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	<title>Knowledge Commons | Scott Challener | Activity</title>
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				<title>Scott Challener&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1845782/</link>
				<pubDate>Wed, 10 May 2023 13:31:15 -0400</pubDate>

				
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				<title>Scott Challener&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1750353/</link>
				<pubDate>Mon, 30 Aug 2021 11:17:20 -0400</pubDate>

				
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				<title>Scott Challener deposited Rehearing “The Negro Speaks of Rivers”  in an Era of Global Decolonization: ASK YOUR MAMA’s Jazz Poetics in the group LLC 20th- and 21st-Century American</title>
				<link>https://mla.hcommons.org/activity/p/1725450/</link>
				<pubDate>Fri, 29 Jan 2021 04:16:57 -0500</pubDate>

									<content:encoded><![CDATA[<p>A brief talk for a roundtable on the centenary of Langston Hughes's "The Negro Speaks of Rivers."</p>
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				<title>Scott Challener deposited Rehearing “The Negro Speaks of Rivers”  in an Era of Global Decolonization: ASK YOUR MAMA’s Jazz Poetics in the group 2021 MLA Convention</title>
				<link>https://mla.hcommons.org/activity/p/1725449/</link>
				<pubDate>Fri, 29 Jan 2021 04:16:32 -0500</pubDate>

									<content:encoded><![CDATA[<p>A brief talk for a roundtable on the centenary of Langston Hughes's "The Negro Speaks of Rivers."</p>
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				<title>Scott Challener deposited The New Border (Spring 2021) in the group TM The Teaching of Literature</title>
				<link>https://mla.hcommons.org/activity/p/1725448/</link>
				<pubDate>Fri, 29 Jan 2021 04:11:52 -0500</pubDate>

									<content:encoded><![CDATA[<p>This course is a study of the literature of the U.S.-Mexico border from the 1980s to the present. We begin with Gloria Anzaldúa’s foundational texts, Borderlands / La Frontera, and her landmark feminist anthology, co-edited with Cherríe Moraga, This Bridge Called My Back: Radical Writings by Women of Color. We then consider the legacies and aft&hellip;<span class="activity-read-more" id="activity-read-more-1725448"><a href="https://mla.hcommons.org/activity/p/1725448/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener deposited The New Border (Spring 2021) in the group LLC 20th- and 21st-Century American</title>
				<link>https://mla.hcommons.org/activity/p/1725447/</link>
				<pubDate>Fri, 29 Jan 2021 04:06:37 -0500</pubDate>

									<content:encoded><![CDATA[<p>This course is a study of the literature of the U.S.-Mexico border from the 1980s to the present. We begin with Gloria Anzaldúa’s foundational texts, Borderlands / La Frontera, and her landmark feminist anthology, co-edited with Cherríe Moraga, This Bridge Called My Back: Radical Writings by Women of Color. We then consider the legacies and aft&hellip;<span class="activity-read-more" id="activity-read-more-1725447"><a href="https://mla.hcommons.org/activity/p/1725447/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener deposited The New Border (Spring 2021) in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1725446/</link>
				<pubDate>Fri, 29 Jan 2021 04:03:07 -0500</pubDate>

									<content:encoded><![CDATA[<p>This course is a study of the literature of the U.S.-Mexico border from the 1980s to the present. We begin with Gloria Anzaldúa’s foundational texts, Borderlands / La Frontera, and her landmark feminist anthology, co-edited with Cherríe Moraga, This Bridge Called My Back: Radical Writings by Women of Color. We then consider the legacies and aft&hellip;<span class="activity-read-more" id="activity-read-more-1725446"><a href="https://mla.hcommons.org/activity/p/1725446/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener deposited Contemporary Latinx Literatures &#38; Cultures in the group TM The Teaching of Literature</title>
				<link>https://mla.hcommons.org/activity/p/1725445/</link>
				<pubDate>Fri, 29 Jan 2021 03:58:23 -0500</pubDate>

