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	<title>Knowledge Commons | Paulino Capdepon | Activity</title>
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				<title>Paulino Capdepon deposited CONMEMORACIONES DEL PRIMER CENTENARIO DE LUDWIG VAN BEETHOVEN EN MADRID (1927): LA ACTIVIDAD ORQUESTAL in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1875797/</link>
				<pubDate>Sun, 11 Feb 2024 03:02:48 -0500</pubDate>

									<content:encoded><![CDATA[<p>In 1927, Madrid experienced a great musical activity to celebrate the first anniversary of Beethoven's death. This chapter focuses on the activities organized by orchestras, societies, associations, etc., and their reflection in the press of that time. Critics from the main Madrid newspapers such as Adolfo Salazar, Juan José Mantecón, Víctor Es&hellip;<span class="activity-read-more" id="activity-read-more-1875797"><a href="https://hcommons.org/activity/p/1875797/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited CONMEMORACIONES DEL PRIMER CENTENARIO DE LUDWIG VAN BEETHOVEN EN MADRID (1927): LA ACTIVIDAD ORQUESTAL in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1875795/</link>
				<pubDate>Sun, 11 Feb 2024 03:02:41 -0500</pubDate>

									<content:encoded><![CDATA[<p>In 1927, Madrid experienced a great musical activity to celebrate the first anniversary of Beethoven's death. This chapter focuses on the activities organized by orchestras, societies, associations, etc., and their reflection in the press of that time. Critics from the main Madrid newspapers such as Adolfo Salazar, Juan José Mantecón, Víctor Es&hellip;<span class="activity-read-more" id="activity-read-more-1875795"><a href="https://hcommons.org/activity/p/1875795/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited CONMEMORACIONES DEL PRIMER CENTENARIO DE LUDWIG VAN BEETHOVEN EN MADRID (1927): LA ACTIVIDAD ORQUESTAL in the group International Musicological Society (IMS)</title>
				<link>https://hcommons.org/activity/p/1875794/</link>
				<pubDate>Sun, 11 Feb 2024 03:02:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>In 1927, Madrid experienced a great musical activity to celebrate the first anniversary of Beethoven's death. This chapter focuses on the activities organized by orchestras, societies, associations, etc., and their reflection in the press of that time. Critics from the main Madrid newspapers such as Adolfo Salazar, Juan José Mantecón, Víctor Es&hellip;<span class="activity-read-more" id="activity-read-more-1875794"><a href="https://hcommons.org/activity/p/1875794/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited EL ESTRENO DE LA NOVENA SINFONÍA EN RE MENOR OPUS 125 DE BEETHOVEN EN ESPAÑA (1882): HISTORIA Y RECEPCIÓN in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1875792/</link>
				<pubDate>Sun, 11 Feb 2024 03:01:42 -0500</pubDate>

									<content:encoded><![CDATA[<p>The premiere in 1882 of the Ninth Symphony by the German composer Ludwig van Beethoven (1770-1827) at the Teatro Principal in Madrid marked a significant historical and musical milestone for the history of Spanish symphonic music. Until then, the reception of the great German composer in Spain had been limited since the 1840s to individual&hellip;<span class="activity-read-more" id="activity-read-more-1875792"><a href="https://hcommons.org/activity/p/1875792/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited EL ESTRENO DE LA NOVENA SINFONÍA EN RE MENOR OPUS 125 DE BEETHOVEN EN ESPAÑA (1882): HISTORIA Y RECEPCIÓN in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1875791/</link>
				<pubDate>Sun, 11 Feb 2024 03:01:37 -0500</pubDate>

									<content:encoded><![CDATA[<p>The premiere in 1882 of the Ninth Symphony by the German composer Ludwig van Beethoven (1770-1827) at the Teatro Principal in Madrid marked a significant historical and musical milestone for the history of Spanish symphonic music. Until then, the reception of the great German composer in Spain had been limited since the 1840s to individual&hellip;<span class="activity-read-more" id="activity-read-more-1875791"><a href="https://hcommons.org/activity/p/1875791/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited EL ESTRENO DE LA NOVENA SINFONÍA EN RE MENOR OPUS 125 DE BEETHOVEN EN ESPAÑA (1882): HISTORIA Y RECEPCIÓN in the group Musical Theater Interest Group – Society for Music Theory (SMT MTIG)</title>
				<link>https://hcommons.org/activity/p/1875790/</link>
				<pubDate>Sun, 11 Feb 2024 03:01:36 -0500</pubDate>

