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Jeremy Coleman

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@jglcoleman

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  • ‘Found in Translation’: Review of Richard Wagner, _The Ring of the Nibelung_, trans. John Deathridge (Penguin, 2018)

    Author(s):
    Jeremy Coleman
    Date:
    2019
    Group(s):
    Translation Studies
    Subject(s):
    Translating and interpreting, Opera, Mythology, Poetry
    Item Type:
    Review
    Tag(s):
    Richard Wagner, Translation

  • Redemption from the Redeemer? Review Article on Roger Scruton and _Wagner's Parsifal_

    Author(s):
    Jeremy Coleman
    Date:
    2021
    Subject(s):
    Music, Musicology, Aesthetics, Philosophy, Religion, Sex, Opera, Kant, Immanuel, 1724-1804
    Item Type:
    Article
    Tag(s):
    Richard Wagner, redemption, Sexuality, Immanuel Kant

  • The Body in the Library: Review of Richard Wagner Sämtliche Werke, in _The Wagner Journal_ 11/3 (Nov., 2017), guest ed. Tash Siddiqui, 86-92.

    Author(s):
    Jeremy Coleman
    Date:
    2017
    Group(s):
    International Musicological Society (IMS), Music History/Musicology Pedagogy Resource Hub
    Subject(s):
    Musicology, Editing, Opera, Theater, German drama
    Item Type:
    Review
    Tag(s):
    German theatre

  • Review of: Eva Rieger, _Richard Wagner’s Women_, trans. Chris Walton (Boydell Press, 2011); and Laurence Dreyfus, _Wagner and the Erotic Impulse_ (Harvard University Press, 2010), in Current Musicology, No. 93 (Fall. 2013), 125-36.

    Author(s):
    Jeremy Coleman
    Date:
    2013
    Group(s):
    International Musicological Society (IMS)
    Subject(s):
    Musicology, Feminism, Sex, Opera
    Item Type:
    Review
    Tag(s):
    Sexuality, Gender

  • ‘In ein fernes Land’: The Politics of Translation in Wagner’s Arrangement of Gluck’s Iphigénie en Aulide

    Author(s):
    Jeremy Coleman
    Date:
    2019
    Group(s):
    Global & Transnational Studies, International Musicological Society (IMS), Music History/Musicology Pedagogy Resource Hub, Society for Music Theory (SMT)
    Subject(s):
    Musicology, History, National characteristics, Nationalism, Opera, Translating and interpreting
    Item Type:
    Article
    Tag(s):
    Historical musicology, National identity, Translation

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Jeremy Coleman

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@jglcoleman

Active 1 week, 5 days ago