AboutJames L. Smith is a visiting research fellow at the Trinity College Dublin Long Room Hub. His first monograph is entitled Water in Medieval Intellectual Culture: Case-Studies from Twelfth-Century Monasticism (Brepols, 2018). James is also the editor of The Passenger: Medieval Texts and Transits (punctum books, 2017), and co-editor of a forthcoming themed collection of the Open Library of the Humanities on “New Approaches to Medieval Water Studies”.
In addition to interests in medieval intellectual and environmental history, and landscape studies with an emphasis on water history, he has a strong interest in medievalisms and medieval cartography.
EducationPhD, History (Medieval and Early Modern Studies), University of Western Australia, August 2014
BA, Medieval and Early Modern Studies, Political Science and International Relations, University of Western Australia, 2007
Honours (Medieval and Early Modern Studies), First Class (1A), 2008
Thesis: ‘Water as Medieval Intellectual Entity: Case Studies in Twelfth-Century Western Monasticism’, University of Western Australia
Work Shared in CORE
Other PublicationsMonographs Water in Medieval Intellectual Culture: Case Studies from Twelfth-Century Monasticism
(Turnhout: Brepols, 2018) Journal collections
2016 – Present – Co-editor (with Hetta Howes), ‘New Approaches to Medieval Water Studies
’, themed collection, Open Library of the Humanities
, expected 2018
2014 – Co-editor (with Deborah Seiler), ‘Receptions: Medieval and Early Modern Cultural Appropriations
‘, Volume 19.2, special issue of Limina: A Journal of Historical and Cultural Studies
2012 – Submissions editor, Volume 18:1
, Limina: A Journal of Historical and Cultural Studies
ProjectsDeep Mapping the Spiritual Waterscape of Lakes: The Case of Lough Derg, County Donegal
Veronica Strang has called our spiritual fascination with water ‘hydrolatry’, a lingering veneration that goes beyond religion affecting social behaviour in an era of scientific instrumentality and commodification. It is part of the Irish psyche, and contains a reservoir of spiritual history waiting to be delved. As Jamie Linton puts it, ‘[w]e mix language, gods, bodies, and thought with water to produce the worlds and the selves we inhabit’. There is a need to provide histories that reveal this admixture in greater depth, and make it accessible to a variety of interpretations. This project builds a vision of water spanning Ireland’s long spiritual history that will strengthen the cultural resonance of place and space in the face of unprecedented bio-ethical, heritage, environmental, and climate challenges. The methodology is deep mapping, the capture of a wide range of spatio-temporal material focused on a small geographical area. The final result will be an online archive consisting of literary, social science, natural science, and multi-media collections.