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	<title>Knowledge Commons | Shawn Marie Keener | Group Activity</title>
	<link>https://hcommons.org/members/shawnmariekeener/activity/groups/</link>
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	<description>Public group activity feed of which Shawn Marie Keener is a member.</description>
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				<title>Laura Francis started the topic CFP: Migration and the Early Modern Spanish Empire (June 10-12, 2026 @ NUIM) in the forum Renaissance/ Early Modern Studies</title>
				<link>https://hcommons.org/groups/renaissance-early-modern-studies/forum/topic/cfp-migration-and-the-early-modern-spanish-empire-june-10-12-2026-nuim/</link>
				<pubDate>Thu, 30 Oct 2025 14:35:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>Dear Colleagues,</p>
<p>I am excited to announce the following call for papers for a conference on "Migration and the Early Modern Spanish Empire" that will take place from June 10th-12th, 2026 at the National University of Ireland in Maynooth.</p>
<p>Please see the attached PDF for more details. &lt;span style="text-decoration: underline;"&gt;The deadline for&hellip;<span class="activity-read-more" id="activity-read-more-1933355"><a href="https://hcommons.org/groups/renaissance-early-modern-studies/forum/topic/cfp-migration-and-the-early-modern-spanish-empire-june-10-12-2026-nuim/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Guylian Nemegeer started the topic CFP - Incontri. Rivista Europea di Studi Italiani in the forum Renaissance/ Early Modern Studies</title>
				<link>https://hcommons.org/groups/renaissance-early-modern-studies/forum/topic/cfp-incontri-rivista-europea-di-studi-italiani/</link>
				<pubDate>Wed, 22 Oct 2025 14:05:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>&lt;span style="font-weight: 400;"&gt;Dear colleagues,&lt;/span&gt;</p>
<p>&lt;span style="font-weight: 400;"&gt;For its upcoming issues, &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Incontri. Rivista europea di studi italiani&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; is currently accepting essay submissions and proposals for special issues.&lt;/span&gt;</p>
<p>&lt;i&gt;&lt;span&hellip;<span class="activity-read-more" id="activity-read-more-1932700"><a href="https://hcommons.org/groups/renaissance-early-modern-studies/forum/topic/cfp-incontri-rivista-europea-di-studi-italiani/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Vivien Jiaqian Zhu started the topic CFP 2026 MLA Convention in the forum Music</title>
				<link>https://hcommons.org/groups/music/forum/topic/cfp-2026-mla-convention-16/</link>
				<pubDate>Tue, 04 Feb 2025 22:48:37 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dear All,</p>
<p>&nbsp;</p>
<p>I’m pleased to share with you the Call for Paper for the Working Group/Seminar session for the upcoming MLA Convention in Toronto. See <a href="https://mla.confex.com/mla/2026/webprogrampreliminary/Paper29934.html" rel="nofollow ugc">https://mla.confex.com/mla/2026/webprogrampreliminary/Paper29934.html</a>.</p>
<p>&nbsp;</p>
<p>Best wishes,</p>
<p>Vivien Jiaqian Zhu</p>
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				<title>Vivien Jiaqian Zhu started the topic CFP 2026 MLA Convention in the forum Renaissance/ Early Modern Studies</title>
				<link>https://hcommons.org/groups/renaissance-early-modern-studies/forum/topic/cfp-2026-mla-convention-9/</link>
				<pubDate>Tue, 04 Feb 2025 22:42:10 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dear All,</p>
<p>&nbsp;</p>
<p>I’m pleased to share with you the Call for Paper for the Working Group/Seminar session for the upcoming MLA Convention in Toronto. See <a href="https://mla.confex.com/mla/2026/webprogrampreliminary/Paper29934.html" rel="nofollow ugc">https://mla.confex.com/mla/2026/webprogrampreliminary/Paper29934.html</a>.</p>
<p>&nbsp;</p>
<p>Best wishes,</p>
<p>Vivien Jiaqian Zhu</p>
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				<title>Joel Edelman deposited On the Origin of Music; A Convergence of Theories in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1899092/</link>
				<pubDate>Wed, 18 Sep 2024 03:00:53 -0400</pubDate>

