I began my academic career studying Philosophy and English at Manchester University, before going on to postgraduate study at Queen Mary University of London (QMUL) and at King’s College London (KCL). I then left academia to join Lambeth Council’s community safety team in Brixton, before living in Italy for several years as a translator and teacher. I came back to the UK to work for the NHS as a Drug Action Team Manager, returning to academic life to take an MLitt in Renaissance Studies at the Scottish Institute of Northern Renaissance Studies (SINRS), a now sadly defunct collaboration between the universities of Edinburgh, Glasgow, Stirling and Strathclyde. I gained my PhD from the University of Strathclyde/SINRS in 2012 with a thesis on English and Scottish Petrarchism. As a graduate student in Scotland I co-founded the Journal of the Northern Renaissance
, and I remain its editor today.
My research in the early modern period has three main strands: writing in the Petrarchan mode; early modern Scottish literature and culture; and the concept and culture of the Baroque. These three strands come together in the monograph I am writing on Baroque Petrarchism. Taking Giuseppe Ungaretti’s writings on Petrarch and Shakespeare as its starting point, this monograph revisits what has usually been conceived of as Renaissance Petrarchism in Britain in order to argue that it might be understood very differently if considered as a fundamentally Baroque phenomenon.
My other principal research interest is in the writings of travellers to Turkey and the Ottoman Empire. This led to the publication of Henrietta Liston’s Travels
(Edinburgh University Press, 2020). This critical edition is the culmination of the ‘Approaching Constantinople’ joint project I initiated and continue to coordinate between the National Library of Scotland and the English and History departments at Bilkent.
I am also interested in the dynamics and theory of translation, transmediation and adaptation, and the use of English as a medium of instruction, entertainment and political engagement, particularly in relation to Italy, Scotland and Turkey. I enjoy teaching a wide range of courses at Bilkent, and have performed alongside students in several theatrical productions during my time here in Turkey, including George Peele’s The Arraignment of Paris
and an adaptation of James Joyce’s Portrait of the Artist as a Young Man
EducationPh.D. in English Literature, Strathclyde University/Scottish Institute of Northern Renaissance Studies
MLitt. in Renaissance Studies, Scottish Institute of Northern Renaissance Studies (taught jointly by the Universities of Edinburgh, Glasgow, Stirling and Strathclyde) – Distinction
One year of AHRC-funded doctoral study at King’s College London (KCL), working towards a thesis on ecological crisis and late modernist poetry in Britain/the British Poetry Revival. Left after one year for health reasons.
M.A. in Literature, Culture and Modernity, Queen Mary University of London (QMUL)
B.A. (Hons) First Class in Philosophy & English Literature, University of Manchester – Michael Polanyi prizewinner
‘Bracket and Voice: William Drummond of Hawthornden’s Lunular Poetics
‘, Scottish Literary Review
, 12.2; Autumn/Winter 2020: 39-59 Henrietta Liston’s Travels: The Turkish Journals 1812–1820
, ed. by Patrick Hart, Dora Petherbridge & Valerie Kennedy (Edinburgh University Press, 2020)
‘Why (Not) Theatre? Stage, Screen, and Streaming in a Pandemic’, in Why the Theatre
, ed. by Sidney Homan. Oxford and New York: Routledge, 2020.
[with Dora Petherbridge], ‘The Eye of a Stranger: Henrietta Liston’s Turkish Journals
‘, Scottish Review of Books
14, published online 5 August 2019
‘Unpicking the Turkish Tapestry: Teaching Shakespeare in Anatolia’, in How and Why We Teach Shakespeare
, ed. by Sidney Homan. Oxford and New York: Routledge, 2019: 180-191. Studies in English: Proceedings from the Sixth International IDEA Conference
, ed. Patrick Hart. İstanbul: İKÜ Press, 2012.
Elsa Morante, The Song of the H.F. and of the U.M., in three parts
, trans. by Patrick Hart and Mariangela Palladino, with critical introduction by Patrick Hart. Oxford & Novi Ligure: Transference, 2007