Knowledge Commons | Maribel Hidalgo Urbaneja | Group Activity https://hcommons.org/members/maribelhu/activity/groups/ Public group activity feed of which Maribel Hidalgo Urbaneja is a member. Sat, 04 Apr 2026 12:16:38 -0400 https://buddypress.org/?v=10.6.0 en-US 30 hourly 2 189c0c468f38ac6b789a5d837e286522 Ana Dumitran deposited The Icons of Alexander Ponekhalsky. Jertfa di la mine zugrău Alexa cel păcătos in the group Digital Art History https://hcommons.org/activity/p/1895891/ Sat, 10 Aug 2024 03:01:06 -0400 This editorial project capitalizes on a first sample of the religious art of Maramureș, carefully and meticulously inventoried by Alexandru Baboș alongside the study of the architecture of the wooden churches of Maramureș. Since they alone account for almost half of all preserved icons from Maramureș, Alexander Ponekhalskyi's icons have been sep…[Read more]

]]> 0 133846c6dfd2bf35198848da4ace28a6 Katrina Grant deposited Collaboration, flexibility, skill-sharing: The future of museum and cultural heritage work in the age of digital transformation in Australia in the group Digital Art History https://hcommons.org/activity/p/1888684/ Sat, 08 Jun 2024 03:00:03 -0400 The COVID-19 pandemic created huge challenges for the galleries, libraries, archives and museum (GLAM) sector as institutions were shut and travel and tourism became almost non-existent. Globally, cultural institutions large and small suddenly had to rely almost entirely on digital platforms to engage their missing audiences. Digital…[Read more]

]]> 0 45179cf25767662ceb0005ce35655b82 Ana Dumitran deposited Intercultural and Visual Art Transfer in Central Europe and the Balkans. Ruthenian-Ukrainian and Romanian Art from the 15th to the Early 19th Century in the group Digital Art History https://hcommons.org/activity/p/1881045/ Thu, 28 Mar 2024 03:00:24 -0400 The book is part of the ERC Consolidator Grant RICONTRANS editorial programme (grant agreement no. 818791) and contains 11 studies on cultural and artistic transfers between the former Polish-Lithuanian Community and the Romanian territories (Moldova, Muntenia and Transylvania).

]]> 0 ca6e3263dadb76d1a6f7389275636d52 Alicia Mihalic deposited Digitisation of Historical Dress and Textile Collections: Facilitating Platforms for Accessibility, Preservation, and Research of Material Culture in the group Digital Art History https://hcommons.org/activity/p/1876757/ Fri, 16 Feb 2024 03:00:19 -0500 By adopting new museological functions, surviving artefacts open up the possibility of illuminating complex interrelations between the lifecycle of humans and objects. Imbued with a unique and intimate material memory, historical textiles encapsulate evidence surrounding their conceptualisation, production, and consumption, as well as their…[Read more]

]]> 0 85384b78adc7d674bbeedcddae3ac300 Ana Dumitran deposited Icoana Sfântului Ioan Botezătorul cu scene din viață de la Budești‑Josani in the group Digital Art History https://hcommons.org/activity/p/1870885/ Sat, 13 Jan 2024 03:01:58 -0500 In the history of old Romanian painting, the icon of Saint John the Baptist with scenes from his life from Budești‑Josani occupies a very important place due to its exceptional artistic quality, as well as the Slavonic inscription with the master’s signature and date. The inscription, in a very poor state of preservation, has already been part…[Read more]

]]> 0 4aac0e0f0d029eb956aeec87b2ff785b Ana Dumitran deposited Le patriarche Sylvestre d’Antioche, son disciple spirituel Constantin César Dapóntes et l’histoire de leurs icônes in the group Digital Art History https://hcommons.org/activity/p/1870881/ Sat, 13 Jan 2024 03:01:16 -0500 This study identified the icon of Virgin Moscovita and the icon of the Holy Mandylion, described in Konstantinos Dapontes’ writings, with the icon of the Virgin and the icon of the Holy Mandylion preserved in his family monastery Evangelistria in Skopelos island. We can now retrace the “biography”of these two artefacts, the history of their creat…[Read more]

