“Medievalism and Emotions in Video Game Music,” postmedieval
, forthcoming 2019.
“Whose Music? Questions of Representation in the Early Music Survey,” Studies in Medieval and Renaissance Teaching (SMART)
, forthcoming 2019.
“Representations of Disability in Images of Medieval Musicians,” in The Medieval Disability Sourcebook
, edited by Cameron Hunt McNabb. New York: punctum books, forthcoming 2019.
“Gaming the Medievalist World in Harry Potter
,” in The Oxford Handbook of Medievalism in Music
, edited by Kirsten Yri and Stephen Meyer. Oxford: Oxford University Press, forthcoming 2019.
“Assassin’s Creed: Ezio Trilogy
,” in The Museum of Renaissance Music: A History in 100 Exhibits
, edited by Tim Shephard and Vincenzo Borghetti, forthcoming.
“ ‘The Things I Do For Lust …’: Humor and Subversion in The Bard’s Tale
(2004),” in Music in the Role-Playing Game: Heroes & Harmonies
, edited by William Gibbons and Steven Reale. New York: Routledge, 2019.
“Beyond (the) Halo: Plainchant in Video Games,” in Studies in Medievalism XXVII: Authenticity, Medievalism, Music
, edited by Karl Fugelso, 183–200. Suffolk, UK: Boydell & Brewer, 2018.
“1378: Music at the Start of the Schism,” EMAg: The Magazine of Early Music America
24, no. 3 (Sept. 2018): 30–34.
“Nicolaus de Aversa, Frater.” Grove Music Online
. September 28, 2018. http://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-3000000135
James Cook and Karen M. Cook. “Medievalism and Music.” In Oxford Bibliographies in Music
. Edited by Bruce Gustafson. New York: Oxford University Press, March 2018. doi: 10.1093/obo/9780199757824-0241
“John Dunstaple,” A-R Online Musical Anthology
, 2018. http://www.armusicanthology.com/anthology/ViewerPlus.aspx?=1&music_id=784
Karen M. Cook and Carol Williams, “New Light on Frater Nicolaus de Aversa: His Plainchant Treatise in LHD 244.” Musica Disciplina
60 (2015, pub. 2017): 115–148.
“Beyond the Grave: The ‘Dies irae’ in Video Games,” Sounding Out! https://soundstudiesblog.com/2017/12/18/beyond-the-grave-the-dies-irae-in-video-game-music
, Dec 18, 2017.
“Cantigas de Santa Maria.” A-R Online Musical Anthology
, 2017. http://www.armusicanthology.com/anthology/ViewerPlus.aspx?=1&music_id=745
“Comtessa (Beatriz?) de Dia.” A-R Online Musical Anthology
, 2017. http://www.armusicanthology.com/anthology/ViewerPlus.aspx?=1&music_id=746
“Teaching the Pre-Modern Post-Inauguration.” Guest blog post, MassMedieval: MASSachusetts State Universities Medieval Blog
, Feb 1, 2017. https://massmedieval.com/2017/02/01/teaching-the-pre-modern-post-inauguration
Review of The Art of Grafted Song: Citation and Allusion in the Age of Machaut
, by Yolanda Plumley (Oxford: Oxford University Press, 2014). Ars Lyrica
24 (2015, pub. 2017): 75–78.
Review of The
Musica of Hermannus Contractus
, ed. and trans. Leonard Ellinwood, rev. and new introduction by John L. Snyder (Rochester, NY: University of Rochester Press, 2015). Francia- Recensio
, 2017. http://www.perspectivia.net/publikationen/francia/francia-recensio/2017-
Review of The ‘Ars musica’ Attributed to Magister Lambertus/Aristoteles
, ed.Christian Meyer and trans. Karen Desmond (Burlington, VT: Ashgate, 2015). Theoria
22 (2015): 189–94.
“Text Mining and Early Music: Using Lexomics in Research.” Early Music
(Winter 2015): 1–6.
“A New Reading of Binchois’s ‘Mon seul et souverain desir.’ ” Plainsong & Medieval Music
24, issue 2 (Oct. 2015): 167–88.
“Music, History, and Progress in Sid Meier’s Civilization IV
,” in Music and Video Games: Studying Play
, edited by K. J. Donnelly, William Gibbons, and Neil Lerner, 166–82. New York: Routledge, 2014.