Electronic literature, essentially, must be electronic and literary. Even if we cannot define the literary, we can at least recognize it, and, from recognition, we can begin to build meaning. This chapter attempts to do just that: offer readers an account of some of the contexts that suggest literature that is inherently digital and extrapolate…[Read more]

Kant remarks that beauty “is what pleases in the mere judgment (and there not by the medium of sensation in accordance with a concept of understanding),” and the sublime “pleases immediately through its opposition to the interest of sense”. Lyotard’s position is such that the sublime, as construed by Burke and Kant, “outlined a world of possibil…[Read more]

This paper examines the stylometric similarities between James Joyce and Flann O’Brien, demonstrating which works from the latter’s oeuvre are stylistically the most Joycean. We will outline the results of a series of quantitative enquiries focused specifically on Joyce and O’Brien, before offering a number of literary interpretations. It has l…[Read more]

This paper offers a case study of two contrasting digital scholarship internships at The Pennsylvania State University. We explore the benefits and drawbacks of the internship model as an approach to developing digital scholarship among undergraduates through detailing the challenges and particularities of these experiences and analyzing mentor…[Read more]

This brief report was completed as part of the AHRC-funded Academic Book of the Future project. The purpose of this report is to query whether born digital “edge cases” can be considered to be the scholarly quivalent of the academic book.

For a list of all reports and resources generated by the project, see:…[Read more]

An account of my use of stylometry to analyse the works of James Patterson, written for a public audience.