I am assistant professor of music history at the Hartt School of Music, Dance, and Theater at the University of Hartford in West Hartford, Connecticut. My main areas of focus are on late medieval notation, theory, and performance; medievalism; and contemporary pop music, jazz, and music in media such as film, television, and video games. Additionally, I am an active singer, performer, and conductor of both early and contemporary music.


Ph.D, Duke University

M.M., Peabody Conservatory

B.A., Gettysburg College


“Medievalism and Emotions in Video Game Music,” postmedieval, forthcoming 2019.
“Whose Music? Questions of Representation in the Early Music Survey,” Studies in Medieval and Renaissance Teaching (SMART), forthcoming 2019.
“Representations of Disability in Images of Medieval Musicians,” in The Medieval Disability Sourcebook, edited by Cameron Hunt McNabb. New York: punctum books, forthcoming 2019.
“Gaming the Medievalist World in Harry Potter,” in The Oxford Handbook of Medievalism in Music, edited by Kirsten Yri and Stephen Meyer. Oxford: Oxford University Press, forthcoming 2019.
Assassin’s Creed: Ezio Trilogy,” in The Museum of Renaissance Music: A History in 100 Exhibits, edited by Tim Shephard and Vincenzo Borghetti, forthcoming.
“ ‘The Things I Do For Lust …’: Humor and Subversion in The Bard’s Tale (2004),” in Music in the Role-Playing Game: Heroes & Harmonies, edited by William Gibbons and Steven Reale. New York: Routledge, 2019.
“Beyond (the) Halo: Plainchant in Video Games,” in Studies in Medievalism XXVII: Authenticity, Medievalism, Music, edited by Karl Fugelso, 183–200. Suffolk, UK: Boydell & Brewer, 2018.
“1378: Music at the Start of the Schism,” EMAg: The Magazine of Early Music America 24, no. 3 (Sept. 2018): 30–34.
“Nicolaus de Aversa, Frater.” Grove Music Online. September 28, 2018. http://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-3000000135
James Cook and Karen M. Cook. “Medievalism and Music.” In Oxford Bibliographies in Music. Edited by Bruce Gustafson. New York: Oxford University Press, March 2018. doi: 10.1093/obo/9780199757824-0241
“John Dunstaple,” A-R Online Musical Anthology, 2018.
http://www.armusicanthology.com/anthology/ViewerPlus.aspx?=1&music_id=784 [log-in required]
Karen M. Cook and Carol Williams, “New Light on Frater Nicolaus de Aversa: His Plainchant Treatise in LHD 244.” Musica Disciplina 60 (2015, pub. 2017): 115–148.
“Beyond the Grave: The ‘Dies irae’ in Video Games,” Sounding Out! https://soundstudiesblog.com/2017/12/18/beyond-the-grave-the-dies-irae-in-video-game-music, Dec 18, 2017.
“Cantigas de Santa Maria.” A-R Online Musical Anthology, 2017. http://www.armusicanthology.com/anthology/ViewerPlus.aspx?=1&music_id=745 [log-in required]
“Comtessa (Beatriz?) de Dia.” A-R Online Musical Anthology, 2017. http://www.armusicanthology.com/anthology/ViewerPlus.aspx?=1&music_id=746 [log-in required]
“Teaching the Pre-Modern Post-Inauguration.” Guest blog post, MassMedieval: MASSachusetts State Universities Medieval Blog, Feb 1, 2017.
Review of The Art of Grafted Song: Citation and Allusion in the Age of Machaut, by Yolanda Plumley (Oxford: Oxford University Press, 2014). Ars Lyrica 24 (2015, pub. 2017): 75–78.
Review of The Musica of Hermannus Contractus, ed. and trans. Leonard Ellinwood, rev. and new introduction by John L. Snyder (Rochester, NY: University of Rochester Press, 2015). Francia- Recensio, 2017. http://www.perspectivia.net/publikationen/francia/francia-recensio/2017- 1/ma/ellinwood_cook.
Review of The ‘Ars musica’ Attributed to Magister Lambertus/Aristoteles, ed.Christian Meyer and trans. Karen Desmond (Burlington, VT: Ashgate, 2015). Theoria 22 (2015): 189–94.
 “Text Mining and Early Music: Using Lexomics in Research.” Early Music (Winter 2015): 1–6.
“A New Reading of Binchois’s ‘Mon seul et souverain desir.’ ” Plainsong & Medieval Music 24, issue 2 (Oct. 2015): 167–88.
“Music, History, and Progress in Sid Meier’s Civilization IV,” in Music and Video Games: Studying Play, edited by K. J. Donnelly, William Gibbons, and Neil Lerner, 166–82. New York: Routledge, 2014.


Non Est Minimo Dare Minus: The Fracturing of Rhythm in the Late Medieval Period. Monograph.

Music Theory in Schismatic Avignon: Magister Johannes Pipardi. Monograph.



American Musicological Society

AMS: New England Chapter

AMS: Ludomusicology Study Group

AMS: Music & Media Study Group

AMS: Popular Music Study Group

Society for Music Theory

AMS/SMT: Early Music Analysis Interest Group

AMS/SMT: History of Music Theory Interest Group

New England Conference of Music Theorists

Medieval Academy of America

TEAMS: Teaching Association for Medieval Studies

Society for Medieval Feminist Scholarship

International Machaut Society

Society for American Music

International Association for the Study of Popular Music

The Society for the Study of Sound and Music in Games

American Recorder Society

Sigma Alpha Iota

MEARCSTAPA: monsters: the experimental association for the research of cryptozoology through scholarly theory and practical application

Karen Cook

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