Knowledge Commons | Michael W. Pesses | Activity https://hcommons.org/members/mpesses/activity/ Activity feed for Michael W. Pesses. Sat, 04 Apr 2026 12:37:34 -0400 https://buddypress.org/?v=10.6.0 en-US 30 hourly 2 3c87f17dfb737494e832f3f419eb5e97 Michael W. Pesses's profile was updated https://hcommons.org/activity/p/1675661/ Sat, 18 Jan 2020 02:27:16 -0500 0 38db88f52279b1b7fa1965fab4b7b261 Michael W. Pesses's profile was updated https://hcommons.org/activity/p/1671751/ Tue, 10 Dec 2019 17:39:06 -0500 0 1c8bb4890c4befca7ac57bea225be3db Michael Pesses deposited ‘So shiny, so chrome’: images and ideology of humans, machines, and the Earth in George Miller’s Mad Max: Fury Road in the group Philosophy https://hcommons.org/activity/p/1618079/ Wed, 12 Sep 2018 16:35:07 -0400 Mad Max: Fury Road has been critiqued for its feminist, masculine, biblical, and environmental themes, but these critiques fail to engage with the connection between humans, machines, and the Earth in Fury Road. Nuclear technology may have produced the apocalyptic wasteland in which the film is set, but machines and industrial technology remain…[Read more]

]]> 0 10f86b6ed8b3a0d8550948fc26ee6e39 Michael Pesses deposited ‘So shiny, so chrome’: images and ideology of humans, machines, and the Earth in George Miller’s Mad Max: Fury Road in the group Film Studies https://hcommons.org/activity/p/1618078/ Wed, 12 Sep 2018 16:35:05 -0400 Mad Max: Fury Road has been critiqued for its feminist, masculine, biblical, and environmental themes, but these critiques fail to engage with the connection between humans, machines, and the Earth in Fury Road. Nuclear technology may have produced the apocalyptic wasteland in which the film is set, but machines and industrial technology remain…[Read more]

]]> 0 95b485ebc470625e8d2f121afe8394e0 Michael Pesses deposited ‘So shiny, so chrome’: images and ideology of humans, machines, and the Earth in George Miller’s Mad Max: Fury Road in the group Cultural Studies https://hcommons.org/activity/p/1618077/ Wed, 12 Sep 2018 16:34:59 -0400 Mad Max: Fury Road has been critiqued for its feminist, masculine, biblical, and environmental themes, but these critiques fail to engage with the connection between humans, machines, and the Earth in Fury Road. Nuclear technology may have produced the apocalyptic wasteland in which the film is set, but machines and industrial technology remain…[Read more]

]]> 0 14d0a57133f4649fab02781633e9e8ba Michael Pesses deposited ‘So shiny, so chrome’: images and ideology of humans, machines, and the Earth in George Miller’s Mad Max: Fury Road https://hcommons.org/activity/p/1618036/ Wed, 12 Sep 2018 04:17:10 -0400 Mad Max: Fury Road has been critiqued for its feminist, masculine, biblical, and environmental themes, but these critiques fail to engage with the connection between humans, machines, and the Earth in Fury Road. Nuclear technology may have produced the apocalyptic wasteland in which the film is set, but machines and industrial technology remain…[Read more]

]]> 0 b8467ac7d9fab4fe3e7e33d80e188e98 Michael Pesses deposited What's He Building in There? The Existential Geography of Tom Waits in the group Cultural Studies https://hcommons.org/activity/p/1615107/ Fri, 10 Aug 2018 15:13:30 -0400 The growl of Tom Waits is unmistakable and more so than ever in his latter works. The music is theatrical in nature; telling the tales of assorted characters and using the mellow plucking of a banjo or a cacophony of mismatched instruments to invoke the right mood for the story. His earlier albums evoke images of American working class men and…[Read more]

]]> 0 bcc8fcbff503edda746ea90ec5cbd391 Michael W. Pesses's profile was updated https://hcommons.org/activity/p/1611347/ Thu, 21 Jun 2018 03:52:37 -0400 0 86a2c76bd02433614856ef5eed00ade5 Michael Pesses deposited What's He Building in There? The Existential Geography of Tom Waits https://hcommons.org/activity/p/1611346/ Thu, 21 Jun 2018 03:48:01 -0400 The growl of Tom Waits is unmistakable and more so than ever in his latter works. The music is theatrical in nature; telling the tales of assorted characters and using the mellow plucking of a banjo or a cacophony of mismatched instruments to invoke the right mood for the story. His earlier albums evoke images of American working class men and…[Read more]

]]> 0 4d744d8d0bb3bb4b5f694eb67f7452e3 Michael W. Pesses changed their profile picture https://hcommons.org/activity/p/1569989/ Wed, 10 May 2017 01:24:54 -0400 0