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	<title>Knowledge Commons | Joao Silva | Activity</title>
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				<title>Joao Silva deposited Early Portuguese recordings for The Gramophone Company (1900—1908) and the establishment of a phonographic market in Portugal in the group Historical Soundscape Studies</title>
				<link>https://hcommons.org/activity/p/1879676/</link>
				<pubDate>Sat, 16 Mar 2024 03:00:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>My article strives to study phonography in Portugal between the 1900 recording sessions for The Gramophone Company and the company’s first significant Portuguese catalogue, printed in December 1908. I aim to trace the transformations undertaken in the discs and repertoires along with their segmentation during the first decade of Portuguese p&hellip;<span class="activity-read-more" id="activity-read-more-1879676"><a href="https://hcommons.org/activity/p/1879676/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joao Silva deposited Early Portuguese recordings for The Gramophone Company (1900—1908) and the establishment of a phonographic market in Portugal in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1879675/</link>
				<pubDate>Sat, 16 Mar 2024 03:00:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>My article strives to study phonography in Portugal between the 1900 recording sessions for The Gramophone Company and the company’s first significant Portuguese catalogue, printed in December 1908. I aim to trace the transformations undertaken in the discs and repertoires along with their segmentation during the first decade of Portuguese p&hellip;<span class="activity-read-more" id="activity-read-more-1879675"><a href="https://hcommons.org/activity/p/1879675/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joao Silva&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1879612/</link>
				<pubDate>Fri, 15 Mar 2024 17:17:04 -0400</pubDate>

				
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				<title>Joao Silva deposited Early Portuguese recordings for The Gramophone Company (1900—1908) and the establishment of a phonographic market in Portugal</title>
				<link>https://hcommons.org/activity/p/1879610/</link>
				<pubDate>Fri, 15 Mar 2024 17:13:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>My article strives to study phonography in Portugal between the 1900 recording sessions for The Gramophone Company and the company’s first significant Portuguese catalogue, printed in Decem- ber 1908. I aim to trace the transformations undertaken in the discs and repertoires along with their segmentation during the first decade of Portuguese p&hellip;<span class="activity-read-more" id="activity-read-more-1879610"><a href="https://hcommons.org/activity/p/1879610/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joao Silva&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1739904/</link>
				<pubDate>Fri, 28 May 2021 16:09:23 -0400</pubDate>

				
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				<title>Joao Silva&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1737578/</link>
				<pubDate>Fri, 07 May 2021 18:30:58 -0400</pubDate>

				
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				<title>Joao Silva deposited Mechanical Instruments and Phonography: The Recording Angel of historiography in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1686012/</link>
				<pubDate>Sat, 02 May 2020 16:25:31 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article strives to examine the historical narrative of music recording in its acoustic era (from 1877 to the late 1920s), at a time when competing technologies for capturing and registering sound and music were being incorporated into everyday life. Moreover, it examines the overlap of continuous and discontinuous media and processes of&hellip;<span class="activity-read-more" id="activity-read-more-1686012"><a href="https://hcommons.org/activity/p/1686012/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joao Silva deposited Mechanical Instruments and Phonography: The Recording Angel of historiography</title>
				<link>https://hcommons.org/activity/p/1685961/</link>
				<pubDate>Fri, 01 May 2020 20:38:46 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article strives to examine the historical narrative of music recording in its acoustic era (from 1877 to the late 1920s), at a time when competing technologies for capturing and registering sound and music were being incorporated into everyday life. Moreover, it examines the overlap of continuous and discontinuous media and processes of&hellip;<span class="activity-read-more" id="activity-read-more-1685961"><a href="https://hcommons.org/activity/p/1685961/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joao Silva deposited Porosity and Modernity: Lisbon’s Auditory Landscape from 1864 to 1908 in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1616946/</link>
				<pubDate>Wed, 29 Aug 2018 16:25:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>The intense changes that transformed Lisbon’s urban fabric between 1864 and 1908 were a key agent in reshaping the political economy of sound in the city.1 During the second half of the nineteenth century, Lisbon was getting to grips with modernity in a period when not only was the term ‘modern’ starting to be seen in a positive light, but moder&hellip;<span class="activity-read-more" id="activity-read-more-1616946"><a href="https://hcommons.org/activity/p/1616946/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joao Silva deposited Porosity and Modernity: Lisbon’s Auditory Landscape from 1864 to 1908 in the group Historical Soundscape Studies</title>
				<link>https://hcommons.org/activity/p/1616945/</link>
				<pubDate>Wed, 29 Aug 2018 16:25:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>The intense changes that transformed Lisbon’s urban fabric between 1864 and 1908 were a key agent in reshaping the political economy of sound in the city.1 During the second half of the nineteenth century, Lisbon was getting to grips with modernity in a period when not only was the term ‘modern’ starting to be seen in a positive light, but moder&hellip;<span class="activity-read-more" id="activity-read-more-1616945"><a href="https://hcommons.org/activity/p/1616945/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joao Silva deposited Porosity and Modernity: Lisbon’s Auditory Landscape from 1864 to 1908</title>
				<link>https://hcommons.org/activity/p/1616868/</link>
				<pubDate>Tue, 28 Aug 2018 23:09:11 -0400</pubDate>

