AboutSarah is Postdoctoral Researcher in the Humanities at the Society of Architectural Historians.
This is a newly created position supported by the Andrew W. Mellon Foundation. Sarah is charged with collecting data over the next 21 months to help SAH and the Mellon Foundation understand the current status of architectural history in higher education in the United States.
As a historian and educator, Sarah has focused on the connections between architecture and modernity since the industrial and scientific revolutions of the late-18th century. Her next project will study Sigfried Giedion’s appropriation of Einstein’s theory of relativity for Space, Time, and Architecture
She is also a digital humanist; her latest project is Contingent Talk
, a limited-run podcast series about precarious academic labor that she produced for the College Art Association’s CAA Conversations
initiative. Two of Sarah’s other digital humanities projects can also be viewed online right now. One is The Vanishing Porch in Perspective
, a #MeToo/#TimesUp-inspired website she developed as a companion for an academic article she wrote about the Farnsworth House. The other is Afterimages
, an online exhibition about the intersection of democratic free expression and historic preservation in Chile that Sarah developed in collaboration with Dr. Catherine Burdick.
Humanities Commons administrators highlighted The Vanishing Porch in Perspective
during their session at CAA’s 2018 annual conference (see slides 28 & 29 here
for more details). You can also listen to Sarah talk about her project site design in this Platypus
blog post: HC User Spotlight: Sarah M. Dreller
Sarah is a member of the Women Also Know History network. Here is her individual scholar page
Sarah was a part-time professor and mentor from 1996 until 2017. She also had an award-wining predoctoral career was a historic preservation project manager. She is a qualified Architectural Historian under the United States Secretary of the Interior’s Professional Qualification Standards 36 CFR Appendix A to Part 61(c)
Read more about Sarah in this July 2017 interview
by Design Feast.
Sarah is a runner and enjoys following tennis and Formula 1. She also loves anything having to do with space—especially sci-fi films of all kinds–and is determined to attend NASA Space Camp one day.
PhD – Department of Art History, University of Illinois at Chicago
MArchHist – Department of Architectural History, University of Virginia
BA – International Affairs (history & economics), Florida State University
Editing Certificate – Graham School of Continuing Liberal and Professional Studies, University of Chicago
International Certificate of Spanish Language – Department of Philology, Universidad Complutense de Madrid
architectural design studio, design theory, and materials & methods – School of Architecture & Community Design, University of South Florida
studio art photography – School of Art & Art History, University of South Florida
Work Shared in CORE
Other PublicationsSelected scholarship authored individually
Review of Building the Skyline: The Birth and Growth of Manhattan’s Skyscrapers
, by Jason M. Barr. Journal of the Society of Architectural Historians
76, no.4 (December 2017): 562-64. http://jsah.ucpress.edu/content/76/4/562
“Curtained Walls: Architectural Photography, the Farnsworth House and the Opaque Discourse of Transparency.” ARRIS: The Journal of the Southeast Chapter of the Society of Architectural Historians
26 (2015): 22-39.
— CORE persistent link: https://hcommons.org/deposits/item/hc:18089
— #MeToo/#TimesUp-inspired companion website: The Vanishing Porch in Perspective
, 1932-64: A Time Inc. Experiment in American Architecture and Journalism,” Ph.D. diss. University of Illinois at Chicago, 2015. CORE persistent link: https://hcommons.org/deposits/item/hc:18087
“Henry R. Luce: The Personal and the Professional.” Review of The Publisher: Henry Luce and His American Century
, by Alan Brinkley. Jhistory, H-Net Reviews. February, 2011. CORE persistent link: https://hcommons.org/deposits/item/hc:18097
“Architectural Photography.” In The Encyclopedia of 20th Century Architecture
Vol. 1, edited by R. Stephen Sennot, 59-61. New York: Fitzroy Dearborn Publishers, 2004. http://bit.ly/2DOYv4r
“Bertram G. Goodhue’s ‘Alexandrian’ Style: The National Academy of Sciences Building, 1919-24,” Master’s thesis. University of Virginia, 1999.
[contact Sarah for complete list] Selected preservation planning documents authored collaboratively
Primary author/architectural historian for “IBM/Hitachi Campus Historic Resource Evaluation” Vol 1 & 2. Carey & Co. Architecture, Preservation & Planning, San Francisco: 2003-04.
Primary author/architectural historian for award-winning “San Jose Japantown Historic Context and Reconnaissance Survey” Vol 1 & 2. Carey & Co. Architecture, Preservation & Planning, San Francisco: 2003-04.
Architectural historian for award-winning rehabilitation and adaptive reuse project, including a National Register of Historic Places nomination, a Federal Historic Preservation Tax Credit application and a California Mills Act Property Tax Abatement Program application. “Old Engine Co. No. 2.” Carey & Co. Architecture, Preservation & Planning, San Francisco: 2002-03.
Dreller, Sarah M. “West Grounds.” In “Evolution of the University of Virginia Grounds, 1917-31” University of Virginia Historic Cultural Landscape Survey. Office of the University Architect, Charlottesville: 1999.
Dreller, Sarah M., Fiona Robertson and Martha Teall. “Meriwether House, Keswick, Albemarle County, VA” (a.k.a. Cloverfields). Historic American Building Survey, Number: HABS VA-1358. Prints and Photographs Division, Library of Congress, Washington, D.C.: 1998. http://www.loc.gov/pictures/item/va1821/
[contact Sarah for complete list]
ProjectsCurrent Contingent Talk
, a limited-run podcast series about precarious academic labor produced for the College Art Association’s CAA Conversations
initiative [launched February 2019, project role: producer, web site designer, author] The Vanishing Porch in Perspective
, a #MeToo/#TimesUp-inspired companion website for “Curtained Walls” hosted by Humanities Commons [launched February 2018, project role: author] Afterimages
, an online exhibition about the intersection of democratic free expression and historic preservation in Chile, hosted by Humanities Commons [launched November 2017, project role: digital humanities advising & editing]
— Sarah’s Platypus blog post
about Afterimages In Development FONDEF Built Heritage Reference Collection
, an online presentation of historical information about four Chilean national monuments, hosted by Humanities Commons [launch anticipated May 2019, project role: web site designer and editor]