									<content:encoded><![CDATA[<p>This course is a study of Latinx literatures and cultures produced in the last two decades. We will concentrate our attention on how contemporary art works represent and participate in the upheavals of the twenty-first century—9/11, global economic and ecological crisis, mass migration and mass deportation, political and social mobilization, s&hellip;<span class="activity-read-more" id="activity-read-more-1725445"><a href="https://mla.hcommons.org/activity/p/1725445/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener deposited Contemporary Latinx Literatures &#38; Cultures in the group LLC 20th- and 21st-Century American</title>
				<link>https://mla.hcommons.org/activity/p/1725444/</link>
				<pubDate>Fri, 29 Jan 2021 03:53:13 -0500</pubDate>

									<content:encoded><![CDATA[<p>This course is a study of Latinx literatures and cultures produced in the last two decades. We will concentrate our attention on how contemporary art works represent and participate in the upheavals of the twenty-first century—9/11, global economic and ecological crisis, mass migration and mass deportation, political and social mobilization, s&hellip;<span class="activity-read-more" id="activity-read-more-1725444"><a href="https://mla.hcommons.org/activity/p/1725444/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener deposited Contemporary Latinx Literatures &#38; Cultures in the group CLCS 20th- and 21st-Century</title>
				<link>https://mla.hcommons.org/activity/p/1725443/</link>
				<pubDate>Fri, 29 Jan 2021 03:48:43 -0500</pubDate>

									<content:encoded><![CDATA[<p>This course is a study of Latinx literatures and cultures produced in the last two decades. We will concentrate our attention on how contemporary art works represent and participate in the upheavals of the twenty-first century—9/11, global economic and ecological crisis, mass migration and mass deportation, political and social mobilization, s&hellip;<span class="activity-read-more" id="activity-read-more-1725443"><a href="https://mla.hcommons.org/activity/p/1725443/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener deposited Rehearing “The Negro Speaks of Rivers”  in an Era of Global Decolonization: ASK YOUR MAMA’s Jazz Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1725379/</link>
				<pubDate>Thu, 28 Jan 2021 19:19:11 -0500</pubDate>

									<content:encoded><![CDATA[<p>A brief talk for a roundtable on the centenary of Langston Hughes's "The Negro Speaks of Rivers."</p>
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				<title>Scott Challener deposited The New Border (Spring 2021)</title>
				<link>https://mla.hcommons.org/activity/p/1725366/</link>
				<pubDate>Thu, 28 Jan 2021 18:05:45 -0500</pubDate>

									<content:encoded><![CDATA[<p>This course is a study of the literature of the U.S.-Mexico border from the 1980s to the present. We begin with Gloria Anzaldúa’s foundational texts, Borderlands / La Frontera, and her landmark feminist anthology, co-edited with Cherríe Moraga, This Bridge Called My Back: Radical Writings by Women of Color. We then consider the legacies and aft&hellip;<span class="activity-read-more" id="activity-read-more-1725366"><a href="https://mla.hcommons.org/activity/p/1725366/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener deposited Contemporary Latinx Literatures &#38; Cultures</title>
				<link>https://mla.hcommons.org/activity/p/1725365/</link>
				<pubDate>Thu, 28 Jan 2021 17:58:08 -0500</pubDate>

									<content:encoded><![CDATA[<p>This course is a study of Latinx literatures and cultures produced in the last two decades. We will concentrate our attention on how contemporary art works represent and participate in the upheavals of the twenty-first century—9/11, global economic and ecological crisis, mass migration and mass deportation, political and social mobilization, s&hellip;<span class="activity-read-more" id="activity-read-more-1725365"><a href="https://mla.hcommons.org/activity/p/1725365/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1715594/</link>
				<pubDate>Thu, 05 Nov 2020 12:20:00 -0500</pubDate>

				
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				<title>Scott Challener&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1708698/</link>
				<pubDate>Thu, 17 Sep 2020 02:11:35 -0400</pubDate>