									<content:encoded><![CDATA[<p>Much of today's research into the nature of musical pleasure can be divided into two distinct areas - the study of the overtone spectra of musical consonance and the study of human physiological responses to musical sounds.  The former is largely focused on adult participatory responses and the latter on the detection of biochemical activity.&hellip;<span class="activity-read-more" id="activity-read-more-1899092"><a href="https://hcommons.org/activity/p/1899092/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joel Edelman deposited On the Origin of Music; A Mathematician's Perspective in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1896377/</link>
				<pubDate>Fri, 16 Aug 2024 03:01:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>Recent studies of consonance combined with related neurological studies of musical pleasure both point to the prenatal exposure to the human voice as the origin of our affinity for harmonics sounds.  The response of a neonate to the maternal voice is compared to the adult response to music, and the physical components of tonal sounds provide an&hellip;<span class="activity-read-more" id="activity-read-more-1896377"><a href="https://hcommons.org/activity/p/1896377/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ann E Mullaney deposited The Latin Sexual Vocabulary by J. N. Adams, 1982: Guide with Definitions by Ann Mullaney, July 6, 2024 in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1891475/</link>
				<pubDate>Wed, 10 Jul 2024 03:01:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>J. N. Adams (1943-2021) examined the expressions speakers and writers used to communicate about bodily functions during the first thousand years for which we have recorded Latin (roughly 500 BCE to 500 CE). Here you will find first the Table of Contents from Adams’s book with live links to sections below. Next, about 70 pages of a sort of map f&hellip;<span class="activity-read-more" id="activity-read-more-1891475"><a href="https://hcommons.org/activity/p/1891475/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ann E Mullaney deposited The Latin Sexual Vocabulary by J. N. Adams, 1982: Guide with Definitions by Ann Mullaney, July 6, 2024 in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1891472/</link>
				<pubDate>Wed, 10 Jul 2024 03:01:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>J. N. Adams (1943-2021) examined the expressions speakers and writers used to communicate about bodily functions during the first thousand years for which we have recorded Latin (roughly 500 BCE to 500 CE). Here you will find first the Table of Contents from Adams’s book with live links to sections below. Next, about 70 pages of a sort of map f&hellip;<span class="activity-read-more" id="activity-read-more-1891472"><a href="https://hcommons.org/activity/p/1891472/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elisabeth Moreau deposited Galenic Medicine and the Atomist Revival: Elements, Particles, and Minima in Late Renaissance Physiology in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1889652/</link>
				<pubDate>Thu, 20 Jun 2024 03:01:00 -0400</pubDate>

									<content:encoded><![CDATA[<p>In the past decades, historians have emphasized the multidisciplinary nature and conceptual disparateness of the atomist revival in the early modern sciences. However, they have not investigated how medicine, and specifically the authority of Galen, has contributed to the emergence of this revival. Indeed, despite Galen’s rejection of atoms and c&hellip;<span class="activity-read-more" id="activity-read-more-1889652"><a href="https://hcommons.org/activity/p/1889652/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eduardo Paredes Ocampo deposited Kemp y Juan Rana: reconstrucción e implicaciones culturales del gesto dancístico en la Inglaterra y España de la modernidad temprana in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1887548/</link>
				<pubDate>Thu, 30 May 2024 03:00:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>Comparative study examining the dance of Will Kemp (England) and Juan Rana (Spain), in the theatrical context of early modern Europe.</p>
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				<title>Cristina León Alfar edited the doc Late Tudor and Stuart Drama: Readings in Feminist Theories and Histories in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1886884/</link>
				<pubDate>Wed, 22 May 2024 17:19:23 -0400</pubDate>

				
				
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				<title>Cristina León Alfar created the doc Late Tudor and Stuart Drama: Readings in Feminist Theories and Histories in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1886883/</link>
				<pubDate>Wed, 22 May 2024 17:18:17 -0400</pubDate>

				
				
