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	<title>Knowledge Commons | Poe M. Allphin | Activity</title>
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				<title>Poe M. Allphin changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1925193/</link>
				<pubDate>Mon, 18 Aug 2025 19:30:47 -0400</pubDate>

				
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				<title>Poe M. Allphin&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1925191/</link>
				<pubDate>Mon, 18 Aug 2025 19:25:49 -0400</pubDate>

				
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				<title>Poe M. Allphin&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1832198/</link>
				<pubDate>Wed, 01 Feb 2023 13:37:02 -0500</pubDate>

				
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				<title>Poe M. Allphin changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1832199/</link>
				<pubDate>Wed, 01 Feb 2023 08:39:34 -0500</pubDate>

				
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				<title>Penrose Allphin deposited Imagining the Trans Symphony: Integrating Transgender Composer Identity in Music Analysis</title>
				<link>https://hcommons.org/activity/p/1752210/</link>
				<pubDate>Fri, 17 Sep 2021 15:38:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>Contemporary music analysts have generally downplayed the relevance of composer intent, a dismissal which ignores the potential for an enhanced expressive context afforded by composers' own assessments and also contributes to the silencing of already othered voices, such as in the case of queer and trans composers. Allowing the trans composer a&hellip;<span class="activity-read-more" id="activity-read-more-1752210"><a href="https://hcommons.org/activity/p/1752210/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Penrose Allphin deposited Trans Sonorities in Grey Grant’s “Drones for the In-Between Times"</title>
				<link>https://hcommons.org/activity/p/1752159/</link>
				<pubDate>Fri, 17 Sep 2021 02:16:56 -0400</pubDate>

									<content:encoded><![CDATA[<p>Composer intent has generally been downplayed by contemporary music analysts, often<br />
being regarded as an example of an intentional fallacy at best and misleading at worst. This analysis<br />
of Grey Grant’s choral work posits that such a dismissal not only ignores the potential for an enhanced<br />
expressive context afforded by composers’ own ass&hellip;<span class="activity-read-more" id="activity-read-more-1752159"><a href="https://hcommons.org/activity/p/1752159/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Poe M. Allphin&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1752152/</link>
				<pubDate>Fri, 17 Sep 2021 01:54:08 -0400</pubDate>

				
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				<title>Poe M. Allphin&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1690435/</link>
				<pubDate>Wed, 10 Jun 2020 00:39:26 -0400</pubDate>

				
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