https://hcommons.org/members/heftberger2017/activity/ Activity feed for Adelheid Heftberger. Sat, 04 Apr 2026 10:50:43 -0400 https://buddypress.org/?v=10.6.0 en-US 30 hourly 2 54bd98b5b2b9e99fdb229ee6ab67f732 https://hcommons.org/activity/p/1732042/ Sat, 20 Mar 2021 02:24:11 -0400 I will mainly focus on a collection of films made between 1972 and 1985 by the Staatliche Filmdokumentation (SFD)—the State Film
Documentation unit—which survived as part of the collection of the Staatliches Filmarchiv der DDR (SFA), the former national film archive
of the GDR.

]]> 0 8dd994c6063986c0b715345c29cc0f55 https://hcommons.org/activity/p/1732041/ Sat, 20 Mar 2021 02:23:49 -0400 I will mainly focus on a collection of films made between 1972 and 1985 by the Staatliche Filmdokumentation (SFD)—the State Film
Documentation unit—which survived as part of the collection of the Staatliches Filmarchiv der DDR (SFA), the former national film archive
of the GDR.

]]> 0 0e638ad533d8edd7f71f2c9249edec3b https://hcommons.org/activity/p/1732040/ Sat, 20 Mar 2021 02:23:39 -0400 I will mainly focus on a collection of films made between 1972 and 1985 by the Staatliche Filmdokumentation (SFD)—the State Film
Documentation unit—which survived as part of the collection of the Staatliches Filmarchiv der DDR (SFA), the former national film archive
of the GDR.

]]> 0 d30b10a3eec8132ef27b71341c264a9c https://hcommons.org/activity/p/1731942/ Fri, 19 Mar 2021 00:07:43 -0400 0 f06193fd3fd4703f28bd647f7a135764 https://hcommons.org/activity/p/1731941/ Thu, 18 Mar 2021 23:58:18 -0400 I will mainly focus on a collection of films made between 1972 and 1985 by the Staatliche Filmdokumentation (SFD)—the State Film
Documentation unit—which survived as part of the collection of the Staatliches Filmarchiv der DDR (SFA), the former national film archive
of the GDR.

]]> 0 4aabb875a4b5a4a6a459c84ad6069194 https://hcommons.org/activity/p/1686576/ Thu, 07 May 2020 17:24:15 -0400 The digitisation of analogue film and the archiving
of the digitised material is a complex task and requires
not only technical decisions but also a discussion on how
to make the resulting digitised material accessible. This
contribution will start by outlining the concept of preservation
for film and then present the current state of…[Read more]

]]> 0 c4038eaf1ff51b9a6e5d89e212a5f6cc https://hcommons.org/activity/p/1686575/ Thu, 07 May 2020 17:18:03 -0400 0 0ac5b6a06ee450007c18063b2f234c75 https://hcommons.org/activity/p/1678184/ Tue, 11 Feb 2020 17:44:55 -0500 0 c2e46ef7091e69dc9c2de83490b629c7 https://hcommons.org/activity/p/1668974/ Wed, 30 Oct 2019 16:25:46 -0400 This book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of…[Read more]

]]> 0 c30c0a2e2f86aa3cc22d49e67377f2f0 https://hcommons.org/activity/p/1668973/ Wed, 30 Oct 2019 16:25:41 -0400 This book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of…[Read more]

]]> 0 1c71f4fdd8303ade4e62676579eab084 https://hcommons.org/activity/p/1668972/ Wed, 30 Oct 2019 16:25:23 -0400 This book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of…[Read more]

]]> 0 22e2e6fafdf30ec51e1d39605e359662 https://hcommons.org/activity/p/1668898/ Tue, 29 Oct 2019 19:23:40 -0400 This book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of…[Read more]

]]> 0 3548a2858dd873e12991e5c6e8d8e40b https://hcommons.org/activity/p/1638645/ Thu, 18 Apr 2019 16:26:06 -0400 It is of interest to discuss options, necessary actions and, most importantly, the most useful infrastructure for film archives (e.g. an ontology for audiovisual media which is adapted to the requirements of film heritage institutions), it seems advisable to discuss options in a workshop dedicated to this topic. The workshop brought together…[Read more]