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				<title>Martine van Elk deposited Politics, Authorship, and Philosophy: Teaching Margaret Cavendish’s The Blazing World in the Diverse Graduate Classroom in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1886480/</link>
				<pubDate>Sat, 18 May 2024 03:08:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay explores how Margaret Cavendish’s The Blazing World works differently when taught and read on its own and in combination with Cavendish’s other works. Focusing specifically on the graduate classroom, I examine and present strategies for teaching the book alongside works by other early modern women and for teaching it in a sin&hellip;<span class="activity-read-more" id="activity-read-more-1886480"><a href="https://hcommons.org/activity/p/1886480/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Patrick Eisenlohr deposited Sonic atmospheres in Mauritian devotional Islam: Sensing transoceanic connections in a Creole society in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1884700/</link>
				<pubDate>Wed, 01 May 2024 03:31:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>Movement constitutes transoceanic spaces such as the Indian Ocean world. Sonic practices as atmospheres make such multilayered movements and connections palpable. The recitation of naʻt among Mauritian Muslims is an example of how sound and sonic practices can provide somatic evidence for transoceanic links in the Indian Ocean world. It is argued&hellip;<span class="activity-read-more" id="activity-read-more-1884700"><a href="https://hcommons.org/activity/p/1884700/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Patrick Eisenlohr deposited Atmospheres: The multisensoriality of spatially extended emotions in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1884697/</link>
				<pubDate>Wed, 01 May 2024 03:31:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this essay, I introduce an analytic of atmosphere as a way to bridge the gap between the phenomenology of the felt-body and the anthropology of the senses. This analytic of atmospheres as multisensoriality partially aligns with, but also differs from other anthropological approaches to multisensoriality or the anthropology of the senses.&hellip;<span class="activity-read-more" id="activity-read-more-1884697"><a href="https://hcommons.org/activity/p/1884697/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Patrick Eisenlohr deposited Sound, Voice, and the Felt Body in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1884661/</link>
				<pubDate>Wed, 01 May 2024 03:28:14 -0400</pubDate>

									<content:encoded><![CDATA[<p>As the meeting ground of language, the body, and subjectivity, voice has become a key con- cept in the humanities and social sciences. Nevertheless, analyses of the voice that do justice to all these three dimensions are rare. This also applies to linguistic anthropological work on the voice, whose main strength is investigating the interplay of&hellip;<span class="activity-read-more" id="activity-read-more-1884661"><a href="https://hcommons.org/activity/p/1884661/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Patrick Eisenlohr deposited Sonic religion: The analysis of atmospheric half-things in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1884658/</link>
				<pubDate>Wed, 01 May 2024 03:27:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>The chapter discusses work on sonic religion and the challenges it has encountered in coming to terms with sonic materiality. The study of material religion has so far been predominantly focused on objects, things, and images. The sonic, however, cannot be grasped by approaches suited to the latter phenomena. It is argued that its special kind of&hellip;<span class="activity-read-more" id="activity-read-more-1884658"><a href="https://hcommons.org/activity/p/1884658/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Claus Tieber deposited Screenwriting sound and music: Towards a new field of study in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1882924/</link>
				<pubDate>Fri, 12 Apr 2024 03:01:58 -0400</pubDate>

									<content:encoded><![CDATA[<p>Extensive research in film and media studies on film music and sound has delved into various aspects of their role in cinema, recognizing their significance. However, a crucial element in film production – the screenplay – has often been overlooked in the exploration of sound and music integration. Concurrently, studies on screenwriting have dis&hellip;<span class="activity-read-more" id="activity-read-more-1882924"><a href="https://hcommons.org/activity/p/1882924/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Patrick Hart deposited From Pulpit to Parish: Preaching Dance and Parish Dances in England and Scandinavia, 1300-1700 in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1881705/</link>
				<pubDate>Mon, 01 Apr 2024 03:00:04 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article considers English and Scandinavian sermon tales alongside accounts of parish practice from 1300-1700, focusing on dance among the laity. It posits that the negative perspective of Scandinavian Protestants towards dance was a result of the medieval North Sea networks that brought England’s approach to dance to Nordic parishes, s&hellip;<span class="activity-read-more" id="activity-read-more-1881705"><a href="https://hcommons.org/activity/p/1881705/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited CONMEMORACIONES DEL PRIMER CENTENARIO DE LUDWIG VAN BEETHOVEN EN MADRID (1927): LA ACTIVIDAD ORQUESTAL in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1875795/</link>
				<pubDate>Sun, 11 Feb 2024 03:02:41 -0500</pubDate>

