AboutMy recent research concerns French Atlantic visual culture, coastal ecology, the rise of marine sciences in France and it encourages dialogues between 19th and 21st century aesthetics and ecological ethics. I work with first-hand experience of coastal landscapes, primary research in museums, archives and artist communities with a methodology informed by ecocriticism, new materialism and trans-corporeality. Across my projects is a shared fascination with the material flows of fish and animals, seaweed, salt, people, sand, stones, boats and other actors that move across and through the tide line, and the ways in which the visual culture of the shore visualizes intensely local perceptions of tide, geology, beach morphology, and marine botany. I am Professor of Visual Studies in the Department of English and Cultural Studies at Bryant University in Smithfield RI (USA); I am Vice President of the Nineteenth-Century Studies Association, an interdisciplinary organization that has grown to be a major conference venue for historians of 19th-century art and visual culture.
EducationPh.D. 2001, History of Art, Institute of Fine Arts, New York University. Dissertation: “The Artistic Origins of the French Peasant-Painter. Jean-François Millet: Between Normandy and Barbizon.” Committee members: Linda Nochlin (chair), Robert L. Herbert, Robert Rosenblum.
M.A. 1994, History of Art, Tufts University
B.A. 1990, English and History of Art, University of Massachusetts, Amherst
Work Shared in CORE
“Silver Salts: Realism and Materiality in a French photograph, c. 1900” forthcoming in Eds. Rasmus R. Simonsen and Geoff Bender, Photography’s Materialities: Provocation, Invention, Subversion across the Transatlantic Nineteenth Century.
“Reading the Wrack Line: Atlantic Flow on the Brittany Coast” forthcoming in (eds.) Kathleen Davidson and Molly Duggins, Sea Currents: Art, Science and the Commodification of the Ocean World in the Long Nineteenth Century
“Death at Sea: Symbolism and Charles’s Cottet’s Subjective Realism” in Decadence, Degeneration and the End: Studies in the European Fin de Siècle,
ed. Edited by Marja Härmänmaa and Christopher Nissen; Palgrave, December 2014.
“Sites of Absence and Presence: Tourism and the Morbid Material Culture of Death in Brittany.” Death Tourism: Disaster Sites as Recreational Landscap
e. Ed. Brigitte Sion. London: Seagull Books- Enactments, 2014. “Place Myths of the Breton Landscape”
Essay in exhibition catalogue Impressionist France. Visions of Nation from Le Gray to Monet
. New Haven: Yale University Press, 2013. Eds. April Watson and Simon Kelly, St. Louis Museum of Art and the Nelson-Atkins Museum, Kansas City, 2013.
“Celtic Cultural Politics: Monuments and Mortality in Nineteenth-century Brittan
y” Mysticism, Myth and Celtic Identity.
Eds. Marion Gibson, Shelley Trower, Garry Tregidga. (London: Routledge, 2012) 130-41. “Crosses, Cloaks and Globes: Women’s Material Culture of Mourning on the Brittany Coast
” in Women and Things: Gendered Material Practices, 1750-1950.
Edited by Maureen Daly Goggin and Beth Fowkes Tobin, Ashgate, 2009. Roundtable on Teaching “Work” as an Interdisciplinary First-Year College Seminar
. Published by The University of Iowa in Iowa Journal of Cultural Studies
Volume 1, Issues 12-13, pages 97-106.
“Barbizon Painters” in John Merriman and Jay Winter, eds., Encyclopedia of Europe: 1789-1914
(New York: Charles Scribner’s Sons) 2006. “Millet’s Milkmaids” Nineteenth-Century Art Worldwide,
2/1, Winter 2003.
ProjectsEcocriticism and the Anthropocene
in Nineteenth-Century Art and Visual Culture. Co-edited with Emily Gephart. Routledge Advances in Art and Visual Studies Series, September 2019
“Gleaning the Tideline: Elodie La Villette’s Ecocritical Painting”
Upcoming Talks and ConferencesASLE panel, UC Davis, June 27, 2019
Ecocriticism and the Anthropocene in 19th Century Art and Visual Culture
Stream: The Anthropocene
Chair: Maura Coughlin, Bryant University, & Emily Gephart, Tufts University
• Avian Affinities: Plumed Hats Showy Birds, and the Aesthetics of Hybridity, Emily Gephart, Tufts University, and Michael Rossi, University of Chicago
• Shifting Baselines, or Reading Art through Fish in Brittany, Maura Coughlin, Bryant University
• An Ecolonial Reassessment of the Indian Craze, Jessica Horton, University of Delaware
• “A better acquaintanceship with our fellows of the wild”: George Shiras and the Limits of Trap Camera Photography, Jessica Landau, University of Illinois at Urbana-Champaign
• Looking at Leviathan: Live Cetaceans in Victorian Britain, Kelly Bushnell, University of West Florida
• Ruskin’s Storm-Cloud and Tyndall’s Blue Sky: New Materialist Diffractions of Nineteenth Century Atmospheres, Polly Gould, Bartlett School of Architecture, University College, London
MembershipsCollege Art Association (CAA), Nineteenth-Century Studies Association (NCSA), Association for the Study of Literature & the Environment (ASLE) , Provincetown Art Association and Museum (PAAM), Peaked Hills Trust, Cape Museum of the Arts.