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      Samuel Zerin is a musicologist, music theorist, composer, and pianist.  He is a chief editor of the International Journal of the Study of Music and Musical Performance (forthcoming) and has held teaching positions at New York University and Brown University.

      His PhD dissertation, for defense in April 2018 at New York University, is the first critical biography of the Russian-Jewish violinist and composer Joseph Achron (1886-1943) and a theoretical investigation of late Romantic paradigms surrounding child prodigies and performer-composers. His research on music of the long 19th century focuses primarily on virtuosity, transcription, and supernatural creatures.  He is a specialist in early 20th century Jewish musical nationalism, and has broader analytical interests in 21st century Yiddish pop songs and Disney music.

      In 2010, he founded the Joseph Achron Society, working together with musicians and scholars from over a dozen countries to revive the forgotten legacy of this brilliant musician.  In this role, he has been editing and publishing first editions of Achron’s manuscript works, in addition to networking musicians and fundraising.  He has also worked as a music archivist, creating an online archive of rare Jewish classical scores at the website of the American Society for Jewish Music and processing, sorting, and cataloguing thousands of manuscripts, published scores, and other archival music documents at the New York campus of Hebrew Union College.

      Zerin is also an amateur polyglot, with particularly strong interests in Yiddish, Russian, and the Scandinavian languages.

      Education

      B.M. Music History, University of Michigan (2009) PhD Historical Musicology, New York University (expected 2018)

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