									<content:encoded><![CDATA[<p>In 1927, Madrid experienced a great musical activity to celebrate the first anniversary of Beethoven's death. This chapter focuses on the activities organized by orchestras, societies, associations, etc., and their reflection in the press of that time. Critics from the main Madrid newspapers such as Adolfo Salazar, Juan José Mantecón, Víctor Es&hellip;<span class="activity-read-more" id="activity-read-more-1875795"><a href="https://hcommons.org/activity/p/1875795/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited EL ESTRENO DE LA NOVENA SINFONÍA EN RE MENOR OPUS 125 DE BEETHOVEN EN ESPAÑA (1882): HISTORIA Y RECEPCIÓN in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1875791/</link>
				<pubDate>Sun, 11 Feb 2024 03:01:37 -0500</pubDate>

									<content:encoded><![CDATA[<p>The premiere in 1882 of the Ninth Symphony by the German composer Ludwig van Beethoven (1770-1827) at the Teatro Principal in Madrid marked a significant historical and musical milestone for the history of Spanish symphonic music. Until then, the reception of the great German composer in Spain had been limited since the 1840s to individual&hellip;<span class="activity-read-more" id="activity-read-more-1875791"><a href="https://hcommons.org/activity/p/1875791/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eduardo Paredes Ocampo deposited Reconstructing Relationships of Desire: Homosexuality in Spanish Golden Age Theater in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1874118/</link>
				<pubDate>Wed, 31 Jan 2024 04:04:59 -0500</pubDate>

									<content:encoded><![CDATA[<p>The figure of the marión, maricón or puto—the male homosexual—appears in many Spanish Golden Age plays. The critical approaches to this dramatic type have centered on thematic and textual issues, ignoring the performative cues inscribed on the character. For this reason, this paper reconstructs the acting of male homoeroticism in the comed&hellip;<span class="activity-read-more" id="activity-read-more-1874118"><a href="https://hcommons.org/activity/p/1874118/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eduardo Paredes Ocampo deposited Superhero Segismundo: Uncovering the Politics of Angry Gestures in the 2018 Graphic Novel Adaptation of La vida es  sueño in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1871309/</link>
				<pubDate>Wed, 17 Jan 2024 03:00:37 -0500</pubDate>

									<content:encoded><![CDATA[<p>The comic adaptation of La vida es sueño by Calderón de la Barca (2018) emphasizes the emotion of anger as one of the forces that guides the plot. The protagonist, Segismundo, displays aggression through two main gestures: the clenching fist and the frown on his face. This article aims to answer the following questions: Why did the comic artist d&hellip;<span class="activity-read-more" id="activity-read-more-1871309"><a href="https://hcommons.org/activity/p/1871309/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elisabeth Moreau deposited Temperament and the Senses: The Taste, Odor and Color of Drugs in Late-Renaissance Galenism in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1865830/</link>
				<pubDate>Sat, 25 Nov 2023 03:00:15 -0500</pubDate>

									<content:encoded><![CDATA[<p>According to the medical tradition, the temperament of bodies came from the balance of their primary qualities – hot, cold, dry, and moist. However, physicians associated additional sensory properties with temperament in the field of pharmacology. These sensations included taste, color, and odor, which allow an appraisal of the constitution and a&hellip;<span class="activity-read-more" id="activity-read-more-1865830"><a href="https://hcommons.org/activity/p/1865830/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eric Dienstfrey deposited "Introduction" from Making Stereo Fit: The History of a Disquieting Film Technology in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1863577/</link>
				<pubDate>Sat, 04 Nov 2023 03:00:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>Surround sound is often mistaken as a relatively new phenomenon in cinemas, one that emerged in the 1970s with the arrival of Dolby. Making Stereo Fit reveals that, in fact, filmmakers have been creating stereo and surround-sound effects for nearly a century, since the advent of talking pictures, and argues that their endurance owes primarily to&hellip;<span class="activity-read-more" id="activity-read-more-1863577"><a href="https://hcommons.org/activity/p/1863577/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Jeremy Fradkin deposited Christian Hospitality and the Case for Religious Refuge in Interregnum England in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1862463/</link>
				<pubDate>Tue, 24 Oct 2023 03:00:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article shows how English supporters of Jewish immigration in the 1650s articulated a universal model of Christian hospitality for all foreigners fleeing religious persecution, regardless of whether they adhered to the Protestant faith of their English hosts. It thus urges a reconsideration of the widespread assumption that European&hellip;<span class="activity-read-more" id="activity-read-more-1862463"><a href="https://hcommons.org/activity/p/1862463/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Cristian Martinez Vega created the doc Database Report 2022 - International Society for Chilean Music (SIMUC) in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1862284/</link>
				<pubDate>Sat, 21 Oct 2023 03:55:20 -0400</pubDate>