]]> 0 4976e9b553de32aa4f9d35525808ecfb Ana Dumitran deposited The Chronology of the Murals in the Râmeț Monastic Church (Alba County, Romania) Based on a Reevaluation of the Dating of the Narthex Inscription in the group Digital Art History https://hcommons.org/activity/p/1870876/ Sat, 13 Jan 2024 03:00:20 -0500 La découverte d’une inscription slavonne dans le narthex de l’église du monastère de Râmeț (comté d’Alba) en 1966, sa relecture avec des moyens techniques spéciaux en 1978 et sa publication officielle en 1985 ont porté à l’attention des historiens le nom du peintre (Mihul du Criș-Blanc), le nom de l’évêque fondateur (archevêque Gélase),…[Read more]

]]> 0 41a127984bfb13db9861352aaaae20a4 Alicia Colson deposited NFTs, AI, Ethics, and Indigenous Peoples. in the group Digital Art History https://hcommons.org/activity/p/1868542/ Tue, 19 Dec 2023 03:05:25 -0500 The article is published in the official Journal of The Institute of Science and Technology (ISSN 2040-1868)

]]> 0 5908b6838934ba16b9b1ee20e860202d Alicia Colson deposited Do not make snap decisions about what you are seeing: how digital analysis of the images from the Canadian Shield highlights the difficulties in classifying shapes in the group Digital Art History https://hcommons.org/activity/p/1868538/ Tue, 19 Dec 2023 03:04:41 -0500 The act of classification has the widest implications for scholarship. Whatever the format, it involves the totality of our being. The use of our eyes indicates that decisions about whatever it is that we observe have already been made. Yet the interaction between the mechanical act of seeing and the mind or memory has rarely been registered. An…[Read more]

]]> 0 31179e54df5d606a58364a3f805c5f2b Alicia Colson deposited AI generated images, photography and visual documentary evidence as sources: Thoughts on Boris Eldagsen's Image, well 'photograph'. in the group Digital Art History https://hcommons.org/activity/p/1868534/ Tue, 19 Dec 2023 03:03:57 -0500 Some thoughts on Boris Eldagsen's Image, well 'photograph', an AI generated image.

]]> 0 c28853a5159369cb3cde4e7e5623db4b Alicia Colson deposited WHAT DO THESE SYMBOLS MEAN? A CRITICAL REVIEW OF THE IMAGES FOUND ON THE ROCKS OF THE CANADIAN SHIELD WITH SPECIFIC REFERENCE TO THE PICTOGRAPHS OF THE LAKE OF THE WOODS in the group Digital Art History https://hcommons.org/activity/p/1868530/ Tue, 19 Dec 2023 03:03:30 -0500 Review of the literature on pictograph sites in the Canadian Shield with specific reference to those found in the Lake of the Woods, in north-western Ontario, Canada.

]]> 0 f6fe04d62c55130697b2323c0e256e80 Ana Dumitran deposited Russian Icons from Transylvania. Exhibition Catalogue in the group Digital Art History https://hcommons.org/activity/p/1862611/ Thu, 26 Oct 2023 03:00:02 -0400 This publication is part of the project “Ricontrans – Visual Culture, Piety and Propaganda. Transfer and Reception of Russian Religious Art in the Balkans and the Eastern Mediterranean (16th to Early 20th Century)”, funded from the European Research Council (erc) under the European Union’s Horizon 2020 research and innovation programme (grant…[Read more]

]]> 0 b0328a35e6ddb14940fae7027f28ba99 Chris Alen Sula started the topic Cluster hire: Asst Professor, "Diverse Voices Creating Just Futures" (Pratt) in the discussion Digital Art History https://hcommons.org/groups/digital-art-history/forum/topic/cluster-hire-asst-professor-diverse-voices-creating-just-futures-pratt/ Thu, 05 Oct 2023 21:16:36 -0400 Please see below for details about a tenure-track position in digital humanities in the History of Art & Design