									<content:encoded><![CDATA[<p>The premiere in 1882 of the Ninth Symphony by the German composer Ludwig van Beethoven (1770-1827) at the Teatro Principal in Madrid marked a significant historical and musical milestone for the history of Spanish symphonic music. Until then, the reception of the great German composer in Spain had been limited since the 1840s to individual&hellip;<span class="activity-read-more" id="activity-read-more-1875790"><a href="https://hcommons.org/activity/p/1875790/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited EL ESTRENO DE LA NOVENA SINFONÍA EN RE MENOR OPUS 125 DE BEETHOVEN EN ESPAÑA (1882): HISTORIA Y RECEPCIÓN in the group International Musicological Society (IMS)</title>
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				<pubDate>Sun, 11 Feb 2024 03:01:34 -0500</pubDate>

									<content:encoded><![CDATA[<p>The premiere in 1882 of the Ninth Symphony by the German composer Ludwig van Beethoven (1770-1827) at the Teatro Principal in Madrid marked a significant historical and musical milestone for the history of Spanish symphonic music. Until then, the reception of the great German composer in Spain had been limited since the 1840s to individual&hellip;<span class="activity-read-more" id="activity-read-more-1875789"><a href="https://hcommons.org/activity/p/1875789/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited CONMEMORACIONES DEL PRIMER CENTENARIO DE LUDWIG VAN BEETHOVEN EN MADRID (1927): LA ACTIVIDAD ORQUESTAL</title>
				<link>https://hcommons.org/activity/p/1875476/</link>
				<pubDate>Sat, 10 Feb 2024 13:27:46 -0500</pubDate>

									<content:encoded><![CDATA[<p>In 1927, Madrid experienced a great musical activity to celebrate the first anniversary of Beethoven's death. This chapter focuses on the activities organized by orchestras, societies, associations, etc., and their reflection in the press of that time. Critics from the main Madrid newspapers such as Adolfo Salazar, Juan José Mantecón, Víctor Es&hellip;<span class="activity-read-more" id="activity-read-more-1875476"><a href="https://hcommons.org/activity/p/1875476/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited EL ESTRENO DE LA NOVENA SINFONÍA EN RE MENOR OPUS 125 DE BEETHOVEN EN ESPAÑA (1882): HISTORIA Y RECEPCIÓN</title>
				<link>https://hcommons.org/activity/p/1875475/</link>
				<pubDate>Sat, 10 Feb 2024 13:20:11 -0500</pubDate>

									<content:encoded><![CDATA[<p>The premiere in 1882 of the Ninth Symphony by the German composer Ludwig van Beethoven (1770-1827) at the Teatro Principal in Madrid marked a significant historical and musical milestone for the history of Spanish symphonic music. Until then, the reception of the great German composer in Spain had been limited since the 1840s to individual&hellip;<span class="activity-read-more" id="activity-read-more-1875475"><a href="https://hcommons.org/activity/p/1875475/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited La música en la Colegiata de Santa María la Mayor de Talavera de la Reina durante el siglo XVIII, Talavera de la Reina: Ayuntamiento, 2012, pp. 1-806. in the group International Musicological Society (IMS)</title>
				<link>https://hcommons.org/activity/p/1858160/</link>
				<pubDate>Tue, 12 Sep 2023 01:08:11 -0400</pubDate>

