Adelheid Heftberger

,

@heftberger2017

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Šestaja čast' kadra". Vosstanovlenie vertovskogo "Čelovek s kinoapparatom" / "The Sixth of the Frame". Vertov's "Man with a Movie Camera" restored.
Author(s):
Adelheid Heftberger
Date:
2018
Group(s):
Archives, Film Studies, Soviet and Russian history and culture
Subject(s):
Film history, Restoration culture, Film arts, Archival materials, Archives
Item Type:
Article
Tag(s):
russian film, restoration
Die Öffnung von Forschungsdaten in den Film- und Medienwissenschaften: praktische und urheberrechtliche Herausforderungen
Author(s):
Marion Goller, Adelheid Heftberger
Date:
2018
Group(s):
Digital Humanists, Film Studies
Subject(s):
Research data management, Copyright, Film studies
Item Type:
Article
Tag(s):
Open access to research data
Exploring the Moving Image: The Role of Audiovisual Archives as Partners for Digital Humanities and Cultural Heritage Institutions
Author(s):
Adelheid Heftberger
Date:
2018
Subject(s):
Digital humanities, Archives, Museums, Film studies
Item Type:
Book chapter
Tag(s):
visualization
Materiality and Montage: Film Studies, Digital Humanities and the Visualization of Moving Images
Author(s):
Adelheid Heftberger
Date:
2018
Subject(s):
Digital humanities, Film studies
Item Type:
Article
Tag(s):
Russian and Soviet Studies, visualization
The Current Landscape of Film Archiving and How Study Programs Can Contribute
Author(s):
Adelheid Heftberger
Date:
2018
Subject(s):
Higher education, Film studies
Item Type:
Article
Tag(s):
archive, training
Film archives and digital humanities – an impossible match? New job descriptions and the challenges of the digital era
Author(s):
Adelheid Heftberger
Date:
2017
Group(s):
Digital Humanists, Film Studies
Subject(s):
Digital humanities, Film studies, Library and Archival Studies
Item Type:
Article
Die Verschmelzung von Wissenschaft und Filmchronik“. Das Potential der reduktionslosen Visualisierung von „Das elfte Jahr“ und „Der Mann mit der Kamera“ von Dziga Vertov
Author(s):
Adelheid Heftberger
Date:
2015
Group(s):
Digital Humanists, Film Studies
Subject(s):
Data visualization, Film studies, Russian studies
Item Type:
Article
Zerschnittene Bilder. Die drei Fassungen von Dziga Vertovs Tri pesni o Lenine (1934/35, 1938 und 1970)
Author(s):
Adelheid Heftberger
Date:
2011
Group(s):
Film Studies
Subject(s):
Film studies, Russian studies
Item Type:
Book chapter
Tag(s):
Russian and Soviet Studies, version
Do Computers Dream of Cinema? Film Data for Computer Analysis and Visualisation
Author(s):
Adelheid Heftberger
Date:
2012
Group(s):
Digital Humanists, Film Studies
Subject(s):
Data visualization, Film studies, Russian studies
Item Type:
Book chapter
Man with a Movie Camera under the Lens of Cinemetrics
Author(s):
Adelheid Heftberger, Matteo Lepore, Yuri Tsivian
Date:
2009
Group(s):
Digital Humanists, Film Studies
Subject(s):
Digital humanities, Film history, Russian studies
Item Type:
Article
Tag(s):
versions
Auf Spurensuche im Archiv. Ein Arbeitsbericht Das Projekt Digital Formalism
Author(s):
Adelheid Heftberger, Michael Loebenstein, Georg Wasner
Date:
2009
Group(s):
Archives, Digital Humanists
Subject(s):
Archives, Film studies, Russian studies
Item Type:
Article
Tag(s):
digital humanities, Film history, versions
Wer bringt das Filmerbe zu den Nutzern? Potentielle Synergien in der Erschließung und Vermittlung von Filmwerken zwischen Bibliotheken und Filmarchiven
Author(s):
Adelheid Heftberger
Date:
2017
Group(s):
Film Studies
Subject(s):
Film history, Library and Archival Studies, Library and information science
Item Type:
Book
Tag(s):
film, metadata, online collections, sharing, Sustaining Cultural Heritage Collections

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Adelheid Heftberger

@heftberger2017

active 2 months ago