				
				
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				<guid isPermaLink="false">d9388f332d689899dede8ff32d2cfb70</guid>
				<title>Christopher Crosbie deposited Publicizing the Science of God: Milton's Raphael and the Boundaries of Knowledge in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1859610/</link>
				<pubDate>Mon, 25 Sep 2023 18:02:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay reads Raphael, the principal expositor of scientific knowledge in Milton’s Paradise Lost, as embodying divergent, virtually antithetical, dispositions towards the prospect of free engagement with natural philosophy within the public sphere. At once stimulating Adam’s curiosity about the natural world while also overzealously cur&hellip;<span class="activity-read-more" id="activity-read-more-1859610"><a href="https://hcommons.org/activity/p/1859610/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">78328ca5455964c48418e28faa4de8b7</guid>
				<title>Christopher Crosbie deposited Sexuality, Corruption, and the Body Politic: The Paradoxical Tribute of The Misfortunes of Arthur to Elizabeth I in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1859608/</link>
				<pubDate>Mon, 25 Sep 2023 18:02:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article examines how Thomas Hughes's "The Misfortunes of Arthur" pays homage to Elizabeth I through its eclectic use of Arthurian traditions and deployment of imagery centered on corrupted sexuality and the body politic.</p>
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				<guid isPermaLink="false">fd4f994f707175fb94c7a6b7a21e56aa</guid>
				<title>Elisabeth Moreau deposited Simple and Compound Drugs in Late Renaissance Medicine: The Pharmacology of Andrea Cesalpino (1593) in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1858430/</link>
				<pubDate>Thu, 14 Sep 2023 01:06:27 -0400</pubDate>

									<content:encoded><![CDATA[<p>From antiquity, Galenic physicians extensively discussed the active powers of simple and compound drugs. In their views, simple drugs, that is, single ingredients, acted according to their material qualities and the properties of their substance. As for compound drugs, their efficacy resulted from the mutual interaction of their ingredients and&hellip;<span class="activity-read-more" id="activity-read-more-1858430"><a href="https://hcommons.org/activity/p/1858430/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">7889b4220743f92692f7a1f87100e403</guid>
				<title>David Amelang deposited David J. Amelang, "Explorando la presencia de personajes femeninos en la comedia en tiempos de Lope de Vega desde las Humanidades Digitales" (Hipogrifo 11.1, 2023) pp. 39-54 in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1856823/</link>
				<pubDate>Tue, 29 Aug 2023 01:08:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>Este artículo visibiliza el uso que se le puede dar a una serie de proyectos de Humanidades Digitales, como son las bases de datos de Rolecall, DICAT y CATCOM o la biblioteca digital EMOTHE, a la hora de analizar las dinámicas escenográficas en el teatro español de finales del siglo XVI y principios del siglo XVII, coincidiendo con las déc&hellip;<span class="activity-read-more" id="activity-read-more-1856823"><a href="https://hcommons.org/activity/p/1856823/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Bernd Brabec deposited Auditive Wissenskulturen: Wissen, Macht und die Welt der Klänge in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1856724/</link>
				<pubDate>Mon, 28 Aug 2023 01:11:41 -0400</pubDate>