									<content:encoded><![CDATA[<p>This work won the 'XX Premio de Investigación Fernando Jiménez de Gregorio', awarded by the City Council of Talavera de la Reina in 2011. Reviews: 1) Reseña de Josep Maria Gregori Cifré en Critica Bibliographica (vol. C, febrero 2013): <a href="http://www.academiaeditorial.com/web/talavera" rel="nofollow ugc">http://www.academiaeditorial.com/web/talavera</a> 2) Reseña de Leticia Yustos en DoceNotas. Revista de Música y Danza&hellip;<span class="activity-read-more" id="activity-read-more-1858160"><a href="https://hcommons.org/activity/p/1858160/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited La música en la Colegiata de Santa María la Mayor de Talavera de la Reina durante el siglo XVIII, Talavera de la Reina: Ayuntamiento, 2012, pp. 1-806. in the group Early Modern History</title>
				<link>https://hcommons.org/activity/p/1858159/</link>
				<pubDate>Tue, 12 Sep 2023 01:08:09 -0400</pubDate>

									<content:encoded><![CDATA[<p>This work won the 'XX Premio de Investigación Fernando Jiménez de Gregorio', awarded by the City Council of Talavera de la Reina in 2011. Reviews: 1) Reseña de Josep Maria Gregori Cifré en Critica Bibliographica (vol. C, febrero 2013): <a href="http://www.academiaeditorial.com/web/talavera" rel="nofollow ugc">http://www.academiaeditorial.com/web/talavera</a> 2) Reseña de Leticia Yustos en DoceNotas. Revista de Música y Danza&hellip;<span class="activity-read-more" id="activity-read-more-1858159"><a href="https://hcommons.org/activity/p/1858159/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited La música en la Colegiata de Santa María la Mayor de Talavera de la Reina durante el siglo XVIII, Talavera de la Reina: Ayuntamiento, 2012, pp. 1-806.</title>
				<link>https://hcommons.org/activity/p/1857954/</link>
				<pubDate>Sat, 09 Sep 2023 09:39:56 -0400</pubDate>

									<content:encoded><![CDATA[<p>This work won the 'XX Premio de Investigación Fernando Jiménez de Gregorio', awarded by the City Council of Talavera de la Reina in 2011. Reviews: 1) Reseña de Josep Maria Gregori Cifré en Critica Bibliographica (vol. C, febrero 2013): <a href="http://www.academiaeditorial.com/web/talavera" rel="nofollow ugc">http://www.academiaeditorial.com/web/talavera</a> 2) Reseña de Leticia Yustos en DoceNotas. Revista de Música y Danza&hellip;<span class="activity-read-more" id="activity-read-more-1857954"><a href="https://hcommons.org/activity/p/1857954/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited Padre Antonio Soler (1729-1783). Villancicos II (nº 48-58) in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1857424/</link>
				<pubDate>Tue, 05 Sep 2023 07:35:40 -0400</pubDate>

									<content:encoded><![CDATA[<p>Study and edition of the Complete Villancicos of Padre Antonio Soler (1729-1783), Chapel Master of Escorial Monastery in Spain</p>
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				<title>Paulino Capdepon deposited Padre Antonio Soler (1729-1783). Villancicos II (nº 48-58) in the group Musical Theater Interest Group – Society for Music Theory (SMT MTIG)</title>
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				<title>Paulino Capdepon deposited Padre Antonio Soler (1729-1783). Villancicos II (nº 48-58) in the group International Musicological Society (IMS)</title>
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				<pubDate>Tue, 05 Sep 2023 07:35:38 -0400</pubDate>

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				<title>Paulino Capdepon deposited Padre Antonio Soler (1729-1783). Villancicos II (nº 48-58) in the group History</title>
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				<title>Paulino Capdepon deposited Padre Antonio Soler (1729-1783). Villancicos I (nº 35-47) in the group Society for Music Theory (SMT)</title>
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				<pubDate>Tue, 05 Sep 2023 07:34:29 -0400</pubDate>

