“ ‘The Things I Do For Lust …’: Humor and Subversion in The Bard’s Tale
(2004),” requested for Music and Role-Playing Games
, edited by William Gibbons and Steven Reale, New York: Routledge, forthcoming 2018/2019.
“Representations of Disability in Images of Medieval Musicians,” under review at/accepted for for The Medieval Disability Sourcebook
, edited by Cameron Hunt McNabb, forthcoming 2018/19.
“Gaming the Medievalist World in Harry Potter
,” under contract with The Oxford Handbook of Medievalism in Music
, forthcoming, 2018.
“1378: Music at the Start of the Schism,” under review at Early Music America
“Whose Music? Questions of Representation in the Early Music Survey,” under review at/accepted for Studies in Medieval and Renaissance Teaching (SMART)
, forthcoming 2018.
“Going Medieval on (in?) Music: The Early Music Survey Course at a Conservatory,” under review at/accepted for Out of the Cloister: Lone Medievalists Making the Middle Ages Matter
, a themed issue of The Lone Medievalist
, forthcoming 2018.
“Nicolaus de Aversa, Frater.” Grove Music Online
. Oxford University Press, forthcoming, 2018.
“Beyond (the) Halo: Plainchant in Video Games,” in Studies in Medievalism XXVII: Authenticity, Medievalism, Music
, edited by Karl Fugelso, 183–200. Suffolk, UK: Boydell & Brewer, 2018.
With James Cook. “Music and Medievalism.” In Oxford Bibliographies in Music
. Edited by Bruce Gustafson. New York: Oxford University Press, March 2018. doi: 10.1093/obo/9780199757824-0241
“John Dunstaple.” A-R Editions Online Musical Anthology
“Beyond the Grave: The Dies Irae
in Video Games.” Sounding Out!
December 18, 2017. https://soundstudiesblog.com/2017/12/18/beyond-the-grave-the-dies-irae-in-video-game-music/
Karen Cook and Carol Williams, “New Light on Frater Nicolaus de Aversa: His Plainchant Treatise in LHD 244,” Musica Disciplina
60 (2015, pub. 2017): 115–148.
“Cantigas de Santa Maria,” A-R Editions Online Musical Anthology
, 2017. http://www.armusicanthology.com/anthology/ViewerPlus.aspx?=1&music_id=745
“Comtessa (Beatriz?) de Dia,” A-R Editions Online Musical Anthology
, 2017. http://www.armusicanthology.com/anthology/ViewerPlus.aspx?=1&music_id=746
Review of The Art of Grafted Song: Citation and Allusion in the Age of Machaut
, by Yolanda Plumley (Oxford: Oxford University Press, 2014). Ars Lyrica
24 (2015, pub. 2017): 75–78.
Review of The
Musica of Hermannus Contractus
, ed. and trans. Leonard Ellinwood, rev. and new introduction by John L. Snyder (Rochester, NY: University of Rochester Press, 2015). Francia-Recensio
, 2017. http://www.perspectivia.net/publikationen/francia/francia-recensio/2017-
“Text Mining and Early Music: Using Lexomics in Research.” Early Music
(Winter 2015): 1–6.
“A New Reading of Binchois’s ‘Mon seul et souverain desir.’ ” Plainsong & Medieval Music
24, issue 2 (Oct. 2015): 167–88.
Review of The ‘Ars musica’ Attributed to Magister Lambertus/Aristoteles
, edited by Christian Meyer & translated by Karen Desmond (Burlington, VT: Ashgate, 2015). Theoria
22 (2015): 189–94.
“Music, History, and Progress in Sid Meier’s Civilization IV
,” in Music and Video Games: Studying Play
, edited by K. J. Donnelly, William Gibbons, and Neil Lerner, 166–82. New York: Routledge, 2014.