									<content:encoded><![CDATA[<p>In der Einleitung zum Sammelband Auditive Wissenskulturen – Das Wissen klanglicher Praxis stellen die Autoren zuerst die Diskrepanzen der jeweiligen Beziehungen des Visuellen und des Auditiven zu Wissen anhand einiger Beispiele vor. Sie exemplifzieren auch, wie sowohl auditive Praxis als auch die Hervorbringung und Vermittlung von Wissen in s&hellip;<span class="activity-read-more" id="activity-read-more-1856724"><a href="https://hcommons.org/activity/p/1856724/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">9c699252eda54ba4b52e6d1e3afa7ae6</guid>
				<title>Christopher Crosbie deposited Francis Bacon and Aristotelian Afterlives in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1855433/</link>
				<pubDate>Thu, 17 Aug 2023 01:23:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Baconian oeuvre remains the most extensive and influential assault on Aristotelianism in English writing of the early modern period. Where convention respected Aristotelian logic as a viable instrument for studying natural philosophy, Bacon instead sought to initiate an instauration, or restoration, of learning by proposing his inductive&hellip;<span class="activity-read-more" id="activity-read-more-1855433"><a href="https://hcommons.org/activity/p/1855433/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">4d29f07309eca519883dc5faa2febed9</guid>
				<title>Sara Margaret Butler deposited “Even a Compensation Culture has its Limits: Arbitrating Homicide in Fifteenth-Century England.” in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1853082/</link>
				<pubDate>Sat, 29 Jul 2023 02:24:27 -0400</pubDate>

									<content:encoded><![CDATA[<p>Historians have long argued that arbitration was the preferred means of<br />
resolution for most disputes in later medieval England; but does this apply<br />
also to the settlement of homicides? Despite the strenuous efforts of the<br />
English legal system after the Norman Conquest to force homicides through<br />
the royal courts, historians have argued that&hellip;<span class="activity-read-more" id="activity-read-more-1853082"><a href="https://hcommons.org/activity/p/1853082/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">44ed83c7c25f374a237bc134b88ba0e8</guid>
				<title>Eric Dienstfrey deposited Synch Holes and Patchwork in Early Feature-Film Scores in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1852310/</link>
				<pubDate>Thu, 20 Jul 2023 02:25:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>The aesthetics of early feature-film scores were shaped by narrational problems introduced by multi-reel features and their longer durations. Using The Patchwork Girl of Oz, I show how stylistic devices like silences and musical pun- ctuation were used to address the coherence and pacing of multi-reel storytelling.</p>
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				<title>Eric Dienstfrey deposited Tape Recording Hollywood: The Inaudibility of New Film Sound Technology in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1852307/</link>
				<pubDate>Thu, 20 Jul 2023 02:24:57 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article details the historical factors that shaped Hollywood’s adoption of magnetic recording during the late 1940s and early 1950s. It draws upon economic theories of technological change, archival correspondence, technical records, analyses of postproduction workflows, and delineations of the structural constraints that limited how the f&hellip;<span class="activity-read-more" id="activity-read-more-1852307"><a href="https://hcommons.org/activity/p/1852307/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eric Dienstfrey deposited Monocentrism, or Soundtracks in Space in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1852304/</link>
				<pubDate>Thu, 20 Jul 2023 02:24:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>This chapter investigates how the introduction of stereo complicated Hollywood’s vococentric practices. It also reveals how sound technicians developed mixing techniques that preserved the salience of dialogue in multi-channel soundscapes. The author refers to such techniques as monocentrism and illustrates monocentric norms by analyzing the c&hellip;<span class="activity-read-more" id="activity-read-more-1852304"><a href="https://hcommons.org/activity/p/1852304/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joel Edelman deposited A Coherent Model of Musical Consonance in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1852217/</link>
				<pubDate>Wed, 19 Jul 2023 02:24:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>Without fail a study in any depth of our fondness for music must eventually address the issue of consonance and dissonance. Past approaches to this issue have been bounded by a limited knowledge base and, further, marred by logical flaws, occasional hand waving, and the myopia of reductionism. Despite the explosion of progress in the last few&hellip;<span class="activity-read-more" id="activity-read-more-1852217"><a href="https://hcommons.org/activity/p/1852217/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Adrian Curtin started the topic CfP for online symposium: The Experimental Orchestra (December 13, 2023) in the discussion Music</title>
				<link>https://hcommons.org/groups/music/forum/topic/cfp-for-online-symposium-the-experimental-orchestra-december-13-2023/</link>
				<pubDate>Tue, 18 Jul 2023 12:22:31 -0400</pubDate>