									<content:encoded><![CDATA[<p>The intense changes that transformed Lisbon’s urban fabric between 1864 and 1908 were a key agent in reshaping the political economy of sound in the city.1 During the second half of the nineteenth century, Lisbon was getting to grips with modernity in a period when not only was the term ‘modern’ starting to be seen in a positive light, but moder&hellip;<span class="activity-read-more" id="activity-read-more-1616868"><a href="https://hcommons.org/activity/p/1616868/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joao Silva&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1616864/</link>
				<pubDate>Tue, 28 Aug 2018 22:57:35 -0400</pubDate>

				
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				<title>Joao Silva&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1612253/</link>
				<pubDate>Mon, 02 Jul 2018 23:14:31 -0400</pubDate>

				
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				<title>Joao Silva deposited Music, theatre and the nation :the entertainment market in Lisbon (1865-1908) in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1587813/</link>
				<pubDate>Fri, 10 Nov 2017 01:54:48 -0500</pubDate>

									<content:encoded><![CDATA[<p>The development of the Portuguese entertainment market and the rise of several types of musical theatre are inextricably bound to the complex symbolic and material process through which Portugal was established, presented, developed, and commodified as a modern nation-state between 1865 and 1908. During this period, several fundamental&hellip;<span class="activity-read-more" id="activity-read-more-1587813"><a href="https://hcommons.org/activity/p/1587813/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joao Silva deposited Music, theatre and the nation :the entertainment market in Lisbon (1865-1908) in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1587765/</link>
				<pubDate>Fri, 10 Nov 2017 01:53:34 -0500</pubDate>

									<content:encoded><![CDATA[<p>The development of the Portuguese entertainment market and the rise of several types of musical theatre are inextricably bound to the complex symbolic and material process through which Portugal was established, presented, developed, and commodified as a modern nation-state between 1865 and 1908. During this period, several fundamental&hellip;<span class="activity-read-more" id="activity-read-more-1587765"><a href="https://hcommons.org/activity/p/1587765/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joao Silva changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1587313/</link>
				<pubDate>Tue, 07 Nov 2017 11:42:13 -0500</pubDate>

				
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				<title>Joao Silva&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1587311/</link>
				<pubDate>Tue, 07 Nov 2017 11:22:03 -0500</pubDate>

				
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				<title>Joao Silva&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1587195/</link>
				<pubDate>Tue, 07 Nov 2017 01:21:51 -0500</pubDate>

				
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				<title>Joao Silva deposited Music, theatre and the nation :the entertainment market in Lisbon (1865-1908)</title>
				<link>https://hcommons.org/activity/p/1587191/</link>
				<pubDate>Tue, 07 Nov 2017 01:08:25 -0500</pubDate>

									<content:encoded><![CDATA[<p>The development of the Portuguese entertainment market and the rise of several types of musical theatre are inextricably bound to the complex symbolic and material process through which Portugal was established, presented, developed, and commodified as a modern nation-state between 1865 and 1908. During this period, several fundamental&hellip;<span class="activity-read-more" id="activity-read-more-1587191"><a href="https://hcommons.org/activity/p/1587191/" rel="nofollow ugc">[Read more]</a></span></p>
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