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	<title>Knowledge Commons | Richard Nance | Activity</title>
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				<title>Richard Nance wrote a new post, Been a While, on the site Music As A Plastic Art</title>
				<link>https://nance.hcommons.org/?p=679</link>
				<pubDate>Sat, 15 Nov 2025 18:19:27 -0500</pubDate>

									<content:encoded><![CDATA[<p>Nothing to say and saying it as the saying goes.Hard to consider myself as a composer, and so, I suppose I'm not going to for a bit. I've removed most of work from BandCamp. I've gone back to classical guitar, [&hellip;]</p>
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				<title>Richard Nance changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1842306/</link>
				<pubDate>Mon, 24 Apr 2023 06:18:24 -0400</pubDate>

				
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				<title>Richard Nance wrote a new post, The Enemy of Good is Good Enough, on the site Music As A Plastic Art</title>
				<link>https://nance.hcommons.org/?p=544</link>
				<pubDate>Tue, 06 Dec 2022 00:27:18 -0500</pubDate>

									<content:encoded><![CDATA[<p>or: Choosing Better is Better Than Choosing Nothing</p>
<p>The microphone arrived (ECM8000), the new measurements are done, the new arrangement looks good (enough), but I can't build French cleats with the tools I [&hellip;]</p>
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				<title>Richard Nance wrote a new post, Anticipation ..., on the site Music As A Plastic Art</title>
				<link>https://nance.hcommons.org/?p=528</link>
				<pubDate>Mon, 28 Nov 2022 11:25:27 -0500</pubDate>

									<content:encoded><![CDATA[<p>I suppose.</p>
<p>My own private personal measurement mic could be here this afternoon! I ordered a Behringer ecm8000 last week. The price for a new one has dropped to about half of what used ones cost.  I assume [&hellip;]</p>
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				<title>Richard Nance wrote a new post, Studio Treatments (pt. 3), on the site Music As A Plastic Art</title>
				<link>https://nance.hcommons.org/?p=495</link>
				<pubDate>Wed, 27 Apr 2022 10:46:08 -0400</pubDate>

									<content:encoded><![CDATA[<p>RCP Pt 3 </p>
<p>annnd we (me) continue,I've done one test using one HHB Circle 5A monitor with the monitor on the long wall. That is also the wall with the window. I know that it's considered best to aim the [&hellip;] <img loading="lazy" src="https://hcommons.org/app/uploads/sites/1000487/2022/04/Screenshot-2022-04-27-at-11.25.45-1-1024x541.png" /></p>
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				<title>Richard Nance wrote a new post, RCP Pt 2, on the site Music As A Plastic Art</title>
				<link>https://nance.hcommons.org/?p=479</link>
				<pubDate>Thu, 03 Feb 2022 10:29:08 -0500</pubDate>

									<content:encoded><![CDATA[<p>also see <a href="https://nance.hcommons.org/studio-report/" rel="nofollow ugc">https://nance.hcommons.org/studio-report/</a></p>
<p>Plenty of Rockwool in the corners now, the desk has moved a little and the speakers as well.</p>
<p>I'm still learning. The desk is actually too big for a mixing [&hellip;]</p>
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				<title>Richard Nance wrote a new post, Room Correction Push, on the site Music As A Plastic Art</title>
				<link>https://nance.hcommons.org/?p=469</link>
				<pubDate>Wed, 22 Dec 2021 16:51:58 -0500</pubDate>

									<content:encoded><![CDATA[<p>The time has come to gather resources. The office studios are becoming an unreliable back up and having a good room for fine tuning won't always be at hand. The answer is room correction.  (Thanks very much to [&hellip;] <img loading="lazy" src="https://hcommons.org/app/uploads/sites/1000487/2021/12/Screenshot-2021-12-22-at-16.30.20-1024x494.png" /></p>
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				<title>Richard Nance wrote a new post, Buxton trip null, on the site Music As A Plastic Art</title>
				<link>https://nance.hcommons.org/?p=465</link>
				<pubDate>Tue, 27 Jul 2021 16:38:37 -0400</pubDate>

