<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Knowledge Commons | Martine van Elk | Activity</title>
	<link>https://hcommons.org/members/martinevanelk/activity/</link>
	<atom:link href="https://hcommons.org/members/martinevanelk/activity/feed/" rel="self" type="application/rss+xml" />
	<description>Activity feed for Martine van Elk.</description>
	<lastBuildDate>Mon, 04 May 2026 14:36:00 -0400</lastBuildDate>
	<generator>https://buddypress.org/?v=10.6.0</generator>
	<language>en-US</language>
	<ttl>30</ttl>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>2</sy:updateFrequency>
	
						<item>
				<guid isPermaLink="false">cb7a499b053ee148758bee3994d3014c</guid>
				<title>Martine van Elk&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1900768/</link>
				<pubDate>Fri, 04 Oct 2024 16:26:50 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">7266982b0f6e1f5a4bf7418f1c2d6cc6</guid>
				<title>Martine van Elk changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1900767/</link>
				<pubDate>Fri, 04 Oct 2024 16:25:54 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">56e76300a332b3d74201077dfd29378d</guid>
				<title>Martine van Elk&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1898140/</link>
				<pubDate>Sat, 07 Sep 2024 21:42:28 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">3abaeca2fc582bc08f071c6c30468ff6</guid>
				<title>Martine van Elk&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1888991/</link>
				<pubDate>Tue, 11 Jun 2024 20:40:16 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">09f0aa43797cac3c3812165225919248</guid>
				<title>Martine van Elk&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1887314/</link>
				<pubDate>Mon, 27 May 2024 16:44:14 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">0c9a16de8c5dcbc1aa0a7de81e0da6a8</guid>
				<title>Martine van Elk deposited Politics, Authorship, and Philosophy: Teaching Margaret Cavendish’s The Blazing World in the Diverse Graduate Classroom in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1886480/</link>
				<pubDate>Sat, 18 May 2024 03:08:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay explores how Margaret Cavendish’s The Blazing World works differently when taught and read on its own and in combination with Cavendish’s other works. Focusing specifically on the graduate classroom, I examine and present strategies for teaching the book alongside works by other early modern women and for teaching it in a sin&hellip;<span class="activity-read-more" id="activity-read-more-1886480"><a href="https://hcommons.org/activity/p/1886480/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">2e40c27a22af71c564db56b23af54e77</guid>
				<title>Martine van Elk deposited Politics, Authorship, and Philosophy: Teaching Margaret Cavendish’s The Blazing World in the Diverse Graduate Classroom in the group Gender Studies</title>
				<link>https://hcommons.org/activity/p/1886478/</link>
				<pubDate>Sat, 18 May 2024 03:08:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay explores how Margaret Cavendish’s The Blazing World works differently when taught and read on its own and in combination with Cavendish’s other works. Focusing specifically on the graduate classroom, I examine and present strategies for teaching the book alongside works by other early modern women and for teaching it in a sin&hellip;<span class="activity-read-more" id="activity-read-more-1886478"><a href="https://hcommons.org/activity/p/1886478/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">9a971d4c0630f6924ae754e8e828d8a7</guid>
				<title>Martine van Elk deposited Politics, Authorship, and Philosophy: Teaching Margaret Cavendish’s The Blazing World in the Diverse Graduate Classroom</title>
				<link>https://hcommons.org/activity/p/1886456/</link>
				<pubDate>Fri, 17 May 2024 20:00:33 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay explores how Margaret Cavendish’s The Blazing World works differently when taught and read on its own and in combination with Cavendish’s other works. Focusing specifically on the graduate classroom, I examine and present strategies for teaching the book alongside works by other early modern women and for teaching it in a sin&hellip;<span class="activity-read-more" id="activity-read-more-1886456"><a href="https://hcommons.org/activity/p/1886456/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">563407bef463cd1fe780a824cb6f5071</guid>
				<title>Martine van Elk&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1886454/</link>
				<pubDate>Fri, 17 May 2024 17:53:51 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">af45e02d88997da2ca38907c62fa49f4</guid>
				<title>Martine van Elk&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1834536/</link>
				<pubDate>Wed, 15 Feb 2023 22:27:04 -0500</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">e70c6447bace8efbc8a870c0bee231f1</guid>
				<title>Martine van Elk&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1794835/</link>
				<pubDate>Tue, 20 Sep 2022 02:25:09 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">81d5eec5ab1e910638e5fd648e027aaa</guid>
				<title>Martine van Elk deposited Digital Editions of Early Modern Women's Writing</title>
				<link>https://hcommons.org/activity/p/1783675/</link>
				<pubDate>Thu, 09 Jun 2022 15:54:37 -0400</pubDate>

