AboutJonathan is primarily a musicologist, with overlapping research interests in music and screen media, musical borrowing and intertextuality, and musical reception. He also performs as a drummer and percussionist in various contexts.
Jonathan was awarded his PhD in musicology from the University of Bristol in 2014. His research on screen-music topics is published and forthcoming in journals and edited books, as well as in his monograph, Reeled In: Pre-existing Music in Narrative Film (Routledge, 2019). In 2020, he co-organized the conference ‘Hidden Figures of Screen Music and Sound’.
Jonathan has taught music at City (University of London), Keele University, Oxford Brookes University, Plymouth University, Royal Holloway (University of London), the University of Bristol, and the University of Cambridge. He is a Fellow of the Higher Education Academy.
Work Shared in CORE
Godsall, J. (2019) Reeled In: Pre-existing Music in Narrative Film
. Abingdon: Routledge. Peer-reviewed articles
Burkholder, P., Caldiero, C. and Godsall, J. (2019) ‘The King’s Speech: Battle Orations in Medieval Film’, Studies in Medievalism XXVIII
, pp.105–31. Chapters
Godsall, J. (forthcoming 2021) ‘Hi-yo, Rossini: Hearing Pre-existing Music as Post-existing Music’, in Cenciarelli, C. (ed.) The Oxford Handbook of Cinematic Listening
. Oxford: Oxford University Press.
Godsall, J. (2017) ‘Zbigniew Preisner Interview’
, in Coleman, L. and Tillman, J. (eds) Contemporary Film Music: Investigating Cinema Narratives and Composition
. London: Palgrave Macmillan. pp.57–62. Reviews
Godsall, J. (2020) Review of Unlimited Replays: Video Games and Classical Music
, by William Gibbons. Journal of Sound and Music in Games
, 1(1), pp.113–15.
Godsall, J. (2018) Review of The Cambridge Companion to Film Music
, ed. by Mervyn Cooke and Fiona Ford. Popular Music
, 37(2), pp.323–26. Online publications
Godsall, J. (2016) ‘Listening to Beethoven in and through The King’s Speech’
, The Avid Listener
, 29 February.