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	<title>Knowledge Commons | Mike Phillips | Activity</title>
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				<title>Mike Phillips deposited West by Northeast: The Western in Brazil in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1863754/</link>
				<pubDate>Tue, 07 Nov 2023 03:09:01 -0500</pubDate>

									<content:encoded><![CDATA[<p>This chapter examines the relationship between American Westerns and Brazilian Nordesterns, films set in the arid northeastern region known as the sertão. US cultural and economic imperialism, in Brazil and throughout Latin America, is both cause and effect of persistent underdevelopment. The northward flow of natural resources has long been&hellip;<span class="activity-read-more" id="activity-read-more-1863754"><a href="https://mla.hcommons.org/activity/p/1863754/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Mike Phillips deposited West by Northeast: The Western in Brazil in the group LLC Luso-Brazilian</title>
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				<pubDate>Tue, 07 Nov 2023 03:08:27 -0500</pubDate>

									<content:encoded><![CDATA[<p>This chapter examines the relationship between American Westerns and Brazilian Nordesterns, films set in the arid northeastern region known as the sertão. US cultural and economic imperialism, in Brazil and throughout Latin America, is both cause and effect of persistent underdevelopment. The northward flow of natural resources has long been&hellip;<span class="activity-read-more" id="activity-read-more-1863753"><a href="https://mla.hcommons.org/activity/p/1863753/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Mike Phillips deposited West by Northeast: The Western in Brazil in the group Film Studies</title>
				<link>https://hcommons.org/activity/p/1863752/</link>
				<pubDate>Tue, 07 Nov 2023 03:08:22 -0500</pubDate>

									<content:encoded><![CDATA[<p>This chapter examines the relationship between American Westerns and Brazilian Nordesterns, films set in the arid northeastern region known as the sertão. US cultural and economic imperialism, in Brazil and throughout Latin America, is both cause and effect of persistent underdevelopment. The northward flow of natural resources has long been&hellip;<span class="activity-read-more" id="activity-read-more-1863752"><a href="https://hcommons.org/activity/p/1863752/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Mike Phillips deposited West by Northeast: The Western in Brazil in the group Cultural Studies</title>
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				<pubDate>Tue, 07 Nov 2023 03:08:11 -0500</pubDate>

									<content:encoded><![CDATA[<p>This chapter examines the relationship between American Westerns and Brazilian Nordesterns, films set in the arid northeastern region known as the sertão. US cultural and economic imperialism, in Brazil and throughout Latin America, is both cause and effect of persistent underdevelopment. The northward flow of natural resources has long been&hellip;<span class="activity-read-more" id="activity-read-more-1863751"><a href="https://hcommons.org/activity/p/1863751/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Mike Phillips deposited West by Northeast: The Western in Brazil in the group CLCS Global South</title>
				<link>https://mla.hcommons.org/activity/p/1863750/</link>
				<pubDate>Tue, 07 Nov 2023 03:07:30 -0500</pubDate>

									<content:encoded><![CDATA[<p>This chapter examines the relationship between American Westerns and Brazilian Nordesterns, films set in the arid northeastern region known as the sertão. US cultural and economic imperialism, in Brazil and throughout Latin America, is both cause and effect of persistent underdevelopment. The northward flow of natural resources has long been&hellip;<span class="activity-read-more" id="activity-read-more-1863750"><a href="https://mla.hcommons.org/activity/p/1863750/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Mike Phillips deposited Through a Tube, Darkly: Critical Remediation in High and Low (1963) in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1863748/</link>
				<pubDate>Tue, 07 Nov 2023 03:04:46 -0500</pubDate>

									<content:encoded><![CDATA[<p>Akira Kurosawa’s 1963 police procedural  is, as its title suggests, intensely interested in the socioeconomic valences of spatial relationships, literalized in Yokohama’s affluent hills and its low-lying slums. The central conflict between inhabitants of these two spaces articulates this local topography into a global framework, in which con&hellip;<span class="activity-read-more" id="activity-read-more-1863748"><a href="https://mla.hcommons.org/activity/p/1863748/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Mike Phillips deposited Through a Tube, Darkly: Critical Remediation in High and Low (1963) in the group Global &#38; Transnational Studies</title>
				<link>https://hcommons.org/activity/p/1863747/</link>
				<pubDate>Tue, 07 Nov 2023 03:04:36 -0500</pubDate>

									<content:encoded><![CDATA[<p>Akira Kurosawa’s 1963 police procedural  is, as its title suggests, intensely interested in the socioeconomic valences of spatial relationships, literalized in Yokohama’s affluent hills and its low-lying slums. The central conflict between inhabitants of these two spaces articulates this local topography into a global framework, in which con&hellip;<span class="activity-read-more" id="activity-read-more-1863747"><a href="https://hcommons.org/activity/p/1863747/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Mike Phillips deposited Through a Tube, Darkly: Critical Remediation in High and Low (1963) in the group Film Studies</title>
				<link>https://hcommons.org/activity/p/1863746/</link>
				<pubDate>Tue, 07 Nov 2023 03:04:28 -0500</pubDate>