				
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				<title>Scott Challener&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1689199/</link>
				<pubDate>Sat, 30 May 2020 17:53:19 -0400</pubDate>

				
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				<title>Scott Challener deposited American Literature's Hemispheric Address: 1823-1923 (Fall 2019) in the group CLCS Hemispheric American</title>
				<link>https://mla.hcommons.org/activity/p/1674896/</link>
				<pubDate>Sat, 11 Jan 2020 03:48:44 -0500</pubDate>

									<content:encoded><![CDATA[<p>This course is a study of American literature’s address to and engagement with the hemisphere in the long nineteenth century. As such, it is first and foremost an inquiry into the concepts—“America,” “literature,” “address,” “hemisphere,” race and period—that animate our study. Our first task, then, is to turn these concepts into problems. What c&hellip;<span class="activity-read-more" id="activity-read-more-1674896"><a href="https://mla.hcommons.org/activity/p/1674896/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener deposited Latinx Literatures and Cultures in the U.S. and Beyond in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1674804/</link>
				<pubDate>Fri, 10 Jan 2020 03:58:36 -0500</pubDate>

									<content:encoded><![CDATA[<p>This course is a study of Latinx literatures and cultures produced in the twentieth and twenty-first centuries. We will concentrate our attention on works by Chicanos, Mexican Americans, Puerto Ricans, Cuban Americans, and Dominican Americans. We will consider how these works represent and participate in the upheavals that characterize the&hellip;<span class="activity-read-more" id="activity-read-more-1674804"><a href="https://mla.hcommons.org/activity/p/1674804/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener deposited Latinx Literatures and Cultures in the U.S. and Beyond in the group LLC 20th- and 21st-Century Latin American</title>
				<link>https://mla.hcommons.org/activity/p/1674802/</link>
				<pubDate>Fri, 10 Jan 2020 03:55:40 -0500</pubDate>

									<content:encoded><![CDATA[<p>This course is a study of Latinx literatures and cultures produced in the twentieth and twenty-first centuries. We will concentrate our attention on works by Chicanos, Mexican Americans, Puerto Ricans, Cuban Americans, and Dominican Americans. We will consider how these works represent and participate in the upheavals that characterize the&hellip;<span class="activity-read-more" id="activity-read-more-1674802"><a href="https://mla.hcommons.org/activity/p/1674802/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener deposited Latinx Literatures and Cultures in the U.S. and Beyond in the group LLC 20th- and 21st-Century American</title>
				<link>https://mla.hcommons.org/activity/p/1674800/</link>
				<pubDate>Fri, 10 Jan 2020 03:49:25 -0500</pubDate>

									<content:encoded><![CDATA[<p>This course is a study of Latinx literatures and cultures produced in the twentieth and twenty-first centuries. We will concentrate our attention on works by Chicanos, Mexican Americans, Puerto Ricans, Cuban Americans, and Dominican Americans. We will consider how these works represent and participate in the upheavals that characterize the&hellip;<span class="activity-read-more" id="activity-read-more-1674800"><a href="https://mla.hcommons.org/activity/p/1674800/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener deposited Latinx Literatures and Cultures in the U.S. and Beyond in the group CLCS Hemispheric American</title>
				<link>https://mla.hcommons.org/activity/p/1674799/</link>
				<pubDate>Fri, 10 Jan 2020 03:48:44 -0500</pubDate>

									<content:encoded><![CDATA[<p>This course is a study of Latinx literatures and cultures produced in the twentieth and twenty-first centuries. We will concentrate our attention on works by Chicanos, Mexican Americans, Puerto Ricans, Cuban Americans, and Dominican Americans. We will consider how these works represent and participate in the upheavals that characterize the&hellip;<span class="activity-read-more" id="activity-read-more-1674799"><a href="https://mla.hcommons.org/activity/p/1674799/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener deposited The New Border in the group LLC 20th- and 21st-Century American</title>
				<link>https://mla.hcommons.org/activity/p/1674617/</link>
				<pubDate>Thu, 09 Jan 2020 03:57:36 -0500</pubDate>

