About

Lori Morimoto researches and writes about transcultural fandoms, convergence culture/transfandom, Hollywood marketing overseas, and East Asian regional popular culture, who received her Ph.D. at Indiana University in 2011. Her recent work includes chapters in Seeing Fans: Representations of Fandom in Media and Popular Culture, as well as the forthcoming Blackwell Companion to Fandom and Fan Studies, Routledge Companion to Media Fandom, Contemporary Transatlantic Television Drama, and Becoming: Essays on NBC’s Hannibal. She has published in Participations: Journal of Audience and Reception Studies (with Bertha Chin), Transformative Works and Cultures, [in]Transition: Journal of Videographic Film and Moving Image Studies, Asian Cinema, and has an article forthcoming in East Asian Journal of Popular Culture. She co-authored with Bertha Chin an essay in Fandom: Identities and Communities in a Mediated World, Second Edition, and co-edited a special section of Participations: Journal of Audience and Reception Studies on transcultural fans and fandoms, as well as co-editing with Louisa Stein a forthcoming special issue of Transformative Works and Cultures on Tumblr and fandom.

Education

Ph.D. Communication and Culture, Indiana University, Bloomington, Indiana (2011)

Monbukagakusho Research Scholarship. Meiji Gakuin University (2001-03)

M.A. Communication and Culture, Indiana University, Bloomington, Indiana (2000)

M.A. East Asian Languages and Literatures, Ohio State University, Columbus, Ohio (1991)

B.A. English Literature, Kenyon College, Gambier, Ohio (1988)

Work Shared in CORE

Articles
Book chapters
Dissertations
Theses
Video essays
Conference papers
Blog Posts

Other Publications

Hannibal: Adaptation in the Age of Fan Production.” Becoming: Essays on NBC’s Hannibal. Kavita Mudan Finn and Elizabeth Nielsen, eds. (forthcoming 2018, Syracuse Univ. Press)

“Ontological Security and the Politics of Transcultural Fandom.” The Companion to Fandom and Fan Studies. Paul Booth, ed. (forthcoming in 2018, Blackwell)

“From Imagined Communities to Contact Zones: American Monoculture in Transatlantic Fandoms.” Transatlantic TV. Michele Hilmes, Roberta Pearson, and Matt Hills, eds. (forthcoming in 2018, Oxford University Press)

“Transnational Media Fan Studies.” The Routledge Companion to Media Fandom. Suzanne Scott and Melissa Click, eds. (forthcoming in 2017, Routledge)

“The Totoro Meme and the Politics of Transfandom.” 50 Years of Studio Ghibli Special Issue, Journal of East Asian Popular Culture. Eds. James Rendell and Rayna Davison. (forthcoming) [Refereed]

“Reimagining the Imagined Community: Online Fandoms in the Age of Global Convergence,” co-authored with Bertha Chin. Fandom: Identities and Communities in a Mediated World, Second Edition. Jonathan Gray, C. Lee Harrington, Cornel Sandvoss, eds. New York: New York University Press, 2017. 174-189.

Roundtable: “Videographic Criticism, Vidding, and Remix,” with Corey Creekmur, Melanie Kohnen, Jonathan McIntosh, and Katherine Morrisey. Cinema Journal 56.4, Summer 2017. 159-184.

“The Good Fandom: Depicting Japanese Female Fans in Moonlight Express, Moumantai, and Hong Kong Star Fans.” Seeing Fans: Representations of Fandom in Media and Popular Culture. Lucy Bennett and Paul Booth, eds. New York: Bloomsbury, 2016. 239-250.

Lori Morimoto

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@lorimorimoto

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