									<content:encoded><![CDATA[<p>It was a great trip for climbing, but the audio and photo gear is too bulky in that little car with 3 people's luggage and tackle. I took the LS-100 and might have gotten some crickets out on Robin Hood's Stride. </p>
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				<title>Richard Nance wrote a new post, Field Recording, Bouldering, and Gravity's Part II, on the site Music As A Plastic Art</title>
				<link>https://nance.hcommons.org/?p=463</link>
				<pubDate>Sat, 17 Jul 2021 12:05:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>I'd meant to do this piece years and years ago. For practical reasons the sounds were taken from climbing gear: friends, nuts, ropes, etc. This time I wanted to get back to original projectI was recording my [&hellip;]</p>
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				<title>Richard Nance wrote a new post, A year in as a Zoombie, on the site Music As A Plastic Art</title>
				<link>https://nance.hcommons.org/?p=455</link>
				<pubDate>Sun, 28 Mar 2021 11:07:56 -0400</pubDate>

									<content:encoded><![CDATA[<p>It's been  little over a year at the time of this post actually. I am unfortunately less affected by the sparse contact with people than I think is healthy. My natural affinity towards being alone is being [&hellip;]</p>
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				<title>Richard Nance wrote a new post, Langham Research Centre, on the site Music As A Plastic Art</title>
				<link>https://nance.hcommons.org/?p=453</link>
				<pubDate>Wed, 16 Dec 2020 11:01:55 -0500</pubDate>

									<content:encoded><![CDATA[<p>ResonanceFM, a streaming show from London that was formerly a broadcast station, Has quite a few good shows. One the best for modern music is the one done by the Langham. They have a few disks and CDs. What I have [&hellip;]</p>
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				<title>Richard Nance wrote a new post, The Coming End of Lockdown, on the site Music As A Plastic Art</title>
				<link>https://nance.hcommons.org/?p=447</link>
				<pubDate>Tue, 15 Dec 2020 19:56:50 -0500</pubDate>

									<content:encoded><![CDATA[<p>Not tomorrow, next week, or probably next month, but barring any mutations or other disasters a vaccine will open the world up again. We'll go back to teaching in person. People won't get scowled at (by me) for [&hellip;] <img loading="lazy" src="https://hcommons.org/app/uploads/sites/1000487/2020/12/logomole-neural2-300x300.png" /></p>
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				<title>Richard Nance started the topic Organised Sound: Call for Papers in the discussion Music</title>
				<link>https://hcommons.org/groups/music/forum/topic/organised-sound-call-for-papers-2/</link>
				<pubDate>Fri, 24 Jan 2020 15:14:06 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>Organised Sound Volume 26, Number 1<br />
</strong><br />
Issue thematic title: The Sonic and the Electronic in Improvisation<br />
Date of Publication: April 2021<br />
Publishers: Cambridge University Press<br />
Issue co-ordinator: James Andean (<a href="mailto:james.andean@dmu.ac.uk" rel="noopener" rel="nofollow ugc">james.andean@dmu.ac.uk</a>)<br />
Deadline for submission: 15 May 2020</p>
<p>Improvisation is an important cornerstone of musical practice.&hellip;<span class="activity-read-more" id="activity-read-more-1676205"><a href="https://hcommons.org/groups/music/forum/topic/organised-sound-call-for-papers-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Richard Nance started the topic Organised Sound: Call for Papers in the discussion Improvisation and Composition</title>
				<link>https://hcommons.org/groups/improvisation-and-composition/forum/topic/organised-sound-call-for-papers/</link>
				<pubDate>Fri, 24 Jan 2020 15:13:38 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>Organised Sound Volume 26, Number 1<br />
</strong><br />
Issue thematic title: The Sonic and the Electronic in Improvisation<br />
Date of Publication: April 2021<br />
Publishers: Cambridge University Press<br />
Issue co-ordinator: James Andean (<a href="mailto:james.andean@dmu.ac.uk" rel="noopener noreferrer" rel="nofollow ugc">james.andean@dmu.ac.uk</a>)<br />
Deadline for submission: 15 May 2020</p>
<p>Improvisation is an important cornerstone of musical practice. However, due&hellip;<span class="activity-read-more" id="activity-read-more-1676204"><a href="https://hcommons.org/groups/improvisation-and-composition/forum/topic/organised-sound-call-for-papers/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Richard Nance posted a new activity comment</title>
				<link>https://hcommons.org/activity/p/1625278/#acomment-1625286</link>
				<pubDate>Sat, 08 Dec 2018 19:35:48 -0500</pubDate>

				
				
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				<title>Richard Nance posted a new activity comment</title>
				<link>https://hcommons.org/activity/p/1625278/#acomment-1625279</link>
				<pubDate>Sat, 08 Dec 2018 16:25:27 -0500</pubDate>