]]> 0 c4dfee241a546af8b2033419f487114c https://hcommons.org/activity/p/1638603/ Wed, 17 Apr 2019 21:25:46 -0400 It is of interest to discuss options, necessary actions and, most importantly, the most useful infrastructure for film archives (e.g. an ontology for audiovisual media which is adapted to the requirements of film heritage institutions), it seems advisable to discuss options in a workshop dedicated to this topic. The workshop brought together…[Read more]

]]> 0 af919a91fc91dfeccdafbe8872cbf2d2 https://hcommons.org/activity/p/1634612/ Sat, 09 Mar 2019 11:24:23 -0500 0 a3d04033465b4cafc4fbf364551b91d5 https://hcommons.org/activity/p/1621439/ Thu, 18 Oct 2018 16:25:42 -0400 Outlines the restoration of the Russian film classic "Man with a Movie Camera" (USSR, 1929) by Dziga Vertov which was carried out by the EYE Filmmuseum in Amsterdam between 2008 and 2010. The restoration allows contemporary audiences the possibility to once again experience Vertov’s film as the filmmaker originally intended - or at least in a v…[Read more]

]]> 0 9548ba67971a0c241243e985914183ff https://hcommons.org/activity/p/1621438/ Thu, 18 Oct 2018 16:25:23 -0400 Outlines the restoration of the Russian film classic "Man with a Movie Camera" (USSR, 1929) by Dziga Vertov which was carried out by the EYE Filmmuseum in Amsterdam between 2008 and 2010. The restoration allows contemporary audiences the possibility to once again experience Vertov’s film as the filmmaker originally intended - or at least in a v…[Read more]

]]> 0 a040f2eaa8cc29f94a7e288db0d32f91 https://hcommons.org/activity/p/1621437/ Thu, 18 Oct 2018 16:25:21 -0400 Outlines the restoration of the Russian film classic "Man with a Movie Camera" (USSR, 1929) by Dziga Vertov which was carried out by the EYE Filmmuseum in Amsterdam between 2008 and 2010. The restoration allows contemporary audiences the possibility to once again experience Vertov’s film as the filmmaker originally intended - or at least in a v…[Read more]

]]> 0 683e2e3b9614211d41f0071c573d9cb0 https://hcommons.org/activity/p/1621358/ Wed, 17 Oct 2018 18:56:23 -0400 Outlines the restoration of the Russian film classic "Man with a Movie Camera" (USSR, 1929) by Dziga Vertov which was carried out by the EYE Filmmuseum in Amsterdam between 2008 and 2010. The restoration allows contemporary audiences the possibility to once again experience Vertov’s film as the filmmaker originally intended - or at least in a v…[Read more]

]]> 0 3102c9527c706149e7b67d3528bd6443 https://hcommons.org/activity/p/1621355/ Wed, 17 Oct 2018 18:47:31 -0400 0 6ff21830251b4b9fc1f4f84f24e9be94 https://hcommons.org/activity/p/1615278/ Sat, 11 Aug 2018 09:44:30 -0400 0 cc5834600c2b98f4a7b46ae9d83c8461 https://hcommons.org/activity/p/1608963/ Wed, 23 May 2018 04:13:57 -0400 Forschungsdaten in den Geisteswissenschaften unterscheiden sich grundlegend von denjenigen in den Naturwissenschaften. Macht es überhaupt Sinn, davon in diesen allgemeinen Worten zu sprechen? Gibt es innerhalb der Disziplinen große Unterschiede, vor allem vor dem Hintergrund der Digital Humanities, die manchmal als eine Art übergeordnete Di…[Read more]

]]> 0 d39ebe6440fafb6296facfc92bf4e515 https://hcommons.org/activity/p/1608962/ Wed, 23 May 2018 04:13:51 -0400 Forschungsdaten in den Geisteswissenschaften unterscheiden sich grundlegend von denjenigen in den Naturwissenschaften. Macht es überhaupt Sinn, davon in diesen allgemeinen Worten zu sprechen? Gibt es innerhalb der Disziplinen große Unterschiede, vor allem vor dem Hintergrund der Digital Humanities, die manchmal als eine Art übergeordnete Di…[Read more]

]]> 0 5541fd304940702e0a451a9c88f9ff9d https://hcommons.org/activity/p/1608905/ Tue, 22 May 2018 15:18:10 -0400 Forschungsdaten in den Geisteswissenschaften unterscheiden sich grundlegend von denjenigen in den Naturwissenschaften. Macht es überhaupt Sinn, davon in diesen allgemeinen Worten zu sprechen? Gibt es innerhalb der Disziplinen große Unterschiede, vor allem vor dem Hintergrund der Digital Humanities, die manchmal als eine Art übergeordnete Di…[Read more]

