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	<title>Knowledge Commons | John Davey | Activity</title>
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				<title>John Davey deposited The historical relationship of musical form and the moving image in the current context of the digitisation of media in the group Science and Technology Studies (STS)</title>
				<link>https://hcommons.org/activity/p/1627403/</link>
				<pubDate>Sat, 29 Dec 2018 16:25:29 -0500</pubDate>

									<content:encoded><![CDATA[<p>Contemporary developments in the medium of the moving picture, particularly in relation to the general digitisation of media, are bringing about substantial changes to long-held conceptions of both its theory and its practice. This thesis asserts that a significant factor in these, both historically and in terms of potential development, is the&hellip;<span class="activity-read-more" id="activity-read-more-1627403"><a href="https://hcommons.org/activity/p/1627403/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>John Davey deposited The historical relationship of musical form and the moving image in the current context of the digitisation of media in the group Networked Art</title>
				<link>https://hcommons.org/activity/p/1627402/</link>
				<pubDate>Sat, 29 Dec 2018 16:25:28 -0500</pubDate>

									<content:encoded><![CDATA[<p>Contemporary developments in the medium of the moving picture, particularly in relation to the general digitisation of media, are bringing about substantial changes to long-held conceptions of both its theory and its practice. This thesis asserts that a significant factor in these, both historically and in terms of potential development, is the&hellip;<span class="activity-read-more" id="activity-read-more-1627402"><a href="https://hcommons.org/activity/p/1627402/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>John Davey deposited The historical relationship of musical form and the moving image in the current context of the digitisation of media in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1627401/</link>
				<pubDate>Sat, 29 Dec 2018 16:25:25 -0500</pubDate>

									<content:encoded><![CDATA[<p>Contemporary developments in the medium of the moving picture, particularly in relation to the general digitisation of media, are bringing about substantial changes to long-held conceptions of both its theory and its practice. This thesis asserts that a significant factor in these, both historically and in terms of potential development, is the&hellip;<span class="activity-read-more" id="activity-read-more-1627401"><a href="https://hcommons.org/activity/p/1627401/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>John Davey deposited The historical relationship of musical form and the moving image in the current context of the digitisation of media in the group Film Studies</title>
				<link>https://hcommons.org/activity/p/1627400/</link>
				<pubDate>Sat, 29 Dec 2018 16:25:22 -0500</pubDate>

									<content:encoded><![CDATA[<p>Contemporary developments in the medium of the moving picture, particularly in relation to the general digitisation of media, are bringing about substantial changes to long-held conceptions of both its theory and its practice. This thesis asserts that a significant factor in these, both historically and in terms of potential development, is the&hellip;<span class="activity-read-more" id="activity-read-more-1627400"><a href="https://hcommons.org/activity/p/1627400/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>John Davey deposited The historical relationship of musical form and the moving image in the current context of the digitisation of media in the group Film-Philosophy</title>
				<link>https://hcommons.org/activity/p/1627399/</link>
				<pubDate>Sat, 29 Dec 2018 16:25:22 -0500</pubDate>

									<content:encoded><![CDATA[<p>Contemporary developments in the medium of the moving picture, particularly in relation to the general digitisation of media, are bringing about substantial changes to long-held conceptions of both its theory and its practice. This thesis asserts that a significant factor in these, both historically and in terms of potential development, is the&hellip;<span class="activity-read-more" id="activity-read-more-1627399"><a href="https://hcommons.org/activity/p/1627399/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>John Davey deposited The historical relationship of musical form and the moving image in the current context of the digitisation of media</title>
				<link>https://hcommons.org/activity/p/1625658/</link>
				<pubDate>Thu, 13 Dec 2018 02:21:35 -0500</pubDate>

									<content:encoded><![CDATA[<p>Contemporary developments in the medium of the moving picture, particularly in relation to the general digitisation of media, are bringing about substantial changes to long-held conceptions of both its theory and its practice. This thesis asserts that a significant factor in these, both historically and in terms of potential development, is the&hellip;<span class="activity-read-more" id="activity-read-more-1625658"><a href="https://hcommons.org/activity/p/1625658/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>John Davey&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1625651/</link>
				<pubDate>Thu, 13 Dec 2018 01:05:39 -0500</pubDate>

				
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