									<content:encoded><![CDATA[<p>This is a great start! </p>
				<strong>In reply to</strong> -
				<a href="https://hcommons.org/members/vanderson/" rel="nofollow ugc">Virginia Anderson</a> deposited <a href="https://hcommons.org/deposits/item/hc:21901/" rel="nofollow ugc">The EMC: Past, Present, Future</a> In 1968, the pianist John Tilbury and the composer Cornelius Cardew, having built up a great body of experimental music, asked the then-youngest member of [&hellip;]			]]></content:encoded>
				
				
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				<title>Richard Nance wrote a new post, Welcome!, on the site Music As A Plastic Art</title>
				<link>http://nance.hcommons.org/?p=404</link>
				<pubDate>Mon, 09 Apr 2018 17:27:09 -0400</pubDate>

									<content:encoded><![CDATA[<p>Just a sketch so far, but this space will constantly be being replaced with updates as the work progresses towards a December 2018 deadline.<br />
I'm excited that it's this far along and isn't going to be finished [&hellip;]</p>
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				<title>Richard Nance wrote a new post, Bounded vs unbounded affordances, on the site Music As A Plastic Art</title>
				<link>http://nance.hcommons.org/?p=400</link>
				<pubDate>Sat, 07 Apr 2018 10:43:02 -0400</pubDate>

									<content:encoded><![CDATA[<p>Originally posted on 6/8/16 in response to:<br />
CEC — eContact! 17.4 —<br />
Back to the Future: On misunderstanding modular synthesizers<br />
by Richard Scott</p>
<p>The inf [&hellip;]</p>
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				<title>Richard Nance wrote a new post, Journals, on the site Music As A Plastic Art</title>
				<link>http://nance.hcommons.org/?p=396</link>
				<pubDate>Wed, 04 Apr 2018 22:53:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>There's an upcoming issue of a new music journal that includes ecological-based compositional practice. It's something I really want to take part in.<br />
More information as it is released.</p>
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				<title>Richard Nance edited the event Music of the New York School</title>
				<link>https://hcommons.org/activity/p/1603940/</link>
				<pubDate>Mon, 19 Mar 2018 19:03:52 -0400</pubDate>

				
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				<title>Richard Nance wrote a new post, A Workshop on the Public Humanities in Berlin, Germany (May 26, 2018), on the site Music As A Plastic Art</title>
				<link>http://nance.hcommons.org/?p=391</link>
				<pubDate>Mon, 26 Feb 2018 11:23:33 -0500</pubDate>

									<content:encoded><![CDATA[<p>It was about 9pm. Wanted to make sure things weren't worse than they had to be,so I parked about a block from the city jail. Just in case. Mornings can be a bitch.</p>
<p> </p>
<p> </p>
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				<title>Richard Nance wrote a new post, More Web Fun, on the site Music As A Plastic Art</title>
				<link>http://nance.hcommons.org/?p=386</link>
				<pubDate>Sun, 25 Feb 2018 00:28:44 -0500</pubDate>

									<content:encoded><![CDATA[<p>More adjustments on the website. It's subtle. Too subtle really, for a page that rarely gets a hit, but I like playing with it.</p>
<p>Now, if you can notice it or let it sit for a few seconds to let it rise to the [&hellip;]</p>
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				<title>Richard Nance wrote a new post, Me, Lee, and (3 of 3), on the site Music As A Plastic Art</title>
				<link>http://nance.hcommons.org/?p=369</link>
				<pubDate>Wed, 14 Feb 2018 15:37:48 -0500</pubDate>

									<content:encoded><![CDATA[<p>More Free Improvisation</p>
<p>Visuals generated with  ArgeiphontesLyre, by  Akira Rabelais</p>
<p>I was really happy with this at first.</p>
<p>During the set I could hear Lee very well, and I thought we were blending b [&hellip;]</p>
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				<title>Richard Nance wrote a new post, Lee and Me, on the site Music As A Plastic Art</title>
				<link>http://nance.hcommons.org/?p=359</link>
				<pubDate>Mon, 12 Feb 2018 14:01:47 -0500</pubDate>

									<content:encoded><![CDATA[<p>Duet with Lee Allatson on percussion and me on guitar</p>
<p> </p>
<p><iframe loading="lazy" title="Lee Allatson and Me 1st set" width="500" height="281" src="https://www.youtube.com/embed/fEoeuEy1AHE?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
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				<title>Richard Nance wrote a new post, The stroll, on the site Music As A Plastic Art</title>
				<link>http://nance.hcommons.org/?p=348</link>
				<pubDate>Thu, 08 Feb 2018 12:21:06 -0500</pubDate>