]]> 0 bb09ab66e37556b0961213f81c657b14 https://hcommons.org/activity/p/1608904/ Tue, 22 May 2018 15:12:00 -0400 0 f3b5b347420262c571d356f89115feee https://hcommons.org/activity/p/1603556/ Thu, 15 Mar 2018 10:45:00 -0400 Film archives still linger at the fringes of the galleries, libraries, archives, and museums sector. However, in the opinion of this author, they are the logical partners when it comes to the curation, publication, exploration, and interconnection of online resources. I intend to address some of the obstacles which have so far prevented more…[Read more]

]]> 0 09c8190e2e94c787f5d4c649cd377b3c https://hcommons.org/activity/p/1603554/ Thu, 15 Mar 2018 09:45:23 -0400 In this paper, I will highlight some recent initiatives in the study of film within the digital humanities, in
which context I will also present some of my own endeavors, specifically visualizations created in
collaboration with the pioneering new media theorist Lev Manovich from films made by the Soviet
avant-garde director Dziga Vertov…[Read more]

]]> 0 659cab801d073d992c573a091233ffe9 https://hcommons.org/activity/p/1603553/ Thu, 15 Mar 2018 09:42:05 -0400 In this paper I will start by describing film archives at the current situation as they move from analogue to digital. Meanwhile new educational programs in Germany have been set up to prepare the next generation of film archivists for their task. I will discuss my views on how study programs can support them and what they could usefully add to…[Read more]

]]> 0 ab65afc48d0a6fde9f3ab71f79befec4 https://hcommons.org/activity/p/1603549/ Thu, 15 Mar 2018 08:59:44 -0400 0 d1e9e91798cf3c71256fbe5ee259d05d https://hcommons.org/activity/p/1586706/ Sat, 04 Nov 2017 01:39:03 -0400 This article seeks to prompt a re-evaluation of the fi lm archive's role within the current digital humanities debate as a logical, yet underrated, partner. The article invokes Jeffrey Schnapp’s and Todd Presner's plea from 2009 for digital humanities to create as its core aim a more democratic view of knowledge-producing institutions by i…[Read more]

]]> 0 a3f2399d7733d1d92527c2778964cadc https://hcommons.org/activity/p/1586705/ Sat, 04 Nov 2017 01:39:00 -0400 This article seeks to prompt a re-evaluation of the fi lm archive's role within the current digital humanities debate as a logical, yet underrated, partner. The article invokes Jeffrey Schnapp’s and Todd Presner's plea from 2009 for digital humanities to create as its core aim a more democratic view of knowledge-producing institutions by i…[Read more]

]]> 0 9b4468089951a5aa6039cb6093468e4f https://hcommons.org/activity/p/1586704/ Sat, 04 Nov 2017 01:38:59 -0400 On the potential of data visualization for Film studies and Film history.

]]> 0 569cdc324b88035c67e5ac862ad575cd https://hcommons.org/activity/p/1586703/ Sat, 04 Nov 2017 01:38:56 -0400 On the potential of data visualization for Film studies and Film history.

]]> 0 8000a697743dbc9576c5fb54ee4ae4e4 https://hcommons.org/activity/p/1586702/ Sat, 04 Nov 2017 01:38:55 -0400 On the versions of Dziga Vertovs film "Three Songs on Lenin".

]]> 0 e4b6a1be1cb9840514718884c487b22e https://hcommons.org/activity/p/1586701/ Sat, 04 Nov 2017 01:38:53 -0400 On the potential of data visualization for Film studies and Film history.

]]> 0 ae4eff03e3c9d93dff92c23268784b48 https://hcommons.org/activity/p/1586700/ Sat, 04 Nov 2017 01:38:50 -0400 On the potential of data visualization for Film studies and Film history.

]]> 0 db019c4d267a6a8723ee8cbd790b6892 https://hcommons.org/activity/p/1586699/ Sat, 04 Nov 2017 01:38:49 -0400 Article about Dziga Vertovs most famous film from 1929 with a focus on it's surviving prints and structure. Investigation was carried out within the research project Digital Formalism (2007-2010) in Vienna.