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				<title>Paulino Capdepon deposited Padre Antonio Soler (1729-1783). Villancicos I (nº 35-47) in the group Musical Theater Interest Group – Society for Music Theory (SMT MTIG)</title>
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				<title>Paulino Capdepon deposited Padre Antonio Soler (1729-1783). Villancicos I (nº 35-47) in the group International Musicological Society (IMS)</title>
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				<title>Paulino Capdepon deposited Padre Antonio Soler (1729-1783). Villancicos I (nº 35-47) in the group Arts and Humanities Funding</title>
				<link>https://hcommons.org/activity/p/1857416/</link>
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									<content:encoded><![CDATA[<p>Study and edition of the Complete Villancicos of Padre Antonio Soler (1729-1783), Chapel Master of Escorial Monastery in Spain</p>
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				<title>Paulino Capdepon deposited Padre Antonio Soler (1729-1783). Villancicos II (nº 48-58)</title>
				<link>https://hcommons.org/activity/p/1857308/</link>
				<pubDate>Sat, 02 Sep 2023 21:03:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>Study and edition of the Complete Villancicos of Padre Antonio Soler (1729-1783), Chapel Master of Escorial Monastery in Spain</p>
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				<link>https://hcommons.org/activity/p/1857301/</link>
				<pubDate>Sat, 02 Sep 2023 20:57:09 -0400</pubDate>

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				<title>Paulino Capdepon deposited Ramón Garay (1761-1823). Obra musical sacra en latín (Ramón Garay (1761-1823). Latin Sacred Musical Output) in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1851137/</link>
				<pubDate>Thu, 06 Jul 2023 02:25:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>Eighteenth-century Spanish music experienced a golden age thanks, especially, to the proliferation of centers such as the chapels, which articulated and structured the musical life of our cities: the main sound activity was centered on ecclesiastical music, both liturgical and paraliturgical, with which religious festivities were solemnized.&hellip;<span class="activity-read-more" id="activity-read-more-1851137"><a href="https://hcommons.org/activity/p/1851137/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited Ramón Garay (1761-1823). Obra musical sacra en latín (Ramón Garay (1761-1823). Latin Sacred Musical Output) in the group Musical Theater Interest Group – Society for Music Theory (SMT MTIG)</title>
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									<content:encoded><![CDATA[<p>Eighteenth-century Spanish music experienced a golden age thanks, especially, to the proliferation of centers such as the chapels, which articulated and structured the musical life of our cities: the main sound activity was centered on ecclesiastical music, both liturgical and paraliturgical, with which religious festivities were solemnized.&hellip;<span class="activity-read-more" id="activity-read-more-1851136"><a href="https://hcommons.org/activity/p/1851136/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited Ramón Garay (1761-1823). Obra musical sacra en latín (Ramón Garay (1761-1823). Latin Sacred Musical Output) in the group International Musicological Society (IMS)</title>
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									<content:encoded><![CDATA[<p>Eighteenth-century Spanish music experienced a golden age thanks, especially, to the proliferation of centers such as the chapels, which articulated and structured the musical life of our cities: the main sound activity was centered on ecclesiastical music, both liturgical and paraliturgical, with which religious festivities were solemnized.&hellip;<span class="activity-read-more" id="activity-read-more-1851135"><a href="https://hcommons.org/activity/p/1851135/" rel="nofollow ugc">[Read more]</a></span></p>
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				<link>https://hcommons.org/activity/p/1851134/</link>
				<pubDate>Thu, 06 Jul 2023 02:25:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>Eighteenth-century Spanish music experienced a golden age thanks, especially, to the proliferation of centers such as the chapels, which articulated and structured the musical life of our cities: the main sound activity was centered on ecclesiastical music, both liturgical and paraliturgical, with which religious festivities were solemnized.&hellip;<span class="activity-read-more" id="activity-read-more-1851134"><a href="https://hcommons.org/activity/p/1851134/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited Ramón Garay (1761-1823). Obra musical sacra en latín (Ramón Garay (1761-1823). Latin Sacred Musical Output)</title>
				<link>https://hcommons.org/activity/p/1851074/</link>
				<pubDate>Wed, 05 Jul 2023 09:11:20 -0400</pubDate>

									<content:encoded><![CDATA[<p>Eighteenth-century Spanish music experienced a golden age thanks, especially, to the proliferation of centers such as the chapels, which articulated and structured the musical life of our cities: the main sound activity was centered on ecclesiastical music, both liturgical and paraliturgical, with which religious festivities were solemnized.&hellip;<span class="activity-read-more" id="activity-read-more-1851074"><a href="https://hcommons.org/activity/p/1851074/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1836721/</link>
				<pubDate>Tue, 07 Mar 2023 21:04:30 -0500</pubDate>