									<content:encoded><![CDATA[<p>This course is a study of the literature of the U.S.-Mexico border from the 1980s to the present. We begin with Gloria Anzaldúa’s foundational texts, Borderlands / La Frontera, and her landmark feminist anthology, co-edited with Cherríe Moraga, This Bridge Called My Back: Radical Writings by Women of Color. We then consider the legacies and aft&hellip;<span class="activity-read-more" id="activity-read-more-1674617"><a href="https://mla.hcommons.org/activity/p/1674617/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener deposited The New Border in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1674616/</link>
				<pubDate>Thu, 09 Jan 2020 03:53:48 -0500</pubDate>

									<content:encoded><![CDATA[<p>This course is a study of the literature of the U.S.-Mexico border from the 1980s to the present. We begin with Gloria Anzaldúa’s foundational texts, Borderlands / La Frontera, and her landmark feminist anthology, co-edited with Cherríe Moraga, This Bridge Called My Back: Radical Writings by Women of Color. We then consider the legacies and aft&hellip;<span class="activity-read-more" id="activity-read-more-1674616"><a href="https://mla.hcommons.org/activity/p/1674616/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener deposited The New Border in the group CLCS 20th- and 21st-Century</title>
				<link>https://mla.hcommons.org/activity/p/1674614/</link>
				<pubDate>Thu, 09 Jan 2020 03:48:44 -0500</pubDate>

									<content:encoded><![CDATA[<p>This course is a study of the literature of the U.S.-Mexico border from the 1980s to the present. We begin with Gloria Anzaldúa’s foundational texts, Borderlands / La Frontera, and her landmark feminist anthology, co-edited with Cherríe Moraga, This Bridge Called My Back: Radical Writings by Women of Color. We then consider the legacies and aft&hellip;<span class="activity-read-more" id="activity-read-more-1674614"><a href="https://mla.hcommons.org/activity/p/1674614/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener deposited American Literature's Hemispheric Address: 1823-1923 (Fall 2019)</title>
				<link>https://mla.hcommons.org/activity/p/1674579/</link>
				<pubDate>Wed, 08 Jan 2020 16:54:02 -0500</pubDate>

									<content:encoded><![CDATA[<p>This course is a study of American literature’s address to and engagement with the hemisphere in the long nineteenth century. As such, it is first and foremost an inquiry into the concepts—“America,” “literature,” “address,” “hemisphere,” race and period—that animate our study. Our first task, then, is to turn these concepts into problems. What c&hellip;<span class="activity-read-more" id="activity-read-more-1674579"><a href="https://mla.hcommons.org/activity/p/1674579/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener deposited Latinx Literatures and Cultures in the U.S. and Beyond</title>
				<link>https://mla.hcommons.org/activity/p/1674578/</link>
				<pubDate>Wed, 08 Jan 2020 16:48:19 -0500</pubDate>

									<content:encoded><![CDATA[<p>This course is a study of Latinx literatures and cultures produced in the twentieth and twenty-first centuries. We will concentrate our attention on works by Chicanos, Mexican Americans, Puerto Ricans, Cuban Americans, and Dominican Americans. We will consider how these works represent and participate in the upheavals that characterize the&hellip;<span class="activity-read-more" id="activity-read-more-1674578"><a href="https://mla.hcommons.org/activity/p/1674578/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener deposited The New Border</title>
				<link>https://mla.hcommons.org/activity/p/1674545/</link>
				<pubDate>Wed, 08 Jan 2020 15:00:55 -0500</pubDate>

