About

Shayna Silverstein’s research examines the politics and aesthetics of sound and movement in the contemporary Middle East. She is currently completing a book manuscript about popular culture in prewar Syria that focuses on how the national performance tradition of dabke engenders belonging across class, religion, and ethnicity. By attending to both the historical trajectories and lived experiences that constitute Syrian popular culture, her book illuminates the ways in which ordinary Syrians negotiate the interrelated logics of postcolonial difference and postsocialist capital and class through body, performance, and culture.
Silverstein’s teaching interests include embodiment, ethnographic methods, ethnomusicology, performance, popular culture, social theory, sound studies, and Middle Eastern studies. Active in several music ensembles, she plays violin and ‘ud, and has also trained extensively in dance and yoga. Silverstein is also a core faculty member of Northwestern’s Program in Middle East and North African Studies.

Education

Ph.D.   University of Chicago, Ethnomusicology, 2012                  
B.A.    Yale University, History (with distinction), 2000

Other Publications

(forthcoming) “Dancing with Autocracy: Representations of Dabke, Masculinity, and State Power in Contemporary Syrian Cultural Production.” Journal of Middle Eastern Women’s Studies.
 
2019. “Disorienting Sounds: A Sensory Ethnography of Syrian Dance Music” in Remapping Sound Studies, edited by Jim Sykes and Gavin Steingo. Duke University Press.
 
2019. “On Sirens and Lampposts: Sound, Affect, and Space at the Women’s March,” Music & Politics, Volume XIII, No. 1.
 
2016. “The Punk Arab: Demystifying Omar Souleyman’s Techno-Dabke.” In Punk Ethnography: Artists and Scholars Listen to Sublime Frequencies. Edited by Michael Veal and E. Tammy Kim. Wesleyan, CT: Wesleyan University Press.
 
2016. “Public Pleasures: Negotiating Gender and Morality through Syrian Popular Dance.” In Islam and Popular Culture. Edited by Karin van Nieuwkerk, Martin Stokes, and Mark LeVine. Austin, TX: University of Texas Press.
 
2015. “Cultural Liberalization or Marginalization? The Cultural Politics of Syrian Folk Dance during Social Market Reform.” In Syria from Reform to Revolt: Culture, Society and Religion. Edited by Leif Stenberg and Christa Salamandra. Syracuse, NY: Syracuse University Press.
 
2013.   “Transforming Space: The Production of Contemporary Syrian Art Music.” In The Arab Avant-Garde: Music, Politics, Modernity. Edited by Kay Dickinson, Thomas Burkhalter, and Ben Harbert. Wesleyan, CT: Wesleyan University Press.
 
2012. “New Wave Dabke: The Stars of Musiqa Shaʿbiyya in the Levant.” Out of the Absurdity of Life. Edited by Theresa Beyer and Thomas Burkhalter. Solothurn, Switzerland: Traversion Press.
 
2012. “Syria’s Radical Dabke.” In “The Art and Culture of the Arab Revolts,” a special issue of Middle East Report 263 (Summer).
2012. Encyclopedia of 21st-Century Anthropology. “Music and Dance.” Edited by Jim Birxh. UK: Sage Press.

Projects

2019. “Syrian Bodies, Sonic Ruptures,” [in]Transition: Journal of Videographic Film & Moving Image, 6.2. (Audiography/Sound Art)

2020. “I Water.” a creative work produced for Northwestern University’s Dept of Performance Studies program, Care2: Texturing our Viral Times

Memberships

Performance Studies International, Society for Ethnomusicology, Dance Studies Association, International Association for the Study of Popular Music, Middle East Studies Association, Syrian Studies Association, Great Lakes Association for Sound Studies, Yale Arab Alumni Association

Shayna Silverstein

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