AboutShayna Silverstein’s research examines the politics and aesthetics of sound and movement in the contemporary Middle East, with a focus on Syria. Her current book project analyzes the ethos of movement (ḥarake in Syrian Arabic) amidst the politics of performance, looking specifically at how Syrian dabke, a popular dance music suffused with cultural memory and nationhood, has paradoxically contributed to isolation and fragmentation within Syrian society throughout the recent conflict.
Silverstein’s teaching interests include embodiment, ethnographic methods, ethnomusicology, performance, popular culture, social theory, sound studies, and Middle Eastern studies. Active in several music ensembles, she plays violin and ‘ud, and has also trained extensively in dance, yoga, and martial arts. Silverstein is also a core faculty member of Northwestern’s Program in Middle East and North African Studies.
EducationPh.D. University of Chicago, Ethnomusicology, 2012
B.A. Yale University, History, 2000
Work Shared in CORE
(forthcoming) “The ‘Barbaric’ Dabke: Masculinity, Dance, and Autocracy in Contemporary Syrian Cultural Production.” Journal of Middle Eastern Women’s Studies
2020. “Mourning the Nightingale’s Song: The Audibility of Networked Performances in Protests and Funerals of the Arab Revolutions.
” Performance Matters
, Vol. 6 (2), 94-111.
(forthcoming) “An (Un)Marked Foreigner:
Race-Making in Egyptian, Syrian, and German Popular Cultures.” In Lateral
. Co-authored with Darci Sprengel.
2019. “Disorienting Sounds: A Sensory Ethnography of Syrian Dance Music” in Remapping Sound Studies
, edited by Jim Sykes and Gavin Steingo. Duke University Press.
2019. “On Sirens and Lampposts: Sound, Affect, and Space at the Women’s March
,” Music & Politics,
Volume XIII, No. 1.
2016. “The Punk Arab: Demystifying Omar Souleyman’s Techno-Dabke
.” In Punk Ethnography: Artists and Scholars Listen to Sublime Frequencies
. Edited by Michael Veal and E. Tammy Kim. Wesleyan, CT: Wesleyan University Press.
2016. “Public Pleasures: Negotiating Gender and Morality through Syrian Popular Dance.” In Islam and Popular Culture
. Edited by Karin van Nieuwkerk, Martin Stokes, and Mark LeVine. Austin, TX: University of Texas Press.
2015. “Cultural Liberalization or Marginalization? The Cultural Politics of Syrian Folk Dance during Social Market Reform.” In Syria from Reform to Revolt: Culture, Society and Religion
. Edited by Leif Stenberg and Christa Salamandra. Syracuse, NY: Syracuse University Press.
2013. “Transforming Space: The Production of Contemporary Syrian Art Music.” In The Arab Avant-Garde: Music, Politics, Modernity
. Edited by Kay Dickinson, Thomas Burkhalter, and Ben Harbert. Wesleyan, CT: Wesleyan University Press.
2012. “New Wave Dabke: The Stars of Musiqa Shaʿbiyya
in the Levant.” Out of the Absurdity of Life.
Edited by Theresa Beyer and Thomas Burkhalter. Solothurn, Switzerland: Traversion Press.
2012. “Syria’s Radical Dabke.” In “The Art and Culture of the Arab Revolts,” a special issue of Middle East Report
2012. Encyclopedia of 21st-Century Anthropology
. “Music and Dance.” Edited by Jim Birxh. UK: Sage Press.
2019. “Syrian Bodies, Sonic Ruptures
,” [in]Transition: Journal of Videographic Film & Moving Image,
6.2. (Audiography/Sound Art)
2020. “I Water
.” a creative work produced for Northwestern University’s Dept of Performance Studies program, Care2: Texturing our Viral Times
MembershipsPerformance Studies International, Society for Ethnomusicology, Dance Studies Association, International Association for the Study of Popular Music, Middle East Studies Association, Syrian Studies Association, Great Lakes Association for Sound Studies, Yale Arab Alumni Association