									<content:encoded><![CDATA[<p>Review of three digital editions of early modern women's writing</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">02ee76db1c377f0e72062a4b0f5256b3</guid>
				<title>Martine van Elk&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1779816/</link>
				<pubDate>Mon, 25 Apr 2022 19:51:25 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">ca79daf8b0f6040c5e4ab95e26529bd5</guid>
				<title>Martine van Elk created the site The Geography of Paradise Lost</title>
				<link>https://hcommons.org/activity/p/1740098/</link>
				<pubDate>Sun, 30 May 2021 16:56:39 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">7d62ac085790e25cdf44d629281d4b36</guid>
				<title>Martine van Elk wrote a new post, Welcome, on the site The Geography of Paradise Lost</title>
				<link>https://thegeographyofparadiselost.hcommons.org/?p=1</link>
				<pubDate>Sun, 30 May 2021 16:56:38 -0400</pubDate>

				
				
							</item>
					<item>
				<guid isPermaLink="false">ab348c825875226e4f9094c2b5452140</guid>
				<title>Martine van Elk created the site Early Modern Women in the Book Trades</title>
				<link>https://hcommons.org/activity/p/1740096/</link>
				<pubDate>Sun, 30 May 2021 16:54:46 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">a16d8ef8003beea06825bfdd95f768e7</guid>
				<title>Martine van Elk&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1684202/</link>
				<pubDate>Thu, 16 Apr 2020 01:35:22 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">c495ccd72aa5fd541cbc25d6914584c0</guid>
				<title>Martine van Elk deposited Female Glass Engravers in the Early Modern Dutch Republic in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1681754/</link>
				<pubDate>Mon, 23 Mar 2020 16:25:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay explores glass engravings by Dutch authors Anna Roemers Visscher, Maria Tesselschade<br />
Roemers Visscher, and Anna Maria van Schurman. I place these engravings in their rich contemporary<br />
contexts, comparing them to other art forms that were the product of female pastime. Like<br />
embroidery, emblems, and alba amicorum, engraved glasses&hellip;<span class="activity-read-more" id="activity-read-more-1681754"><a href="https://hcommons.org/activity/p/1681754/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">62de6b1fbd01e5636ba8a80eb8aad575</guid>
				<title>Martine van Elk deposited Female Glass Engravers in the Early Modern Dutch Republic</title>
				<link>https://hcommons.org/activity/p/1681729/</link>
				<pubDate>Mon, 23 Mar 2020 00:48:31 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay explores glass engravings by Dutch authors Anna Roemers Visscher, Maria Tesselschade<br />
Roemers Visscher, and Anna Maria van Schurman. I place these engravings in their rich contemporary<br />
contexts, comparing them to other art forms that were the product of female pastime. Like<br />
embroidery, emblems, and alba amicorum, engraved glasses&hellip;<span class="activity-read-more" id="activity-read-more-1681729"><a href="https://hcommons.org/activity/p/1681729/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">b8fbb71cd25b956306d8880b1a98492a</guid>
				<title>Martine van Elk&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1681728/</link>
				<pubDate>Mon, 23 Mar 2020 00:43:47 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">bacd654460be3813ac797b2d822cdc0d</guid>
				<title>Martine van Elk&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1678319/</link>
				<pubDate>Thu, 13 Feb 2020 06:12:38 -0500</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">00d9a3cfe52c86fd4ba19fb1dd73cba8</guid>
				<title>Martine van Elk deposited Women Writers and the Dutch Stage: Public Femininity in the Plays of Verwers and Questiers</title>
				<link>https://hcommons.org/activity/p/1641566/</link>
				<pubDate>Mon, 03 Jun 2019 22:57:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>Book chapter on the plays of two of the earliest Dutch female playwrights.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">496bc3ff087779febb26aeffdc4d848f</guid>
				<title>Martine van Elk&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1641561/</link>
				<pubDate>Mon, 03 Jun 2019 22:50:39 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">2f83cf254b21abb2d6b9ea6e8b0fd77b</guid>
				<title>Martine van Elk&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1622737/</link>
				<pubDate>Thu, 01 Nov 2018 21:53:49 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">ff9efd2f572ed9ff70d35a6bbb2388ab</guid>
				<title>Martine van Elk changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1576216/</link>
				<pubDate>Thu, 20 Jul 2017 02:50:30 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">4b6ff8eccb514a747a228c46d195a771</guid>
				<title>Martine van Elk deposited 'Before she ends up in a brothel': Public Femininity and the First Actresses in England and the Low Countries in the group Performance Studies</title>
				<link>https://hcommons.org/activity/p/1575526/</link>
				<pubDate>Tue, 11 Jul 2017 01:00:08 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay explores the first appearance of actresses on the public stage in England and the Dutch Republic. It considers the cultural climate, the theaters, and the plays selected for these early performances, particularly from the perspective of public femininity. In both countries antitheatricalists denounced female acting as a form of&hellip;<span class="activity-read-more" id="activity-read-more-1575526"><a href="https://hcommons.org/activity/p/1575526/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">e9c8c2b5916fbf479fa50d834770b3d8</guid>