				
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				<title>Paulino Capdepon deposited La capilla musical de la colegiata de Talavera de la Reina en la primera mitad del siglo XIX in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1836481/</link>
				<pubDate>Mon, 06 Mar 2023 02:28:28 -0500</pubDate>

									<content:encoded><![CDATA[<p>After the period of splendour experienced by the musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina during the 18th century, we witnessed a period of decline, which was part of the crisis experienced by Spanish religious music during the 19th century. The effects of the War of Independence, the successive&hellip;<span class="activity-read-more" id="activity-read-more-1836481"><a href="https://hcommons.org/activity/p/1836481/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited La capilla musical de la colegiata de Talavera de la Reina en la primera mitad del siglo XIX in the group Religious Studies</title>
				<link>https://hcommons.org/activity/p/1836480/</link>
				<pubDate>Mon, 06 Mar 2023 02:28:17 -0500</pubDate>

									<content:encoded><![CDATA[<p>After the period of splendour experienced by the musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina during the 18th century, we witnessed a period of decline, which was part of the crisis experienced by Spanish religious music during the 19th century. The effects of the War of Independence, the successive&hellip;<span class="activity-read-more" id="activity-read-more-1836480"><a href="https://hcommons.org/activity/p/1836480/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited La capilla musical de la colegiata de Talavera de la Reina en la primera mitad del siglo XIX in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1836479/</link>
				<pubDate>Mon, 06 Mar 2023 02:28:11 -0500</pubDate>

									<content:encoded><![CDATA[<p>After the period of splendour experienced by the musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina during the 18th century, we witnessed a period of decline, which was part of the crisis experienced by Spanish religious music during the 19th century. The effects of the War of Independence, the successive&hellip;<span class="activity-read-more" id="activity-read-more-1836479"><a href="https://hcommons.org/activity/p/1836479/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited La capilla musical de la colegiata de Talavera de la Reina en la primera mitad del siglo XIX in the group History</title>
				<link>https://hcommons.org/activity/p/1836478/</link>
				<pubDate>Mon, 06 Mar 2023 02:28:04 -0500</pubDate>

									<content:encoded><![CDATA[<p>After the period of splendour experienced by the musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina during the 18th century, we witnessed a period of decline, which was part of the crisis experienced by Spanish religious music during the 19th century. The effects of the War of Independence, the successive&hellip;<span class="activity-read-more" id="activity-read-more-1836478"><a href="https://hcommons.org/activity/p/1836478/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited Música de tecla en la España del siglo XVIII: Domenico Scarlatti y el padre Antonio Soler in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1836476/</link>
				<pubDate>Mon, 06 Mar 2023 02:27:10 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article focuses on Spanish music in the 18th century, which experienced one of the most brilliant periods in its history. This was undoubtedly due to the splendour achieved by keyboard music, which reached an extraordinary level of development after the arrival in Spain of the Neapolitan composer Domenico Scarlatti (1685-1757), harpsichord&hellip;<span class="activity-read-more" id="activity-read-more-1836476"><a href="https://hcommons.org/activity/p/1836476/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited Música de tecla en la España del siglo XVIII: Domenico Scarlatti y el padre Antonio Soler in the group Musical Theater Interest Group – Society for Music Theory (SMT MTIG)</title>
				<link>https://hcommons.org/activity/p/1836475/</link>
				<pubDate>Mon, 06 Mar 2023 02:27:10 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article focuses on Spanish music in the 18th century, which experienced one of the most brilliant periods in its history. This was undoubtedly due to the splendour achieved by keyboard music, which reached an extraordinary level of development after the arrival in Spain of the Neapolitan composer Domenico Scarlatti (1685-1757), harpsichord&hellip;<span class="activity-read-more" id="activity-read-more-1836475"><a href="https://hcommons.org/activity/p/1836475/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">02f56eecf1c1bfea4ccdd3ec8ea2f22e</guid>
				<title>Paulino Capdepon deposited Música de tecla en la España del siglo XVIII: Domenico Scarlatti y el padre Antonio Soler in the group International Musicological Society (IMS)</title>
				<link>https://hcommons.org/activity/p/1836474/</link>
				<pubDate>Mon, 06 Mar 2023 02:27:08 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article focuses on Spanish music in the 18th century, which experienced one of the most brilliant periods in its history. This was undoubtedly due to the splendour achieved by keyboard music, which reached an extraordinary level of development after the arrival in Spain of the Neapolitan composer Domenico Scarlatti (1685-1757), harpsichord&hellip;<span class="activity-read-more" id="activity-read-more-1836474"><a href="https://hcommons.org/activity/p/1836474/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">6ef16655614632c3596c45ba4c15de3e</guid>
				<title>Paulino Capdepon deposited Música de tecla en la España del siglo XVIII: Domenico Scarlatti y el padre Antonio Soler in the group History</title>
				<link>https://hcommons.org/activity/p/1836473/</link>
				<pubDate>Mon, 06 Mar 2023 02:27:01 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article focuses on Spanish music in the 18th century, which experienced one of the most brilliant periods in its history. This was undoubtedly due to the splendour achieved by keyboard music, which reached an extraordinary level of development after the arrival in Spain of the Neapolitan composer Domenico Scarlatti (1685-1757), harpsichord&hellip;<span class="activity-read-more" id="activity-read-more-1836473"><a href="https://hcommons.org/activity/p/1836473/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">99a7cdc5a6a3fec708b49ece13e1ea8d</guid>
				<title>Paulino Capdepon deposited El Patrimonio musical de Talavera de la Reina in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1836471/</link>
				<pubDate>Mon, 06 Mar 2023 02:26:07 -0500</pubDate>

