About

Postdoctoral researcher in Scandinavian cinema. Currently researching regional screen policy in the Danish film industry.

Associate Fellow of the Higher Education Academy, United Kingdom.

Education

PhD Scandinavian Film, University College London – 2016

MA (Research) Literary Studies, National University of Singapore – 2010

PGDE English and Literature, National Institute of Education, Singapore – 2007

BA (Hons) English Literature, National University of Singapore – 2006

Other Publications

Monograph
[In preparation] Danish Dreams and Swedish Spaces: Film and Television in the Transnational Øresund Region, 1999–2014.
Journal Articles
Chow, Pei-Sze. 2012. ‘The Landmark on Film: Representations of Place and Identity.’ Opticon1826 13: 14–22. doi: 10.5334/opt.ab.
Book Chapters
Chow, Pei-Sze and Thomson, C. Claire. Forthcoming in 2017. ‘This Site is Under Construction: Remediating the Øresund Region around the Millennium.’ In Nordic Literature: A Comparative History, Volume 1, edited by Mark Sandberg and Steven Sondrup. Amsterdam: John Benjamins.
Chow, Pei-Sze. 2016. ‘Drømme i København (2009): Dreams of the Øresund Region in a Film Portrait of Copenhagen.’ In Beyond Borealism: New Perspectives on the North, edited by Ian Giles et al. London: Norvik Press.
Chow, Pei-Sze. 2016. ‘Traversing the Øresund: The Transnational Urban Region in Bron/Broen.’ In Global Cinematic Cities:  New Landscapes of Film and Media, edited by Johan Andersson and Lawrence Webb. London; New York: Wallflower Press; Columbia University Press.
Chow, Pei-Sze, and Essi Viitanen. 2014. ‘Under the Scaffolding: Cinematic Representations of High-rise Buildings in Tapiola and Malmö.’ In Illuminating the North: Proceedings from the Nordic Research Network Conference 2013, edited by Agnes Broomé, Pei-Sze Chow, Nichola Smalley, Louisa Taylor, and Essi Viitanen, 29–44. London: Norvik Press.
Chow, Pei-Sze. 2012. ‘“It Is Too Beautiful”: Accidents and Auteurship in Lars von Trier’s Antichrist.’ In Framed Horizons: Student Writing on Nordic Cinema, edited by Marita Fraser, Melissa Powell, Rose-Anne Ross, Anna V. Strauss, C. Claire Thomson. 223–247. London: Norvik Press. 223–247.
Reviews

2016. ‘Gustafsson, Tommy and Pietari Kääpä (eds.): Nordic Genre Film: Small Nation Film Cultures in the Global Marketplace.’ Scandinavica.
2015. ‘Mette Hjort (Ed.): The Education of the Filmmaker in Europe, Australia, and Asia. New York: Palgrave Macmillan. 2013.’ MedieKultur: Journal of Media and Communication Research 31(58): 165–168.
Blog Posts
Chow, Pei-Sze. 2016. ‘The Bridge – Season 3: Perspectives from the UK.’ In Mediating Cultural Encounters through European Screens. Last modified March 3. http://mecetes.co.uk/the-bridge-season-3-perspectives-from-the-uk/.
Chow, Pei-Sze. 2014. ‘The Bridge 3 Will Be “More Danish”, Says Copenhagen Film Fund.’ In Mediating Cultural Encounters through European Screens. Last modified October 17. http://mecetes.co.uk/bridge-3-will-danish-says-copenhagen-film-fund/.
Chow, Pei-Sze. 2014. ‘Re-imagining the Øresund region: The Bridge (2011–2013).’ In Mediating Cultural Encounters through European Screens. Last modified April 7. http://mecetes.co.uk/re-imagining-oresund-region-bridge/.

Projects

2018–2020: Sustaining A Regional Screen Ecosystem In A Small Nation: Aarhus and the West Danish Film Fund

Pei-Sze Chow

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@peiszec

active 1 year, 7 months ago