									<content:encoded><![CDATA[<p>This course is a study of the literature of the U.S.-Mexico border from the 1980s to the present. We begin with Gloria Anzaldúa’s foundational texts, Borderlands / La Frontera, and her landmark feminist anthology, co-edited with Cherríe Moraga, This Bridge Called My Back: Radical Writings by Women of Color. We then consider the legacies and aft&hellip;<span class="activity-read-more" id="activity-read-more-1674545"><a href="https://mla.hcommons.org/activity/p/1674545/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1641804/</link>
				<pubDate>Wed, 05 Jun 2019 17:59:03 -0400</pubDate>

				
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				<title>Scott Challener&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1617857/</link>
				<pubDate>Mon, 10 Sep 2018 13:37:08 -0400</pubDate>

				
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				<title>Scott Challener deposited Reckoning with Remembrance: the Contemporary Ballad and the Black Tradition in the group CLCS 20th- and 21st-Century</title>
				<link>https://mla.hcommons.org/activity/p/1557151/</link>
				<pubDate>Thu, 12 Jan 2017 20:19:26 -0500</pubDate>

									<content:encoded><![CDATA[<p>Contribution to "Boundary Conditions of the Ballad" panel. Scott Challener, Rutgers U, presiding.</p>
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				<title>Scott Challener deposited Reckoning with Remembrance: the Contemporary Ballad and the Black Tradition</title>
				<link>https://mla.hcommons.org/activity/p/1557087/</link>
				<pubDate>Thu, 12 Jan 2017 02:52:13 -0500</pubDate>