									<content:encoded><![CDATA[<p>Event date: December 13, 2023</p>
<p>Submission deadline: September 1, 2023</p>
<p>Orchestras around the world are conducting experiments related to performance, to the constitution of the orchestra, and to its operation. Professional classical music ensembles, like many other organisations and institutions in the cultural sector, face an existential&hellip;<span class="activity-read-more" id="activity-read-more-1852127"><a href="https://hcommons.org/groups/music/forum/topic/cfp-for-online-symposium-the-experimental-orchestra-december-13-2023/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">c34146f5b33c25d77f5250a8d936f059</guid>
				<title>Joel Edelman deposited Clarifying Musical Consonance in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1850890/</link>
				<pubDate>Sun, 02 Jul 2023 02:24:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>Without fail a study in any depth of our fondness for music must eventually address the issue of consonance and dissonance.  Past approaches to this issue have been bounded by a limited knowledge base and, further, marred by logical flaws, occasional hand waving, and the myopia of reductionism.  Despite the explosion of progress in the last few&hellip;<span class="activity-read-more" id="activity-read-more-1850890"><a href="https://hcommons.org/activity/p/1850890/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Luca Zenobi started the topic CfP: Listing the World before the Age of Print (IMC sessions, Leeds 2024) in the discussion Renaissance/ Early Modern Studies</title>
				<link>https://hcommons.org/groups/renaissance-early-modern-studies/forum/topic/cfp-listing-the-world-before-the-age-of-print-imc-sessions-leeds-2024-4/</link>
				<pubDate>Wed, 28 Jun 2023 10:29:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>We all have lists of things to do. We also have playlists, shopping lists and lists of pros and cons (not to mention lists of publications). Whether we make them on paper or with an app, lists are central to our lives. They help us make sense of the world around us, keep track of the order of things and sometimes create a whole new order&hellip;<span class="activity-read-more" id="activity-read-more-1850458"><a href="https://hcommons.org/groups/renaissance-early-modern-studies/forum/topic/cfp-listing-the-world-before-the-age-of-print-imc-sessions-leeds-2024-4/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Caroline Paganussi deposited ‘A woman of supreme goodness, and a singular talent’: Anna Morandi Manzolini, Artist and Anatomist of Enlightenment Bologna in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1849985/</link>
				<pubDate>Thu, 22 Jun 2023 02:24:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>Anna Morandi Manzolini (1714–1774), a Bolognese wax sculptor, overcame humble origins to become one of the most important anatomical artists of the eighteenth century. Working with her husband Giovanni Manzolini (c. 1700–1755), and continuing alone after his death, Morandi created remarkably lifelike and anatomically accurate wax models of the sen&hellip;<span class="activity-read-more" id="activity-read-more-1849985"><a href="https://hcommons.org/activity/p/1849985/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Pragya Ranjan deposited Cave of Spleen - a feminist perspective: Status of women in early 18th century England in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1848164/</link>
				<pubDate>Sun, 04 Jun 2023 02:24:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>"The Rape of the Lock" by Alexander Pope published in 1712 is a mock-heroic narrative which satirically<br />
glorifies trivial incident of cutting of locks of protagonist Belinda. This poem was written in the<br />
Augustan Era (1660-1784) which is marked by the period of scientific reason and rationality, whose<br />
effect can be seen on the writers of those&hellip;<span class="activity-read-more" id="activity-read-more-1848164"><a href="https://hcommons.org/activity/p/1848164/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eric Sirota started the topic New Movie: Frankenstein (musical) based on Mary Shelley's novel in the discussion Music</title>
				<link>https://hcommons.org/groups/music/forum/topic/new-movie-frankenstein-musical-based-on-mary-shelleys-novel-3/</link>
				<pubDate>Sat, 27 May 2023 04:49:40 -0400</pubDate>

