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Rosa Tapia deposited Cuerpo, mirada y género en la película “La teta asustada” de Claudia Llosa on Humanities Commons 4 years, 6 months ago
Study on Claudia Llosa’s film “The Milk of Sorrow” (Peru-Spain, 2009) dedicated to the
relationship among different representations of the body, cinematic gaze, and gender according to the
theoretical referents provided by Giorgio Agamben’s “Homo Sacer” and Teresa de Lauretis’ feminist
exploration of the “off camera” concept.