									<content:encoded><![CDATA[<p>Contribution to "Boundary Conditions of the Ballad" panel. Scott Challener, Rutgers U, presiding.</p>
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				<title>Scott Challener deposited &#039;Some Reckonings with the Not-Old and with Surprise&#039;: Postmodern Ballads of Urban Crisis in the group TC Marxism, Literature, and Society</title>
				<link>https://mla.hcommons.org/activity/p/546384/</link>
				<pubDate>Wed, 30 Mar 2016 18:53:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper offers a brief consideration of the literary ballad as a register of what by the mid-’60s economists had diagnosed as “urban crisis” and in 1970 John Ashbery called “urban chaos.”  I’m particularly interested in how poets used the ballad to see and see into the failures of the “spatio-temporal fix” of urban renewal.  My general idea is&hellip;<span class="activity-read-more" id="activity-read-more-546384"><a href="https://mla.hcommons.org/activity/p/546384/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener deposited &#039;Some Reckonings with the Not-Old and with Surprise&#039;: Postmodern Ballads of Urban Crisis in the group LLC African American</title>
				<link>https://mla.hcommons.org/activity/p/546383/</link>
				<pubDate>Wed, 30 Mar 2016 18:53:15 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper offers a brief consideration of the literary ballad as a register of what by the mid-’60s economists had diagnosed as “urban crisis” and in 1970 John Ashbery called “urban chaos.”  I’m particularly interested in how poets used the ballad to see and see into the failures of the “spatio-temporal fix” of urban renewal.  My general idea is&hellip;<span class="activity-read-more" id="activity-read-more-546383"><a href="https://mla.hcommons.org/activity/p/546383/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener deposited &#039;Some Reckonings with the Not-Old and with Surprise&#039;: Postmodern Ballads of Urban Crisis in the group LLC 20th- and 21st-Century American</title>
				<link>https://mla.hcommons.org/activity/p/546382/</link>
				<pubDate>Wed, 30 Mar 2016 18:53:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper offers a brief consideration of the literary ballad as a register of what by the mid-’60s economists had diagnosed as “urban crisis” and in 1970 John Ashbery called “urban chaos.”  I’m particularly interested in how poets used the ballad to see and see into the failures of the “spatio-temporal fix” of urban renewal.  My general idea is&hellip;<span class="activity-read-more" id="activity-read-more-546382"><a href="https://mla.hcommons.org/activity/p/546382/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener deposited &#039;Some Reckonings with the Not-Old and with Surprise&#039;: Postmodern Ballads of Urban Crisis in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/546381/</link>
				<pubDate>Wed, 30 Mar 2016 18:52:50 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper offers a brief consideration of the literary ballad as a register of what by the mid-’60s economists had diagnosed as “urban crisis” and in 1970 John Ashbery called “urban chaos.”  I’m particularly interested in how poets used the ballad to see and see into the failures of the “spatio-temporal fix” of urban renewal.  My general idea is&hellip;<span class="activity-read-more" id="activity-read-more-546381"><a href="https://mla.hcommons.org/activity/p/546381/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener deposited &#039;Some Reckonings with the Not-Old and with Surprise&#039;: Postmodern Ballads of Urban Crisis in the group CLCS 20th- and 21st-Century</title>
				<link>https://mla.hcommons.org/activity/p/546380/</link>
				<pubDate>Wed, 30 Mar 2016 18:52:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper offers a brief consideration of the literary ballad as a register of what by the mid-’60s economists had diagnosed as “urban crisis” and in 1970 John Ashbery called “urban chaos.”  I’m particularly interested in how poets used the ballad to see and see into the failures of the “spatio-temporal fix” of urban renewal.  My general idea is&hellip;<span class="activity-read-more" id="activity-read-more-546380"><a href="https://mla.hcommons.org/activity/p/546380/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">237d8c9456eebf71b21d0238bd7e97ad</guid>
				<title>Scott Challener deposited &#039;Some Reckonings with the Not-Old and with Surprise&#039;: Postmodern Ballads of Urban Crisis</title>
				<link>https://mla.hcommons.org/activity/p/546379/</link>
				<pubDate>Wed, 30 Mar 2016 18:52:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper offers a brief consideration of the literary ballad as a register of what by the mid-’60s economists had diagnosed as “urban crisis” and in 1970 John Ashbery called “urban chaos.”  I’m particularly interested in how poets used the ballad to see and see into the failures of the “spatio-temporal fix” of urban renewal.  My general idea is&hellip;<span class="activity-read-more" id="activity-read-more-546379"><a href="https://mla.hcommons.org/activity/p/546379/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener commented on the doc Special Session Proposal for 2017 MLA Convention: "Boundary Conditions of the Ballad"</title>
				<link>https://mla.hcommons.org/activity/p/546368/</link>
				<pubDate>Wed, 30 Mar 2016 15:56:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>Paul Laurence Dunbar, Countee Cullen, Claude McKay, Sterling Brown, Langston Hughes and Margaret Walker (of course!).</p>
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				<title>Scott Challener commented on the doc Special Session Proposal for 2017 MLA Convention: "Boundary Conditions of the Ballad"</title>
				<link>https://mla.hcommons.org/activity/p/546364/</link>
				<pubDate>Wed, 30 Mar 2016 15:40:20 -0400</pubDate>

									<content:encoded><![CDATA[<p>I invite any reader of this proposal to add to the list of modern and contemporary ballads I've begun below, and to suggest a critical bibliography as well. </p>
<p>A very partial, very incomplete sample of balladry in the twentieth century ranges from modernists like Ezra Pound and E.E. Cummings, to San Francisco Renaissance poets Jack Spicer, Robert&hellip;<span class="activity-read-more" id="activity-read-more-546364"><a href="https://mla.hcommons.org/activity/p/546364/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener created the doc gvaryahu_shneihem_shavim.pdf</title>
				<link>https://mla.hcommons.org/activity/p/546363/</link>
				<pubDate>Wed, 30 Mar 2016 15:26:04 -0400</pubDate>

				
				
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				<title>Scott Challener&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/531188/</link>
				<pubDate>Thu, 15 Oct 2015 00:29:59 -0400</pubDate>

				
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				<title>Scott Challener&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/531110/</link>
				<pubDate>Tue, 13 Oct 2015 20:39:25 -0400</pubDate>

				
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				<title>Scott Challener became a registered member</title>
				<link>https://mla.hcommons.org/activity/p/531090/</link>
				<pubDate>Tue, 13 Oct 2015 20:38:34 -0400</pubDate>

				
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