				<title>Martine van Elk deposited 'Before she ends up in a brothel': Public Femininity and the First Actresses in England and the Low Countries in the group Feminist Humanities</title>
				<link>https://hcommons.org/activity/p/1575525/</link>
				<pubDate>Tue, 11 Jul 2017 01:00:05 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay explores the first appearance of actresses on the public stage in England and the Dutch Republic. It considers the cultural climate, the theaters, and the plays selected for these early performances, particularly from the perspective of public femininity. In both countries antitheatricalists denounced female acting as a form of&hellip;<span class="activity-read-more" id="activity-read-more-1575525"><a href="https://hcommons.org/activity/p/1575525/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">ef7ee715df6d3bc57542a36e6d6ca14a</guid>
				<title>Martine van Elk&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1575474/</link>
				<pubDate>Mon, 10 Jul 2017 15:10:17 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">93a848e547ab79cecacd22e4d9064eae</guid>
				<title>Martine van Elk deposited 'Before she ends up in a brothel': Public Femininity and the First Actresses in England and the Low Countries</title>
				<link>https://hcommons.org/activity/p/1575473/</link>
				<pubDate>Mon, 10 Jul 2017 14:45:41 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay explores the first appearance of actresses on the public stage in England<br />
and the Dutch Republic. It considers the cultural climate, the theaters, and the plays<br />
selected for these early performances, particularly from the perspective of public<br />
femininity. In both countries antitheatricalists denounced female acting as a form&hellip;<span class="activity-read-more" id="activity-read-more-1575473"><a href="https://hcommons.org/activity/p/1575473/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">fab36975f1a753d12ca52d06de58219f</guid>
				<title>Martine van Elk&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1574663/</link>
				<pubDate>Thu, 22 Jun 2017 20:54:43 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">a3a3708a740e36708a42f704c020bdb0</guid>
				<title>Martine van Elk deposited True Fire, Noble Flame: Friendship Poetry by Katharina Lescailje, Cornelia van der Veer, and Katherine Philips</title>
				<link>https://hcommons.org/activity/p/1571065/</link>
				<pubDate>Fri, 19 May 2017 23:10:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay examines early modern friendship poetry by women writers from England and the Dutch Republic, including Katherine Philips, Cornelia van der Veer, Catharina Questiers, and Katharina Lescailje. It argues that women used this genre to comment on the shifting definitions of public and private and especially to how these shifts affected them&hellip;<span class="activity-read-more" id="activity-read-more-1571065"><a href="https://hcommons.org/activity/p/1571065/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">59bdd373845284fecc0e284b4f09b99b</guid>
				<title>Martine van Elk deposited “This sympathizèd one day’s error”: Genre, Representation, and Subjectivity in The Comedy of Errors in the group LLC Shakespeare</title>
				<link>https://mla.hcommons.org/activity/p/1570091/</link>
				<pubDate>Thu, 11 May 2017 01:01:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay reexamines the mixtures of genres in The Comedy of Errors to argue that Shakespeare's play encourages reflection on genre as a mode of representation. In particular, the genres of romance and farce each offer specific approaches to subjectivity, which would have been especially meaningful to early modern urban playgoers grappling with&hellip;<span class="activity-read-more" id="activity-read-more-1570091"><a href="https://mla.hcommons.org/activity/p/1570091/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">2f9e542fb4b77773be45d95c36b09db6</guid>
				<title>Martine van Elk&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1569754/</link>
				<pubDate>Mon, 08 May 2017 04:05:00 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">8f1ebcb9e8ecbe0833653a5477c9e372</guid>
				<title>Martine van Elk deposited “This sympathizèd one day’s error”: Genre, Representation, and Subjectivity in The Comedy of Errors</title>
				<link>https://hcommons.org/activity/p/1569753/</link>
				<pubDate>Mon, 08 May 2017 04:00:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay reexamines the mixtures of genres in The Comedy of Errors to argue that Shakespeare's play encourages reflection on genre as a mode of representation. In particular, the genres of romance and farce each offer specific approaches to subjectivity, which would have been especially meaningful to early modern urban playgoers grappling with&hellip;<span class="activity-read-more" id="activity-read-more-1569753"><a href="https://hcommons.org/activity/p/1569753/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">5833da35688f53bf8b1472557148b9df</guid>
				<title>Martine van Elk&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1569740/</link>
				<pubDate>Mon, 08 May 2017 01:50:02 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">57034a0963c5120c2d56ce1ad2500d23</guid>
				<title>Martine van Elk&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1569082/</link>
				<pubDate>Wed, 03 May 2017 19:10:25 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">540b8b997a3afde08b6e41032d285c8e</guid>
				<title>Martine van Elk changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1569081/</link>
				<pubDate>Wed, 03 May 2017 19:07:40 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
		
	</channel>
</rss>