*********

Pratt Institute invites applications for a cluster of five new tenure-track faculty positions at the level of Assistant Professor, focused on “Diverse Voices Creating Just Futures.” We seek applicants from a range of dis…[Read more]

]]> 195431b250985769d0aa4de6d53aa46d Lukas Fuchsgruber deposited Digitale Vermittlung ohne Facebook und Co in the group Digital Art History https://hcommons.org/activity/p/1824661/ Fri, 02 Dec 2022 02:23:39 -0500 Im Zeitalter von Smartphones und Social Media sind digitale Netze ein allgegenwärtiger und zentraler gesellschaftlicher Raum geworden. Kulturvermittlung arbeitet oft in diesem neuen digitalen Kontext, trotz zahlreicher Enthüllungen über das skandalöse Geschäftsmodell der kostenlosen Social Media Plattformen. Darum müssen wir über Datenethik in der…[Read more]

]]> 0 ae58824b5312d18b5920c739b4998342 Maximilian Kaiser deposited Leitfaden für die Annotation von Named Entities (NE) in Biographien in the group Digital Art History https://hcommons.org/activity/p/1784977/ Sat, 25 Jun 2022 02:24:30 -0400 manual guide for the annotation of biographies

]]> 0 879b12b3027f1bec790444e364ab7e83 Hannah Jacobs deposited Introduction to Digital Humanities Syllabus Spring 2022 Duke University in the group Digital Art History https://hcommons.org/activity/p/1780940/ Sat, 07 May 2022 02:25:42 -0400 Syllabus for ISS 222D Introduction to Digital Humanities, a survey course that introduces students to the many debates and methods of digital humanities and adjacent fields. Particular focus is on visualization.

]]> 0 066d019392e5357928c0a2dd7abdad8f Michael Lyons deposited Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset in the group Digital Art History https://hcommons.org/activity/p/1753119/ Wed, 29 Sep 2021 02:23:38 -0400 Reflections on artist Trevor Paglen's (ab)use of the JAFFE dataset

]]> 0 430a928a995bd74f3a384bb017f9aaff Michael Lyons deposited Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset in the group Digital Art History https://hcommons.org/activity/p/1752751/ Fri, 24 Sep 2021 02:23:58 -0400 Reflections on Trevor Paglen's (ab)use of the JAFFE dataset

]]> 0 a0d35130347aff50d20b6c63a4cc7c60 Michael Lyons deposited Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset in the group Digital Art History https://hcommons.org/activity/p/1752644/ Thu, 23 Sep 2021 03:48:43 -0400 The article contains a historical account and commentary on Trevor Paglen and Kate Crawford's unauthorized use of the JAFFE dataset.

]]> 0 06577a8f9641d2c6860037f190b6fd32 Anna-Marie Kroupova started the topic CFP: Conference The Art Museum in the Digital Age (online, 17–21 Jan, 2022) in the discussion Digital Art History https://hcommons.org/groups/digital-art-history/forum/topic/cfp-conference-the-art-museum-in-the-digital-age-online-17-21-jan-2022-2/ Mon, 06 Sep 2021 13:11:12 -0400 Location: Belvedere, Vienna (Online)

Dates: 17–21 January 2022

Submission: 17 October 2021

Website: https://www.belvedere.at/en/digitalmuseum2022

 

The Art Museum in the Digital Age – 2022

The Belvedere Research Center is continuing its conference series on the digital transformation of art museums with its fourth event on the topic. The COV…[Read more]

