Publications
“The Diversity of Women’s Engagement with Modern Architecture and Design: Three Case Studies,” The Plan Journal 4 (2019): 465-80.
“Beyond the Confederacy: Who Remembers What When in Berlin and Richmond?,” English Language Notes 57 (October 2019): 160-67
“Rich pickings,” Architecture Review (September 2019): 70-73.
“The Place of Faith: Accommodating Religious Minorities in the German and Irish Cityscape,” in Burcu Dogramaci and Birgit Mersmann, eds., Handbook of Art and Global Migration: Theories, Practices, and Global Challenges (Berlin: De Gruyter, 2019) 130-48.
“Clothing Bauhaus Bodies,” in Elizabeth Otto and Patrick Rössler, Bauhaus Bodies: Gender, Sexuality, and Body Culture in Modernism’s Legendary Art School (New York: Bloomsbury, 2019) 123-44.
Co-editor with Lisa Godson, Modern Religious Architecture in Germany, Ireland and Beyond: Influence, Process and Afterlife since 1945 (New York: Bloomsbury, 2019).
“Architecture, Its Histories, and their Audiences,” Journal of the Society of Architectural Historians 77 (2018): 397-405.
“A Whisper Rather than a Shout: Ursula Wilm and Heinz Hallmann’s Topography of Terror,” in Deborah Ascher Barnstone and Elizabeth Otto, Art and Resistance in Germany (New York: Bloomsbury Visual Arts, 2018) 173-89.
“Von der Leinwand zum Körper: Die Kleiderentwürfe von Sonia Delaunay,” in Karl R. Kegler, Anna Minta and Niklas Naehrig, eds., RaumKleider: Verbindungen zwischen Architekturraum, Körper und Kleid (Bielefeld: transcript, 2018) 79-98.
“Architecture as a Fine Art: The Implications for the Writing of Architectural History,” Architectural Journal 595 (2018) 78-83 [published in Chinese].
Modernism as Memory: Building Identity in the Federal Republic of Germany (Minneapolis: University of Minnesota Press, 2018).
“Darmstadt in Context — Architecture and Design Reform c 1900,” in Landesamt für Denkmalpflege Hessen, der Wissenschaftsstadt Darmstadt and the Deutschen Nationalkomitee von ICOMOS, eds., “Eine Stadt müssen wir erbauen, eine ganze Stadt!,” Die Künsterkolonie auf der Mathildenhöhe (Wiesbaden: Landesamt für Denkmalpflege, 2017) 61-68.
“Is Modern Architecture Good?” in Peter Voggler and Stefan Graf, eds., Architecture in Asmara: Colonial Origin and Postcolonial Experiences (Berlin: Dom, 2017) 38-45.
“Exiles and Immigration,” Very Vary Veri 5 (2017): 5-14.
“Schocken Department Store: ‘The Art of a Master,’” in David Leatherbarrow and Alexander Eisenschmidt, Twentieth-Century Architecture, vol. 4, of The Companions to the History of Architecture, ed. Harry Mallgrave (Malden: Wiley/Blackwell, 2017), 207-19.
“Introduction” and “Louis Kahn’s Yale Center for British Art: An Irish Perspective,” in Carla Briggs, Nicola Figgis, Lynda Mulvin, and Paula Murphy, eds., Art History After Francoise Henry: 50 Years at UCD – 1965-2015(Dublin/Kinsale: UCD School of Art History and Cultural Policy/Gandon Editions: 2016) 6-11, 150-61.
“Reconstructing faith,” Architectural Review (April 2016): 84-90.
Editor, India in Art in Ireland (Abingdon: Routledge, 2016).
“Architecture in Transit: Three High-Tech Historicist Airports,” in Anne Fuchs and J. J. Long, eds., Time in German Literature and Culture, 1900-2015: Acceleration and Slowness (Basingstoke: Pallgrave Macmillan, 2015) 45-68.
“Ausstellungen erleben. Lilly Reichs Produktdisplays 1927-31,” in Jörn Schafaff and Benjamin Wihstutz, Sowohl als auch dazwischen. Erfarhungsräume der Kunst (Paderborn: Wilhelm Fink, 2015) 56-76.
“Gesamtkunstwerk and Gender: From Domesticity to Branding and Back Again,” in Cartsen Ruhl, Chris Dähne and Rixt Hoekstra, eds., The Death and Life of the Total Work of Art: Henry Van de Velde and the Legacy of a Modern Concept (Berlin: Jovis, 2015) 94-104.
“Beyond the masters: modernism in South Asian architecture,” in Stephen Ross and Allana Lindgren, eds., The Modernist World (London: Routledge, 2015) 100-08.
Architecture since 1400 (Minneapolis: University of Minnesota Press, 2014).
“The use of ruins in postwar German church reconstruction,” in JoAnne Mancini and Keith Bresnahan, Architecture and Armed Conflict: The Politics of Destruction (London: Routledge, 2014), pp. 198-211.
“Louis Kahn in Ahmedabad and Dhaka,” ABE Journal: European Architecture beyond Europe, http://dev.abejournal.eu/index.php?id=656, posted 7 July 2014.
“Beyond postcolonialism: New Directions in the history of nonwestern architecture,” Frontiers of Architectural Research 3.1 (2014): 1-9.
Rachel Lee and, “Marg Magazine: A Tryst with Architectural Modernity: Modern Architecture as seen from an independent India,” ABE Journal: European Architecture beyond Europe, http://dev.abejournal.eu/index.php?id=81, posted 15 February 2013.
“From Chicago to Berlin and Back Again,” in Mary Jane Jacob and Jacquelyn Bass, eds., Chicago Makes Modern: How Creative Minds Changed Society (Chicago: University of Chicago Press, 2012), pp. 91-109.