									<content:encoded><![CDATA[<p>Errands to run so I'll walk today. Irvin Arditti is tonight. Music to write today. Friday is improv at the house with Lee, so maybe sketching some scores of some kind might speed things along.</p>
<p>So... Lee is [&hellip;]</p>
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				<title>Richard Nance wrote a new post, Two Shows Tonight, on the site Music As A Plastic Art</title>
				<link>http://nance.hcommons.org/?p=344</link>
				<pubDate>Thu, 01 Feb 2018 12:21:02 -0500</pubDate>

									<content:encoded><![CDATA[<p>First up is the regular monthly show at Quad Studios with The South Leicestershire Improvisors Ensemble. At the same time, "Now For Something Completely Different" kicks off it's first show of the series with The [&hellip;]</p>
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				<title>Richard Nance wrote a new post, Passive Analysis., on the site Music As A Plastic Art</title>
				<link>http://nance.hcommons.org/?p=317</link>
				<pubDate>Sat, 27 Jan 2018 20:20:45 -0500</pubDate>

									<content:encoded><![CDATA[<p>Trying some short loops (semantic satiation exercise) while listening to some melodic classical guitar as background. Mostly just Bartok and Berg.  I'm getting used to the birch bark and the nylon strings [&hellip;]</p>
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				<title>Richard Nance wrote a new post, sibilance and similarity, on the site Music As A Plastic Art</title>
				<link>http://nance.hcommons.org/?p=314</link>
				<pubDate>Fri, 26 Jan 2018 11:25:46 -0500</pubDate>

									<content:encoded><![CDATA[<p>Leaves and "esses"<br />
"separating" for instance.</p>
<p>vanishing points</p>
<p> </p>
<p>fine lines</p>
<p> </p>
<p>splits</p>
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				<title>Richard Nance wrote a new post, Ecological constraint as formal model, on the site Music As A Plastic Art</title>
				<link>http://nance.hcommons.org/?p=305</link>
				<pubDate>Mon, 22 Jan 2018 21:58:26 -0500</pubDate>

									<content:encoded><![CDATA[<p>The composer, the studio, the sound, and the sources are the environmental components in these pieces. I propose that Gibson’s notions about the systems being tuned to each other apply here and the composer r [&hellip;]</p>
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				<title>Richard Nance wrote a new post, Palettes and Rhythms, on the site Music As A Plastic Art</title>
				<link>http://nance.hcommons.org/?p=292</link>
				<pubDate>Mon, 22 Jan 2018 13:22:08 -0500</pubDate>

									<content:encoded><![CDATA[<p>Tearing Up</p>
<p>A sampling of textures, colours, and rhythms that will eventually end up in "Tearing Up."</p>
<p> </p>
<p>Please remember, this isn't a pop-tune. You won't hear more than half the music on computer [&hellip;]</p>
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				<title>Richard Nance wrote a new post, Still reading ..., on the site Music As A Plastic Art</title>
				<link>http://nance.hcommons.org/?p=288</link>
				<pubDate>Mon, 22 Jan 2018 08:48:54 -0500</pubDate>

									<content:encoded><![CDATA[<p> </p>
<p>After multiple recent bouts with the Tate, I'm going back to the Kandel book. I haven't finished it, but after a long weekend of conversations with an old classmate, I think it's time. The psych degree [&hellip;] <img loading="lazy" src="https://images.duckduckgo.com/iu/?u=http%3A%2F%2Fwww.wired.com%2Fimages_blogs%2Fwiredscience%2F2012%2F04%2FKANDEL_AgeInsight-660x983.jpg&#038;f=1" /></p>
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				<title>Richard Nance wrote a new post, The Tate Modern (Modigliani and Kabakov) Jan, 2018, on the site Music As A Plastic Art</title>
				<link>http://nance.hcommons.org/?p=274</link>
				<pubDate>Sun, 21 Jan 2018 11:44:26 -0500</pubDate>

									<content:encoded><![CDATA[<p>Third time to visit the Modigliani and Kabakov exhibits at the Tate Modern. As the shows both come to the end the crowds have gotten heavier.</p>
<p>The Kabokov comes from the heart of the soviet era, but is situated [&hellip;] <img loading="lazy" src="http://www.tate.org.uk/sites/default/files/styles/width-600/public/id_024a_1.jpg" /></p>
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				<title>Richard Nance wrote a new post, Reflecting on dreams ..., on the site Music As A Plastic Art</title>
				<link>http://nance.hcommons.org/?p=257</link>
				<pubDate>Mon, 15 Jan 2018 19:10:57 -0500</pubDate>