]]> 54e2993906139a8112c1b908b78d08a6 Michael Lyons deposited “Excavating AI” Re-excavated: Debunking a Fallacious Account of the JAFFE Dataset in the group Digital Art History https://hcommons.org/activity/p/1747826/ Thu, 29 Jul 2021 02:23:56 -0400 Twenty-five years ago, my colleagues Miyuki Kamachi and Jiro Gyoba and I designed and photographed JAFFE, a set of facial expression images intended for use in a study of face perception. In 2019, without seeking permission or informing us, Kate Crawford and Trevor Paglen exhibited JAFFE in two widely publicized art shows. In addition, they…[Read more]

]]> 0 d77492e8e3a7fd16c4dd5a56f177d218 Jasmine Burns deposited A Critical Response to “The value of mass-digitised cultural heritage content in creative contexts” by Melissa Terras, et al, Published in "Big Data and Society" in the group Digital Art History https://hcommons.org/activity/p/1738977/ Fri, 21 May 2021 02:23:40 -0400 This is a gut-reaction response to the recent article “The value of mass-digitised cultural heritage content in creative contexts” by Melissa Terras, et al, published in Big Data and Society on April 6, 2021, doi: https://doi.org/10.1177/20539517211006165. My main argument is that exploiting labor and appropriating cultural heritage are int…[Read more]

]]> 0 98974c6fdbfcc7f4f7b2a012dbb33236 Michael Lyons deposited Excavating 'Excavating AI': The Elephant in the Gallery in the group Digital Art History https://hcommons.org/activity/p/1726752/ Tue, 09 Feb 2021 02:23:51 -0500 Two art exhibitions, "Training Humans" and "Making Faces," and the accompanying essay "Excavating AI: The politics of images in machine learning training sets" by Kate Crawford and Trevor Paglen, are making substantial impact on discourse taking place in the social and mass media networks, and some scholarly circles. Critical scrutiny reveals,…[Read more]

]]> 0 433572ad2ea089576d8c36d2b77bbb60 Hannah Jacobs started the topic CFP: Visualizing Objects, Places, and Spaces: A Digital Project Handbook in the discussion Digital Art History https://hcommons.org/groups/digital-art-history/forum/topic/cfp-visualizing-objects-places-and-spaces-a-digital-project-handbook-2/ Mon, 07 Dec 2020 20:47:23 -0500 What does it take to create a digital research project or assignment? The editors of Visualizing Objects, Places, and Spaces: A Digital Project Handbook seek case study & assignment submissions to help answer this question. Visualizing Objects, Places, and Spaces: A Digital Project Handbook (https://handbook.pubpub.org/) is an open online…[Read more]

]]> 6ff1f08869a18a7f8dea3f3145a4a8ff John J. Taormina deposited A Digital Humanities Bibliography in the group Digital Art History https://hcommons.org/activity/p/1718513/ Wed, 02 Dec 2020 02:24:48 -0500 An extensive Digital Humanities bibliography with over 1,500 citations covering a variety of disciplines and topics.

]]> 0 d89424d523d4758de023ea3b0cdbcd38 Christiane Wagner deposited Art Style, Art & Culture International Magazine, no. 6 in the group Digital Art History https://hcommons.org/activity/p/1715373/ Tue, 03 Nov 2020 02:26:51 -0500 Art Style | Art & Culture International Magazine is an open access,
biannual, and peer-reviewed online magazine that aims to bundle cultural
diversity. All values of cultures are shown in their varieties of art. Beyond
the importance of the medium, form, and context in which art takes its
characteristics, we also consider the significance of…[Read more]

]]> 0 b87b032c7f4b65362f46e83b09d7701b Maximilian Kaiser deposited Künstlerbiographien und historische Netzwerkforschung: Anwendungsbeispiele aus dem Bereich der digitalen Kunstgeschichte in the group Digital Art History https://hcommons.org/activity/p/1715014/ Fri, 30 Oct 2020 02:25:58 -0400 book chapter about artists' biographies and networks