“Beyond Cold War Interpretations: Shaping a New Bauhaus Heritage,” New German Critique 116 (Summer 2012): 11-24.
“Between Revolution and Reform: The Bauhaus in Context, 1919-23,” in Barbican Art Gallery, Bauhaus: Art as Life (London: Koenig Books, 2012) 18-20.
Co-editor with Anne Fuchs and Linda Shortt, Debating German Cultural Identity since 1989 (Rochester: Camden House, 2011).
“Louis Kahn’s Monumentality: Theory and Practice,” in Carsten Ruhl, ed., Mythos Monument: Urban Strategien in Architektur und Kunst seit 1945 (Bielefeld: Transcript, 2011), 77-98.
“Expressionism and Experiment: The Sommerfeld House,” in Bauhaus-Archiv Berlin/Museum für Gestaltung, Stifttung Bauhaus Dessau, und Klassik Stiftung Weimar, eds., Bauhaus: A Conceptual Model(Ostfildern: Hatje-Canz Verlag 2009), pp. 51-54.
“Fragile Allianz: Über die Beziehung zwischen Henry van de Velde und Walter Gropius,” in Anja Baumhoff and Magdalena Droste, eds., Mythos Bauhaus: Zwischen Selbsterfindung und Enthistorisierung (Berlin: Reimer, 2009), pp. 35-52.
“Architecture of the Cold War. Louis Kahn and Edward Durrell Stone in South Asia,” in Anke Köth, Kai Krauskopf, and Andreas Schwarting, eds., Building America: Eine große Erzähluung, vol. 3 (Dresden: Thelem, 2008), pp. 169-82.
“Inventing Industrial Culture in Essen,” in Paul Jaskot and Gavriel Rosenfeld, eds., Beyond Berlin: German Cities Confront the Nazi Past (Ann Arbor: University of Michigan Press, 2007), pp. 116-39.
Editor, Bauhaus Culture: From Weimar to the Cold War (Minneapolis: University of Minnesota Press, 2006).
“Dominikus Böhm in Amerika,” in Wolfgang Voigt and Ingeborg Flagge, eds., Dominikus Böhm: 1880-1955(Frankfurt: Deutsches Architektur Museum, 2005), pp. 89-101.
“The Bauhaus in America Revisited: The Impact of the Cold War on the Reception of Modern Architecture in the United States,” in Rebekka Habermas and Rebekka von Mallinkrodt, eds., Interkultureller Transfer und nationaler Eigensinn: Europäische und anglo-amerikanische Positionen der Kulturwissenschaften (Göttingen: Wallstein Verlag, 2004), pp. 195-208.
“Moderate Modernism: Sacred Architecture in St. Louis and its Suburbs,” in Eric Mumford, ed., Modern Architecture in St. Louis: Washington University and Postwar American Architectuer, 1948-1973 (St. Louis: School of Architecture, Washington University, 2004), pp. 27-40.
“Eric Mendelsohn in America: Reinventing a Reputation for Modernism,” in Bernd Nicolai, ed., Architektur und Exil: Kulturtransfer und architektonische Emigration 1930 bis 1950 (Trier: Porta Alba Verlag, 2003), pp. 133-43.
“The Drama of Illumination: Visions of Community from Wilhelmine to Nazi Germany,” in Richard Etlin, ed., Art, Culture, and Media under the Third Reich (Chicago: University of Chicago Press, 2002), pp. 181-201.
“Kirchstiegfeld: A European Perspective on the Construction of Community,” Places (Winter 2001), pp. 56-61.
German Architecture for a Mass Audience (London: Routledge Press, 2000).
In the Spirit of Our Age: Eric Mendelsohn’s B’nai Amoona Synagogue (St. Louis: Missouri Historical Society, 2000). Excerpt published as “Gateway Album,” Gateway- Heritage 21.1 (2000), pp. 46-49.
“Einstein, Mendelsohn und Finlay-Freundlich in Potsdam,” “Großstadtarchitektur in Berlin: Der Woga-Komplex und das Universum Kino,” “Die Textilfabrik Krasnoje Snamja in Leningrad,” and “Kleinere Bauten für die jüdische Gemeinschaft in Tilsit, Königsberg und Essen,” in Erich Mendelsohn (1887-1953). Gebauten Welten, Regina Stephan, ed. (Stuttgart: Hatje Verlag, 1998), pp. 30-43, 134-43, 167-77. Published in English as Eric Mendelsohn: Architect 1887-1953 (New York: Monacelli Press, 1999) and in an expanded edition as Erich Mendelsohn: Dynamics and Function, Realized Visions of a Cosmopolitan Architect (Institut für Auslandsbeziehung, 2000).
“Memory and the Cityscape: The German Architectural Debate about Postmodernism,” in German Politics and Society 17.3 (1999), pp. 71-83.
“From Messel to Mendelsohn: German Department Store Architecture in Defense of Urban and Economic Change,” in Geoffrey Crossick and Serge Jaumain, eds., Cathedrals of Consumption: the European Department Store 1850-1939 (Ashgate, 1999), pp. 252-78.
“Between Expressionism and Neue Sachlichkeit,” in Ruins of Modernity: Erich Mendelsohn’s Hat Factory in Luckenwalde; AA Files 4 (1998): 8-13.
Erich Mendelsohn and the Architecture of German Modernism (Cambridge: Cambridge University Press, 1997).
“Form versus Function: The Importance of the Indian Institute of Management in the development of Louis Kahn’s Courtyard Architecture,” Journal of Architectural Education 49 (1995), pp. 38-49.
“Expressionism, Relativity, and the Einstein Tower,” Journal of the Society of Architectural Historians 53 (1994), pp. 392-413.