									<content:encoded><![CDATA[<p>The musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina is a significant case of how an ecclesiastical institution articulates the musical life of a city: in this sense, it can be stated that the main musical activity in the aforementioned Toledan city has revolved around the chapel of the Collegiate Church&hellip;<span class="activity-read-more" id="activity-read-more-1836471"><a href="https://hcommons.org/activity/p/1836471/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">f1a8cb48c77ec7938244fb72f6fd9940</guid>
				<title>Paulino Capdepon deposited El Patrimonio musical de Talavera de la Reina in the group International Musicological Society (IMS)</title>
				<link>https://hcommons.org/activity/p/1836470/</link>
				<pubDate>Mon, 06 Mar 2023 02:26:06 -0500</pubDate>

									<content:encoded><![CDATA[<p>The musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina is a significant case of how an ecclesiastical institution articulates the musical life of a city: in this sense, it can be stated that the main musical activity in the aforementioned Toledan city has revolved around the chapel of the Collegiate Church&hellip;<span class="activity-read-more" id="activity-read-more-1836470"><a href="https://hcommons.org/activity/p/1836470/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">d045908078d9c7b8cdbf395afe227785</guid>
				<title>Paulino Capdepon deposited El Patrimonio musical de Talavera de la Reina in the group History</title>
				<link>https://hcommons.org/activity/p/1836469/</link>
				<pubDate>Mon, 06 Mar 2023 02:25:59 -0500</pubDate>

									<content:encoded><![CDATA[<p>The musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina is a significant case of how an ecclesiastical institution articulates the musical life of a city: in this sense, it can be stated that the main musical activity in the aforementioned Toledan city has revolved around the chapel of the Collegiate Church&hellip;<span class="activity-read-more" id="activity-read-more-1836469"><a href="https://hcommons.org/activity/p/1836469/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">fe34a30a5ceaccc7da1307027d20d821</guid>
				<title>Paulino Capdepon deposited El Patrimonio musical de Talavera de la Reina in the group Archives</title>
				<link>https://hcommons.org/activity/p/1836468/</link>
				<pubDate>Mon, 06 Mar 2023 02:25:42 -0500</pubDate>

									<content:encoded><![CDATA[<p>The musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina is a significant case of how an ecclesiastical institution articulates the musical life of a city: in this sense, it can be stated that the main musical activity in the aforementioned Toledan city has revolved around the chapel of the Collegiate Church&hellip;<span class="activity-read-more" id="activity-read-more-1836468"><a href="https://hcommons.org/activity/p/1836468/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<title>Paulino Capdepon deposited La recepción cervantina en el Romanticismo: la ópera Don Chisciotte de Manuel García (1826) [The reception of Cervantes in Romanticism: the opera Don Chisciotte by Manuel García] in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1836466/</link>
				<pubDate>Mon, 06 Mar 2023 02:24:44 -0500</pubDate>