]]> 0 316006bcb9f38e4e68e72b909bdc6079 Florian Windhager deposited Reassembling Elephants: A Multi-Spatiotemporal Visualization Method for History and Humanities Data in the group Digital Art History https://hcommons.org/activity/p/1700894/ Tue, 21 Jul 2020 02:40:37 -0400 When engaging in the visual analysis and communication of cultural collections and other types of complex historical data, scholarly or public audiences rarely get to see their multidimensional richness. Commonly, visualization tools require analysts to selectively ‘cut’ into the complexity of the data to highlight and project particular asp…[Read more]

]]> 0 6f049efd27d4218502d4eba6dca3fec5 Birk Weiberg deposited Modeling Performing Arts: On the Representations of Agency in the group Digital Art History https://hcommons.org/activity/p/1692583/ Sun, 21 Jun 2020 16:27:43 -0400 The documentation of performing arts by means of databases is a challenging task for several reasons. Primarily, this has to do with the absence of a central, sizeable object that can be described and quantified. Any information collected in a database for performing arts thus seems to be of second order, paraphrasing what cannot be reproduced.…[Read more]

]]> 0 518d7831fffcd83b9218c69380eaf85d Jasmine Burns deposited Images as Research Data and the Role of the Information Professional in the group Digital Art History https://hcommons.org/activity/p/1686010/ Sat, 02 May 2020 16:25:21 -0400 The goal of this paper is twofold: first to define “research data” in a humanities context through a discussion of the ways in which humanities researchers create and aggregate image collections, and second to address the processes by which academic libraries and information professionals can play an active role in supporting the treatment and per…[Read more]

]]> 0 03a42dbfcb4fcdd05997f2390434ae7e Christoph Bartneck deposited The Design History of Robert M. Pirsig’s Books in the group Digital Art History https://hcommons.org/activity/p/1674572/ Wed, 08 Jan 2020 16:28:12 -0500 The two books of Robert M. Pirsig have been milestones for Design Theory through the development of a Metaphysics of Quality. This article analyses the design history of his two books that have been in print for more than 40 years. The editions range from cheap mass-market paperbacks to gilded collectors’ hardcovers. The underlying challenge for a…[Read more]

]]> 0 19ca077f0eecc0208fc1a6a9746908b3 Maximilian Kaiser deposited Structure, Network, Discourse. Anatomy of an Artists Association in the group Digital Art History https://hcommons.org/activity/p/1664735/ Sat, 28 Sep 2019 16:25:26 -0400 Article for the exhibition catalogue "Hagenbund. A European network of modernism 1900 to 1938" (2014)

]]> 0 403fdc6a02c5f24cb50e880c593cf6a3 Lukas Fuchsgruber deposited Museum Photo Archives and the History of the Art Market: A Digital Approach in the group Digital Art History https://hcommons.org/activity/p/1659749/ Tue, 06 Aug 2019 16:25:21 -0400 Digital images with metadata contain unique potential for research into the history of the art market. The embedding of digital images in a database allows for the possibility of an association with their historical context due to the presence of metadata, which includes economic data, such as the provenance chain, as well as information about…[Read more]

]]> 0 89f283c005e4373ff507b6764fa81053 Kay Sohini deposited On the Crisis of Creation: A Short Comic in the group Digital Art History https://hcommons.org/activity/p/1642494/ Thu, 13 Jun 2019 16:26:23 -0400 On the Crisis of Creation is a short comic about the comic artists' equivalent of a writer's block.

]]> 0 c0283c93b340586e4ae28d46434036bc Kay Sohini deposited To the Stars and Beyond: Perceptions on The Starry Night in the group Digital Art History https://hcommons.org/activity/p/1638398/ Mon, 15 Apr 2019 16:25:23 -0400 Creative non-fiction/semi-academic reflective piece on seeing Vincent van Gogh's The Starry Night for the first time in person at the Museum of Modern Arts.