									<content:encoded><![CDATA[<p>I'm excited to tell you that my musical, "Frankenstein" that played Off-Broadway in NY for 3 years, was adapted for screen, with an expanded score and orchestration.  It was just released this week and is available on <a href="https://www.StreamingMusicals.com/film/frankenstein/" rel="nofollow ugc">StreamingMusicals.com</a>  or from the website <a href="https://TheFrankensteinMusical.com" rel="nofollow ugc">https://TheFrankensteinMusical.com</a></p>
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				<title>Christopher Crosbie deposited Oeconomia and the Vegetative Soul: Rethinking Revenge in The Spanish Tragedy in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1845034/</link>
				<pubDate>Wed, 10 May 2023 02:23:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>Thomas Kyd's The Spanish Tragedy creates a subtle apologia for the “middling sort” by challenging the socially constructed predicates of aristocratic privilege. A scrivener's son, Kyd undertsood oeconomia, or household management, as both the means for material advancement among the “middling sort” and a potential threat to aristocratic insular&hellip;<span class="activity-read-more" id="activity-read-more-1845034"><a href="https://hcommons.org/activity/p/1845034/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">70fdb90ba4e2fd9e5a29d7e449ad0400</guid>
				<title>Christopher Crosbie deposited “The Comedy of Errors, Haecceity, and the Metaphysics of Individuation” in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1843571/</link>
				<pubDate>Thu, 04 May 2023 02:23:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>Examines Shakespeare's The Comedy of Errors and the epistemological challenges of differentiating twins in light of Aristotle's Metaphysics, specifically his theories of substance and individuation.</p>
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				<guid isPermaLink="false">607f70bdc1d802079ea1382112f7b528</guid>
				<title>Christopher Crosbie deposited Refashioning Fable through the Baconian Essay: De sapientia veterum and Mythologies of the Early Modern Natural Philosopher in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1842936/</link>
				<pubDate>Sat, 29 Apr 2023 02:24:33 -0400</pubDate>

									<content:encoded><![CDATA[<p>Shortly after publishing the first edition of his Essays in 1597, Francis Bacon drafted De sapientia veterum, a series of unpublished essays designed to re-read classical mythology as indicative of political and scientific truths. An early, if partial, expression of Bacon’s project to facilitate mastery over the natural order, De sapientia has c&hellip;<span class="activity-read-more" id="activity-read-more-1842936"><a href="https://hcommons.org/activity/p/1842936/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Christopher Crosbie deposited “'Strange Serious Wantoning:' Early Modern Chess Manuals and the Ethics of Virtuous Subterfuge in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1842217/</link>
				<pubDate>Sun, 23 Apr 2023 02:23:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay examines English Renaissance chess manuals in order to understand why chess, a game that encourages subterfuge and stratagem, was nonetheless figured as the paradigmatic example of a virtuous pastime. Particular attention is given to da Odenara Damiano’s The Pleasaunt and Wittie Playe of the Cheasts (1564), Arthur Saul’s The Famous Gam&hellip;<span class="activity-read-more" id="activity-read-more-1842217"><a href="https://hcommons.org/activity/p/1842217/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eric Dienstfrey deposited The Myth of the Speakers: A Critical Reexamination of Dolby History in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1839775/</link>
				<pubDate>Wed, 05 Apr 2023 02:26:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article corrects misconceptions regarding the history of film stereo. I show that the technical and aesthetic innovations regularly credited to Dolby Stereo, to sound designers like Walter Murch, and to films like Apocalypse Now (1979) were not revolutions but extensions of surround-sound practices that Hollywood codified in prior decades. I&hellip;<span class="activity-read-more" id="activity-read-more-1839775"><a href="https://hcommons.org/activity/p/1839775/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eric Dienstfrey deposited Under the Standard: MGM, AT&#38;T, and the Academy's Regulation of Power in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1839772/</link>
				<pubDate>Wed, 05 Apr 2023 02:25:51 -0400</pubDate>

									<content:encoded><![CDATA[<p>In the 1930s, the Academy of Motion Picture Arts and Sciences implemented a technical standard—known as Academy Mono, or the Academy Curve—that dramatically impaired the sound quality of motion pictures. This article accounts for why the major studios agreed to this restrictive standard. I argue that they adopted Academy Mono to curtail the pow&hellip;<span class="activity-read-more" id="activity-read-more-1839772"><a href="https://hcommons.org/activity/p/1839772/" rel="nofollow ugc">[Read more]</a></span></p>
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