									<content:encoded><![CDATA[<p>“It is necessary to refute the idea that the dominant ideology in our country even today is freedom and equality while racism is just an occasional departure from the norm on the part of a few bigoted extremists.”<br />
_ MLK, Jr</p>
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				<title>Richard Nance wrote a new post, Famous Pencils, on the site Music As A Plastic Art</title>
				<link>http://nance.hcommons.org/?p=252</link>
				<pubDate>Thu, 11 Jan 2018 10:49:26 -0500</pubDate>

				
				
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				<title>Richard Nance wrote a new post, Practice Based Research, on the site Music As A Plastic Art</title>
				<link>http://nance.hcommons.org/?p=231</link>
				<pubDate>Wed, 10 Jan 2018 11:48:56 -0500</pubDate>

									<content:encoded><![CDATA[<p>Video: Free Improvisation; Classical Guitar<br />
10/1/2018 <img loading="lazy" src="https://hcommons.org/app/uploads/sites/1000487/2018/01/231.jpg" /></p>
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				<title>Richard Nance wrote a new post, non-music rant, on the site Music As A Plastic Art</title>
				<link>http://nance.hcommons.org/?p=229</link>
				<pubDate>Tue, 09 Jan 2018 13:56:56 -0500</pubDate>

									<content:encoded><![CDATA[<p>Not really a rant. Hermes delivery has serious problems.</p>
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				<title>Richard Nance wrote a new post, Space and Finding Place, on the site Music As A Plastic Art</title>
				<link>http://nance.hcommons.org/?p=221</link>
				<pubDate>Wed, 03 Jan 2018 14:38:50 -0500</pubDate>

									<content:encoded><![CDATA[<p>An almost interesting side note after the last dreary entry. I've narrowed my focus (or 'depth of field' if you will) to working with spatial movement in the sources I've already got in the mix. I've been pushing [&hellip;]</p>
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				<title>Richard Nance wrote a new post, Paper Progress, on the site Music As A Plastic Art</title>
				<link>http://nance.hcommons.org/?p=207</link>
				<pubDate>Sat, 09 Dec 2017 09:40:48 -0500</pubDate>

									<content:encoded><![CDATA[<p>It's not quite what it sounds like. It's not a paper, but it's a piece made with paper samples. Also, it hasn't really progressed in a while. That said, I just ran across some beautiful little spectral [&hellip;]</p>
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				<title>Richard Nance wrote a new post, Final? Website update, on the site Music As A Plastic Art</title>
				<link>http://nance.hcommons.org/?p=201</link>
				<pubDate>Fri, 08 Dec 2017 16:36:54 -0500</pubDate>

									<content:encoded><![CDATA[<p>As far as design goes, I think I've settled. Tweaking colours will happen forever, and of course, or at least I hope, continuous additions of music. One day the integration with the music pages via BandCamp will [&hellip;]</p>
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				<title>Richard Nance wrote a new post, Illusory upgrades, on the site Music As A Plastic Art</title>
				<link>http://nance.hcommons.org/?p=190</link>
				<pubDate>Tue, 26 Sep 2017 22:07:14 -0400</pubDate>

									<content:encoded><![CDATA[<p>I was really excited that the new Mastering Audio course included some precision converters and finally some proper art-music quality monitors; a pair of ATC 110.<br />
I had two orientations to the new kit, one [&hellip;]</p>
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				<title>Richard Nance commented on the post, Website "done", on the site Music As A Plastic Art</title>
				<link>https://nance.hcommons.org/2017/07/website-done/#comment-5</link>
				<pubDate>Tue, 18 Jul 2017 18:01:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>How does ricknance.org sound? I had that one before and I can get it back. Snazzier would be PlasticAcousmatic. I could get a prefix like Fantastic to make it even worse/better.</p>
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				<title>Richard Nance wrote a new post, This Year, on the site Music As A Plastic Art</title>
				<link>http://nance.hcommons.org/?p=109</link>
				<pubDate>Tue, 18 Jul 2017 09:47:14 -0400</pubDate>

									<content:encoded><![CDATA[<p>It's not ready to remove the "under development" tag on the front page, nor is it ready to receive a permanent domain name. I let my plasticmusic.net name lapse and it was picked up by a Japanese softcore [&hellip;]</p>
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				<title>Richard Nance&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1573760/</link>
				<pubDate>Sun, 11 Jun 2017 00:31:12 -0400</pubDate>

				
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				<title>Richard Nance&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1573741/</link>
				<pubDate>Sat, 10 Jun 2017 15:20:58 -0400</pubDate>

				
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