]]> 0 a571c8c5286e295e1027f88439c78480 Max Marmor started the topic Digital Art History Society: call for members in the discussion Digital Art History https://hcommons.org/groups/digital-art-history/forum/topic/digital-art-history-society-call-for-members/ Thu, 27 Dec 2018 22:33:49 -0500 New Digital Art History Society (https://digitalarthistorysociety.org/) founded December 2018. See also @DigArtHistSoc

]]> 4c949707eee63ac764cdb857ad059a48 Maximilian Kaiser deposited Artist migration through the biographer’s lens: A case study based on biographical data retrieved from the Austrian Biographical Dictionary in the group Digital Art History https://hcommons.org/activity/p/1626001/ Tue, 18 Dec 2018 16:25:21 -0500 A lexicon like the Österreichisches Biographisches Lexikon 1815–1950 (Austrian Biographical Dictionary) seems to be as all in one cast because it is built on a set of formal rules for writing articles and some strict but basic criteria for the incorporation of new entries. The human reader can find information within that resource to a wide ra…[Read more]

]]> 0 94683ecf2a97085d92591eaa2619a190 Maximilian Kaiser deposited Was uns Biographien über Künstlernetzwerke sagen in the group Digital Art History https://hcommons.org/activity/p/1615131/ Fri, 10 Aug 2018 15:14:22 -0400 Article from the proceedings of the conference "Europa baut auf Biographien"

]]> 0 04d0a5feb912bab8d25caf8e67809951 Maximilian Kaiser deposited The Biographical Formula: Types and Dimensions of Biographical Networks in the group Digital Art History https://hcommons.org/activity/p/1615129/ Fri, 10 Aug 2018 15:14:15 -0400 Behind every printed national biography is a board of editors responsible for finding established scholars to write the biographies. The personal and institutional networks, the scientific and ideological socialization of these authors have a significant influence on the biographical constructs and narratives they have designed, and thus also…[Read more]

]]> 0 622bedc5e145d883f3d98a3f660c1024 Lukas Fuchsgruber deposited Experts and Auctioneers in Paris Art Auctions 1852-1862 in the group Digital Art History https://hcommons.org/activity/p/1608958/ Wed, 23 May 2018 04:12:25 -0400 From 1852 the Hôtel Drouot was the space where the French auctioneers (Commissaires-Priseurs) - who held a stately sanctioned monopoly - organized their auctions. By processing data from the art auction catalogue repertory by Frits Lugt and the extended version Art Sales Catalogues Online, it is possible to map the networks of art marketing at…[Read more]

]]> 0 81e0a9ef42758a680c0a42a3961cd9df Thorsten Wuebbena deposited Sandrart.net - Eine Online-Edition eines Textes des 17. Jahrhunderts in the group Digital Art History https://hcommons.org/activity/p/1608678/ Fri, 18 May 2018 04:12:25 -0400 The following text presents an online project, which has been developed since April 2007 with a duration of five years on the initiative of the Kunstgeschichtliches Institut in Frankfurt and the Kunsthistorisches Institut in Florence, together with the partner institutions Städel Museum and Historisches Museum in Frankfurt and jointly financed by…[Read more]

]]> 0 ecee206477e8df35313ab2ee0400012a Katrina Grant deposited The Gardens of Lucca in the group Digital Art History https://hcommons.org/activity/p/1605803/ Mon, 09 Apr 2018 04:13:08 -0400 The city of Lucca was never limited to the urban area within the walls. Autumn and winter would be lived in the city palazzo, with life concentrating upon commercial activities enlivened by entertainments such as music and theatre. In spring and summer life was relocated en masse to the villa. This article outlines the essentials of Lucchese…[Read more]

]]> 0 b8074d603d203f93e2ec0c619cdb2205 Katrina Grant deposited Teatri di Verzura: Hedge Theatres in Baroque Lucca in the group Digital Art History https://hcommons.org/activity/p/1605802/ Mon, 09 Apr 2018 04:13:07 -0400 The garden theatre can take many forms: it can erupt forth in an explosion of water and sound as in the teatro d’acqua; it can appear carved into a hedge as a teatro di verzura; or it can calmly wait to be filled with performers as in a teatro avanti il palazzo. The garden theatre was first a feature of the Baroque garden in Italy, before f…[Read more]

