2015: Making Asian American Film and Video: History, Institutions, and Movements, Rutgers University Press.
Refereed Journal Articles:
2019: “Fakin da Funk (1997) and Gook (2017): Exploring Black/Asian Relations in the Asian American “hood” Film,” Hollywood at the Intersection of Identity, edited by Delia Konzett forthcoming from Rutgers University Press.
2018: “Hara Kazuo and Extreme Private Eros: Love Song 1974 (1974),” Exploiting East Asian Cinemas. Eds. Ken Provencher and Mike Dillon. Bloomsbury Academic, January 2018.
2017: “Collectivity and Loneliness in Laurel Nakadate’s Post-Racial Identity Aesthetics,” Routledge Companion to Asian American Media. Eds. Vincent Pham & Lori Kido Lopez. Routledge, 2017.
2017: “Nam June Paik and Laurel Nakadate at the Margins of Asian American Film and Video.” IN FOCUS: Asian American Film and Media. Eds. Brian Hu and Vincent N. Pham. Cinema Journal 56, no. 3, (Spring 2017): 136-141.
2014: “The Weird Greek Wave: Postcolonial and Affective Mimicry in Athina Rachel Tsangari’s Attenberg (2010),” East, West, and Centre: Reframing Post-1989 European Cinema. Eds. Michael Gott and Todd Herzog. Edinburgh: Edinburgh University Press, 2014.
2011: “Cultural Odor in the Global Order: Intertextuality and the Raced Japanese Body,” Transnational Asian Identities in Pan-Pacific Cinemas: The Reel Asian Exchange. Eds. Phillipa Gates and Lisa Funnell. New York and London: Routledge, 2011.
2009: “‘Noble and Uplifting and Boring as Hell’: Asian American Film and Video, 1972-1982,” Cinema Journal 49, no. 1, (Winter 2009).
2008: “Forfaiture: Photogénie, Race, and Homoerotic Homage in the French Remake of The Cheat,” Quarterly Review of Film and Video 25:5 (2008): 368-381.
2005: “The PBS and NAATA Connection: Comparing the Public Spheres of Asian American Film and Video,” The Velvet Light Trap 55 (Spring 2005): 39-51.
2016:The Age of New Waves: Art Cinema and the Staging of Globalization by James Tweedie. Screen, Volume 57, Issue 1, Spring 2016.
2013:The Chinese Diaspora on American Screens: Race, Sex, and Cinemaby Gina Marchetti, Asian Studies Journal, Volume 72, Issue 03, August 2013, 676-678.
2008:The Hypersexuality of Race: Performing Asian/American Women on Screen and Scene by Celine Parreñas Shimizu. Journal of Asian American Studies, Volume 11, No. 1, 2008.
2003: Screening Asian Americans, edited by Peter X. Feng. Film Quarterly, Volume 56, No. 4, Summer 2003.
2010:“Anna May Wong”, Encyclopedia of American Studies Online, Johns Hopkins University Press, 2010.
2005: “Minority Filmmakers, Media Institutions, and Press Discourse: A Comparative Analysis,” UCLA Chicano Studies Research Center Report.#5, January 2005.
2003: “Minority Rules! Consortia Funds Work About Ethnic and Racial Identity,” International Documentary Magazine,December/January 2002-3.