									<content:encoded><![CDATA[<p>The publication of Cervantes' Don Quixote served as inspiration from the very moment of its creation for a whole series of artistic manifestations, among which those related to the art of sound stand out. Among the famous Spanish composers of Romanticism, the Sevillian composer Manuel del Pópulo García shines and stands out with his own light. H&hellip;<span class="activity-read-more" id="activity-read-more-1836466"><a href="https://hcommons.org/activity/p/1836466/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">bd9f067a3a523f3fcdf6a0831da9ff86</guid>
				<title>Paulino Capdepon deposited La recepción cervantina en el Romanticismo: la ópera Don Chisciotte de Manuel García (1826) [The reception of Cervantes in Romanticism: the opera Don Chisciotte by Manuel García] in the group Musical Theater Interest Group – Society for Music Theory (SMT MTIG)</title>
				<link>https://hcommons.org/activity/p/1836465/</link>
				<pubDate>Mon, 06 Mar 2023 02:24:44 -0500</pubDate>

									<content:encoded><![CDATA[<p>The publication of Cervantes' Don Quixote served as inspiration from the very moment of its creation for a whole series of artistic manifestations, among which those related to the art of sound stand out. Among the famous Spanish composers of Romanticism, the Sevillian composer Manuel del Pópulo García shines and stands out with his own light. H&hellip;<span class="activity-read-more" id="activity-read-more-1836465"><a href="https://hcommons.org/activity/p/1836465/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<title>Paulino Capdepon deposited La recepción cervantina en el Romanticismo: la ópera Don Chisciotte de Manuel García (1826) [The reception of Cervantes in Romanticism: the opera Don Chisciotte by Manuel García] in the group International Musicological Society (IMS)</title>
				<link>https://hcommons.org/activity/p/1836464/</link>
				<pubDate>Mon, 06 Mar 2023 02:24:42 -0500</pubDate>

									<content:encoded><![CDATA[<p>The publication of Cervantes' Don Quixote served as inspiration from the very moment of its creation for a whole series of artistic manifestations, among which those related to the art of sound stand out. Among the famous Spanish composers of Romanticism, the Sevillian composer Manuel del Pópulo García shines and stands out with his own light. H&hellip;<span class="activity-read-more" id="activity-read-more-1836464"><a href="https://hcommons.org/activity/p/1836464/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">7f604c41ac0af07129d1cec4f2ce9ac8</guid>
				<title>Paulino Capdepon deposited La recepción cervantina en el Romanticismo: la ópera Don Chisciotte de Manuel García (1826) [The reception of Cervantes in Romanticism: the opera Don Chisciotte by Manuel García] in the group History</title>
				<link>https://hcommons.org/activity/p/1836463/</link>
				<pubDate>Mon, 06 Mar 2023 02:24:28 -0500</pubDate>

									<content:encoded><![CDATA[<p>The publication of Cervantes' Don Quixote served as inspiration from the very moment of its creation for a whole series of artistic manifestations, among which those related to the art of sound stand out. Among the famous Spanish composers of Romanticism, the Sevillian composer Manuel del Pópulo García shines and stands out with his own light. H&hellip;<span class="activity-read-more" id="activity-read-more-1836463"><a href="https://hcommons.org/activity/p/1836463/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">c7e8a59f6a9b336be26794d26c4f2d16</guid>
				<title>Paulino Capdepon deposited La capilla musical de la colegiata de Talavera de la Reina en la primera mitad del siglo XIX</title>
				<link>https://hcommons.org/activity/p/1836420/</link>
				<pubDate>Sun, 05 Mar 2023 17:19:40 -0500</pubDate>

