends to value pain highly and positively. Accordingly, much medievalist scholarship links pain with fear and emphasizes their usefulness in the period’s philosophy, literature, visual art, and drama. Yet, key moments in The York Play of the Crucifixion, The Second Shepherds’ Play, and The Tretise of Miraclis Pleyinge tro&hellip;<span class="activity-read-more" id="activity-read-more-1621948"><a href="https://mla.hcommons.org/activity/p/1621948/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Susan M. Nakley deposited "Rowned She a Pistel": National Institutions and Identities According to Chaucer's Wife of Bath</title>
				<link>https://mla.hcommons.org/activity/p/1621912/</link>
				<pubDate>Wed, 24 Oct 2018 04:38:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article analyzes the politics of anachronism in Chaucer’s Wife of Bath’s Tale. It argues that the Wife of Bath counters the Man of Law’s descending model of sovereignty and regulation of feminine agency with a powerful heroine who wields ascending sovereignty. The Old Wife lives in her Arthurian present and its English future simul&hellip;<span class="activity-read-more" id="activity-read-more-1621912"><a href="https://mla.hcommons.org/activity/p/1621912/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Susan M. Nakley&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1621875/</link>
				<pubDate>Tue, 23 Oct 2018 16:07:10 -0400</pubDate>

				
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				<title>Susan M. Nakley deposited On the Unruly Power of Pain in Middle English Drama</title>
				<link>https://hcommons.org/activity/p/1621870/</link>
				<pubDate>Tue, 23 Oct 2018 15:47:47 -0400</pubDate>

									<content:encoded><![CDATA[<p>Late medieval culture tends to value pain highly and positively. Accordingly, much medievalist scholarship links pain with fear and emphasizes their usefulness in the period’s philosophy, literature, visual art, and drama. Yet, key moments in The York Play of the Crucifixion, The Second Shepherds’ Play, and The Tretise of Miraclis Pleyinge tro&hellip;<span class="activity-read-more" id="activity-read-more-1621870"><a href="https://hcommons.org/activity/p/1621870/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Susan M. Nakley changed their profile picture</title>
				<link>https://mla.hcommons.org/activity/p/46755/</link>
				<pubDate>Fri, 11 Oct 2013 04:00:09 -0400</pubDate>

				
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				<title>Susan M. Nakley changed their profile picture</title>
				<link>https://mla.hcommons.org/activity/p/46754/</link>
				<pubDate>Fri, 11 Oct 2013 03:57:02 -0400</pubDate>

				
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