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	<title>Knowledge Commons | Nancy Roth | Activity</title>
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				<title>Nancy Roth deposited Kameraden und Kohlköpfe: John Heartfield im Universum der technischen Bilder in the group Writing Systems</title>
				<link>https://hcommons.org/activity/p/1702953/</link>
				<pubDate>Sun, 26 Jul 2020 02:24:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>The essay positions John Heartfield (1891-1968) as the kind of artist -- or better, image-maker or imager -- that Vilém Flusser described in his book, Into the Universe of Technical Images.  The photomontages, for which Heartfield is best known, overturn the media priorities of the newspaper in which they appear.  More like theatre or film, they&hellip;<span class="activity-read-more" id="activity-read-more-1702953"><a href="https://hcommons.org/activity/p/1702953/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Nancy Roth deposited Kameraden und Kohlköpfe: John Heartfield im Universum der technischen Bilder in the group Scholarly Communication</title>
				<link>https://hcommons.org/activity/p/1702952/</link>
				<pubDate>Sun, 26 Jul 2020 02:24:04 -0400</pubDate>

									<content:encoded><![CDATA[<p>The essay positions John Heartfield (1891-1968) as the kind of artist -- or better, image-maker or imager -- that Vilém Flusser described in his book, Into the Universe of Technical Images.  The photomontages, for which Heartfield is best known, overturn the media priorities of the newspaper in which they appear.  More like theatre or film, they&hellip;<span class="activity-read-more" id="activity-read-more-1702952"><a href="https://hcommons.org/activity/p/1702952/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Nancy Roth deposited Kameraden und Kohlköpfe: John Heartfield im Universum der technischen Bilder</title>
				<link>https://hcommons.org/activity/p/1702902/</link>
				<pubDate>Sat, 25 Jul 2020 13:55:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>The essay positions John Heartfield (1891-1968) as the kind of artist -- or better, image-maker or imager -- that Vilém Flusser described in his book, Into the Universe of Technical Images.  The photomontages, for which Heartfield is best known, overturn the media priorities of the newspaper in which they appear.  More like theatre or film, they&hellip;<span class="activity-read-more" id="activity-read-more-1702902"><a href="https://hcommons.org/activity/p/1702902/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Nancy Roth deposited Writing as pretext: On the way to an image in the group Scholarly Communication</title>
				<link>https://hcommons.org/activity/p/1702871/</link>
				<pubDate>Sat, 25 Jul 2020 02:24:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>The contemporary art college makes a broad range of media available to students, from which writing is conventionally excluded. Writing entered the art college curriculum in the 1960s as a “frame,” or means of integrating art and artists into an academic framework, rather than as a medium of potential study. Drawing on the philosophy of Vilém Flus&hellip;<span class="activity-read-more" id="activity-read-more-1702871"><a href="https://hcommons.org/activity/p/1702871/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Nancy Roth deposited Writing as pretext: On the way to an image</title>
				<link>https://hcommons.org/activity/p/1702598/</link>
				<pubDate>Fri, 24 Jul 2020 07:04:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>The contemporary art college makes a broad range of media available to students, from which writing is conventionally excluded. Writing entered the art college curriculum in the 1960s as a “frame,” or means of integrating art and artists into an academic framework, rather than as a medium of potential study. Drawing on the philosophy of Vilém Flus&hellip;<span class="activity-read-more" id="activity-read-more-1702598"><a href="https://hcommons.org/activity/p/1702598/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Nancy Roth deposited A Photographer on Mars in the group Science Studies and the History of Science</title>
				<link>https://hcommons.org/activity/p/1702576/</link>
				<pubDate>Fri, 24 Jul 2020 02:29:40 -0400</pubDate>

									<content:encoded><![CDATA[<p>Focussing the Nasa's Opportunity Rover, the essay claims the field of creativity as definitively human, supported by Vilém Flusser's understanding the the "apparatus".</p>
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				<title>Nancy Roth deposited A Photographer on Mars in the group Game Studies</title>
				<link>https://hcommons.org/activity/p/1702575/</link>
				<pubDate>Fri, 24 Jul 2020 02:29:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>Focussing the Nasa's Opportunity Rover, the essay claims the field of creativity as definitively human, supported by Vilém Flusser's understanding the the "apparatus".</p>
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				<title>Nancy Roth deposited A Photographer on Mars</title>
				<link>https://hcommons.org/activity/p/1702213/</link>
				<pubDate>Thu, 23 Jul 2020 11:50:08 -0400</pubDate>

									<content:encoded><![CDATA[<p>Focussing the Nasa's Opportunity Rover, the essay claims the field of creativity as definitively human, supported by Vilém Flusser's understanding the the "apparatus".</p>
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				<title>Nancy Roth&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1702211/</link>
				<pubDate>Thu, 23 Jul 2020 11:38:31 -0400</pubDate>

				
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				<title>Nancy Roth&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1701285/</link>
				<pubDate>Tue, 21 Jul 2020 15:23:19 -0400</pubDate>

				
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