									<content:encoded><![CDATA[<p>After the period of splendour experienced by the musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina during the 18th century, we witnessed a period of decline, which was part of the crisis experienced by Spanish religious music during the 19th century. The effects of the War of Independence, the successive&hellip;<span class="activity-read-more" id="activity-read-more-1836420"><a href="https://hcommons.org/activity/p/1836420/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">2b953aaa1bfcf4364968388186b50045</guid>
				<title>Paulino Capdepon deposited Música de tecla en la España del siglo XVIII: Domenico Scarlatti y el padre Antonio Soler</title>
				<link>https://hcommons.org/activity/p/1836419/</link>
				<pubDate>Sun, 05 Mar 2023 17:12:31 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article focuses on Spanish music in the 18th century, which experienced one of the most brilliant periods in its history. This was undoubtedly due to the splendour achieved by keyboard music, which reached an extraordinary level of development after the arrival in Spain of the Neapolitan composer Domenico Scarlatti (1685-1757), harpsichord&hellip;<span class="activity-read-more" id="activity-read-more-1836419"><a href="https://hcommons.org/activity/p/1836419/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">c7b70379488b0f756fae60724eb1a800</guid>
				<title>Paulino Capdepon deposited El Patrimonio musical de Talavera de la Reina</title>
				<link>https://hcommons.org/activity/p/1836417/</link>
				<pubDate>Sun, 05 Mar 2023 16:55:08 -0500</pubDate>

									<content:encoded><![CDATA[<p>The musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina is a significant case of how an ecclesiastical institution articulates the musical life of a city: in this sense, it can be stated that the main musical activity in the aforementioned Toledan city has revolved around the chapel of the Collegiate Church&hellip;<span class="activity-read-more" id="activity-read-more-1836417"><a href="https://hcommons.org/activity/p/1836417/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">f5b0d29b086104838878c70abccd5585</guid>
				<title>Paulino Capdepon deposited La recepción cervantina en el Romanticismo: la ópera Don Chisciotte de Manuel García (1826) [The reception of Cervantes in Romanticism: the opera Don Chisciotte by Manuel García]</title>
				<link>https://hcommons.org/activity/p/1836416/</link>
				<pubDate>Sun, 05 Mar 2023 16:38:07 -0500</pubDate>

									<content:encoded><![CDATA[<p>The publication of Cervantes' Don Quixote served as inspiration from the very moment of its creation for a whole series of artistic manifestations, among which those related to the art of sound stand out. Among the famous Spanish composers of Romanticism, the Sevillian composer Manuel del Pópulo García shines and stands out with his own light. H&hellip;<span class="activity-read-more" id="activity-read-more-1836416"><a href="https://hcommons.org/activity/p/1836416/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<title>Paulino Capdepon deposited La transición al siglo XIX en la Catedral de Jaén: el maestro de capilla Ramón Garay (1761-1823) [The transition to the 19th century in Jaén Cathedral: the maestro de capilla Ramón Garay (1761-1823)] in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1836396/</link>
				<pubDate>Sun, 05 Mar 2023 02:27:27 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article focuses on the personal and artistic career of one of the most representative composers of Spain in the second half of the 18th century and the first third of the 19th century. Ramón Garay, born in 1761 in Asturias, held the post of Chapel Master of Jaén Cathedral for 36 fruitful years, which saw the birth of an extraordinary p&hellip;<span class="activity-read-more" id="activity-read-more-1836396"><a href="https://hcommons.org/activity/p/1836396/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">3a6cb636bb7eb7308e94185e4fcd8e03</guid>
				<title>Paulino Capdepon deposited La transición al siglo XIX en la Catedral de Jaén: el maestro de capilla Ramón Garay (1761-1823) [The transition to the 19th century in Jaén Cathedral: the maestro de capilla Ramón Garay (1761-1823)] in the group Religious Studies</title>
				<link>https://hcommons.org/activity/p/1836395/</link>
				<pubDate>Sun, 05 Mar 2023 02:27:20 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article focuses on the personal and artistic career of one of the most representative composers of Spain in the second half of the 18th century and the first third of the 19th century. Ramón Garay, born in 1761 in Asturias, held the post of Chapel Master of Jaén Cathedral for 36 fruitful years, which saw the birth of an extraordinary p&hellip;<span class="activity-read-more" id="activity-read-more-1836395"><a href="https://hcommons.org/activity/p/1836395/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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