]]> 0 3e8c7c5fcc238a82dd6c78cbba6447b1 Begonya Cayuela deposited La iconografía en la era digital: hacia una heurística para el estudio del contenido de las imágenes medievales in the group Digital Art History https://hcommons.org/activity/p/1591504/ Wed, 06 Dec 2017 05:38:22 -0500 This article invites us to consider the usefulness of iconography as a method to describe the subjects represented in medieval works of art. In this study, a greater emphasis has been put on investigating the epistemological implications resulting from the use of that method, and the biases that may appear in the process of transforming images…[Read more]

]]> 0 98c8a79c686e4fe5872d55b93b0fe344 Matthew Lincoln deposited Continuity and Disruption in European Networks of Print Production, 1550-1750 in the group Digital Art History https://hcommons.org/activity/p/1590770/ Fri, 01 Dec 2017 05:38:17 -0500 Computational analysis of the potential historical professional networks inferred from surviving print impressions offers novel insight into the evolution of early modern artistic printmaking in Europe. This analysis traces a longue durée print production history that examines the changing ways in which different regional printmaking communities…[Read more]

]]> 0 9f08e4a37d55960bcfe5da41920c8160 Charlie Harper deposited Laboring with the Economics of Mycenaean Architecture: Theories, Methods, and Explorations of Mycenaean Architectural Production. in the group Digital Art History https://hcommons.org/activity/p/1586441/ Fri, 03 Nov 2017 01:04:49 -0400 This study examines the connection between architecture and economy in Mycenaean Greece; it is a deep investigation of economic theory and models of the Mycenaean economy, existing methods for the study of prehistoric architecture, and particular Mycenaean structures. Over the course of the study, I present current thinking on the Mycenaean…[Read more]

]]> 0 0542927eec95150202cb5d0dd3e5104c Charlie Harper deposited Laboring with the Economics of Mycenaean Architecture: Theories, Methods, and Explorations of Mycenaean Architectural Production. in the group Digital Art History https://hcommons.org/activity/p/1586439/ Fri, 03 Nov 2017 01:04:46 -0400 This study examines the connection between architecture and economy in Mycenaean Greece; it is a deep investigation of economic theory and models of the Mycenaean economy, existing methods for the study of prehistoric architecture, and particular Mycenaean structures. Over the course of the study, I present current thinking on the Mycenaean…[Read more]

]]> 0 85fc13d6e54abec4faf27e5de9ec90d5 Matthew Lincoln deposited Predicting the Past: Digital Art History, Modeling, and Machine Learning in the group Digital Art History https://hcommons.org/activity/p/1577453/ Fri, 04 Aug 2017 01:00:02 -0400 Case study from the Getty’s digital art history team shows how modeling and machine learning are shedding light on the history of the art market.

]]> 0 a496123bc29cd1972759b51458a34171 Matthew Lincoln posted an update in the group Digital Art History: A recent post on the Getty's "Iris" blog talks about […] https://hcommons.org/activity/p/1577248/ Thu, 03 Aug 2017 04:54:36 -0400 A recent post on the Getty's "Iris" blog talks about using machine learning to "predict the past" and its use in art history: http://blogs.getty.edu/iris/predicting-the-past-digital-art-history-modeling-and-machine-learning/

]]> 0 f01c8fede261546852f2fcf738077f48 Max Marmor started the topic New Digital Art History blog under the auspices of Arthistoricum.net in the discussion Digital Art History https://hcommons.org/groups/digital-art-history/forum/topic/new-digital-art-history-blog-under-the-auspices-of-arthistoricum-net/ Fri, 28 Jul 2017 19:44:07 -0400 See http://dahblog.arthistoricum.net/beitrag/2017/07/27/frisch-und-neu-wir-starten-dahblogarthistoricumnet/

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