									<content:encoded><![CDATA[<p>Akira Kurosawa’s 1963 police procedural  is, as its title suggests, intensely interested in the socioeconomic valences of spatial relationships, literalized in Yokohama’s affluent hills and its low-lying slums. The central conflict between inhabitants of these two spaces articulates this local topography into a global framework, in which con&hellip;<span class="activity-read-more" id="activity-read-more-1863746"><a href="https://hcommons.org/activity/p/1863746/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Mike Phillips deposited Through a Tube, Darkly: Critical Remediation in High and Low (1963) in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1863745/</link>
				<pubDate>Tue, 07 Nov 2023 03:04:11 -0500</pubDate>

									<content:encoded><![CDATA[<p>Akira Kurosawa’s 1963 police procedural  is, as its title suggests, intensely interested in the socioeconomic valences of spatial relationships, literalized in Yokohama’s affluent hills and its low-lying slums. The central conflict between inhabitants of these two spaces articulates this local topography into a global framework, in which con&hellip;<span class="activity-read-more" id="activity-read-more-1863745"><a href="https://hcommons.org/activity/p/1863745/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Mike Phillips deposited Through a Tube, Darkly: Critical Remediation in High and Low (1963) in the group CLCS 20th- and 21st-Century</title>
				<link>https://mla.hcommons.org/activity/p/1863744/</link>
				<pubDate>Tue, 07 Nov 2023 03:00:24 -0500</pubDate>

									<content:encoded><![CDATA[<p>Akira Kurosawa’s 1963 police procedural  is, as its title suggests, intensely interested in the socioeconomic valences of spatial relationships, literalized in Yokohama’s affluent hills and its low-lying slums. The central conflict between inhabitants of these two spaces articulates this local topography into a global framework, in which con&hellip;<span class="activity-read-more" id="activity-read-more-1863744"><a href="https://mla.hcommons.org/activity/p/1863744/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Mike Phillips deposited West by Northeast: The Western in Brazil</title>
				<link>https://hcommons.org/activity/p/1863708/</link>
				<pubDate>Mon, 06 Nov 2023 17:46:30 -0500</pubDate>

									<content:encoded><![CDATA[<p>This chapter examines the relationship between American Westerns and Brazilian Nordesterns, films set in the arid northeastern region known as the sertão. US cultural and economic imperialism, in Brazil and throughout Latin America, is both cause and effect of persistent underdevelopment. The northward flow of natural resources has long been&hellip;<span class="activity-read-more" id="activity-read-more-1863708"><a href="https://hcommons.org/activity/p/1863708/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Mike Phillips deposited Through a Tube, Darkly: Critical Remediation in High and Low (1963)</title>
				<link>https://hcommons.org/activity/p/1863705/</link>
				<pubDate>Mon, 06 Nov 2023 17:31:03 -0500</pubDate>

									<content:encoded><![CDATA[<p>Akira Kurosawa’s 1963 police procedural  is, as its title suggests, intensely interested in the socioeconomic valences of spatial relationships, literalized in Yokohama’s affluent hills and its low-lying slums. The central conflict between inhabitants of these two spaces articulates this local topography into a global framework, in which con&hellip;<span class="activity-read-more" id="activity-read-more-1863705"><a href="https://hcommons.org/activity/p/1863705/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Mike Phillips&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1828037/</link>
				<pubDate>Sun, 01 Jan 2023 20:34:48 -0500</pubDate>

				
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				<title>Mike Phillips edited the doc SF Class Filmography in the group CP 466: SF Cinema</title>
				<link>https://hcommons.org/activity/p/1728986/</link>
				<pubDate>Thu, 25 Feb 2021 17:15:06 -0500</pubDate>

				
				
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				<title>Mike Phillips edited the doc SF Class Filmography in the group CP 466: SF Cinema</title>
				<link>https://hcommons.org/activity/p/1727684/</link>
				<pubDate>Tue, 16 Feb 2021 15:18:28 -0500</pubDate>

				
				
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				<title>Mike Phillips created the doc SF Class Filmography</title>
				<link>https://hcommons.org/activity/p/1727244/</link>
				<pubDate>Thu, 11 Feb 2021 18:43:42 -0500</pubDate>

				
				
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				<title>Mike Phillips created the event 2/4 Assignment</title>
				<link>https://hcommons.org/activity/p/1724386/</link>
				<pubDate>Thu, 21 Jan 2021 22:27:40 -0500</pubDate>

				
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				<title>Mike Phillips&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1704717/</link>
				<pubDate>Sat, 08 Aug 2020 14:18:33 -0400</pubDate>

				
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				<title>Mike Phillips&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1630405/</link>
				<pubDate>Sat, 26 Jan 2019 17:28:52 -0500</pubDate>

				
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				<title>Mike Phillips&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1601836/</link>
				<pubDate>Sun, 25 Feb 2018 16:16:31 -0500</pubDate>

				
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