]]> 0 d99ec09ba4ea749dc4fefce414dbbe69 https://hcommons.org/activity/p/1586698/ Sat, 04 Nov 2017 01:38:46 -0400 Article about Dziga Vertovs most famous film from 1929 with a focus on it's surviving prints and structure. Investigation was carried out within the research project Digital Formalism (2007-2010) in Vienna.

]]> 0 8a985316635d739084abfe358bc5c7e1 https://hcommons.org/activity/p/1586696/ Sat, 04 Nov 2017 01:38:40 -0400 Auf Spurensuche im Archiv. Ein Arbeitsbericht Das Projekt Digital Formalism will Dziga Vertovs formale Verfahren untersuchen, und sie vor dem Hintergrund historischer Debatten über die sogenannte formale Methode positionieren. Den Korpus der Untersuchung bildet die Vertov-Samm-lung im Österreichischen Filmmuseum (ÖFM) – die dort konservierten Film…[Read more]

]]> 0 81363bb516214d725e32020a7b385ee1 https://hcommons.org/activity/p/1586695/ Sat, 04 Nov 2017 01:38:37 -0400 Auf Spurensuche im Archiv. Ein Arbeitsbericht Das Projekt Digital Formalism will Dziga Vertovs formale Verfahren untersuchen, und sie vor dem Hintergrund historischer Debatten über die sogenannte formale Methode positionieren. Den Korpus der Untersuchung bildet die Vertov-Samm-lung im Österreichischen Filmmuseum (ÖFM) – die dort konservierten Film…[Read more]

]]> 0 53f10550c8ca7cbaf7285d3d23d56dad https://hcommons.org/activity/p/1586694/ Sat, 04 Nov 2017 01:38:36 -0400 Im digitalen Zeitalter verschwimmen die institutionellen Grenzen innerhalb der Kulturlandschaft. Umso gewinnbringender wäre es, innerhalb der Kultureinrichtungen gemeinsame Handlungsfelder zu definieren und von etablierten Prozessen und vorhandenen Infrastrukturen zu profitieren. Worin bestehen die zentralen Probleme der bisher erst zaghaften…[Read more]

]]> 0 7c7f15a527c1f3871432aff77f8653f4 https://hcommons.org/activity/p/1586388/ Thu, 02 Nov 2017 21:18:29 -0400 Th is article seeks to prompt a re-evaluation of the fi lm archive's role within the current digital humanities debate as a logical, yet underrated, partner. The article invokes Jeffrey Schnapp’s and Todd Presner's plea from 2009 for digital humanities to create as its core aim a more democratic view of knowledge-producing institutions by i…[Read more]

]]> 0 b61e71ca890b7bc19f74e980ffe7a193 https://hcommons.org/activity/p/1586387/ Thu, 02 Nov 2017 21:14:05 -0400 On the potential of data visualization for Film studies and Film history.

]]> 0 a39fef40cb8177383e4701f8543417f5 https://hcommons.org/activity/p/1586386/ Thu, 02 Nov 2017 21:10:41 -0400 On the versions of Dziga Vertovs film "Three Songs on Lenin".

]]> 0 795b83e00847c941187d386e22a95e45 https://hcommons.org/activity/p/1586385/ Thu, 02 Nov 2017 21:07:11 -0400 On the potential of data visualization for Film studies and Film history.

]]> 0 fe0b09e0392fdde5260ed0a1e9d2fcda https://hcommons.org/activity/p/1586383/ Thu, 02 Nov 2017 21:01:50 -0400 Article about Dziga Vertovs most famous film from 1929 with a focus on it's surviving prints and structure. Investigation was carried out within the research project Digital Formalism (2007-2010) in Vienna.

]]> 0 ee19e2c7a16b5fb4ea544dd600d228d1 https://hcommons.org/activity/p/1586382/ Thu, 02 Nov 2017 20:56:40 -0400 Auf Spurensuche im Archiv. Ein Arbeitsbericht Das Projekt Digital Formalism will Dziga Vertovs formale Verfahren untersuchen, und sie vor dem Hintergrund historischer Debatten über die sogenannte formale Methode positionieren. Den Korpus der Untersuchung bildet die Vertov-Samm-lung im Österreichischen Filmmuseum (ÖFM) – die dort konservierten Film…[Read more]

]]> 0 e3deefa848421b0ca399c56ab9d4c839 https://hcommons.org/activity/p/1586381/ Thu, 02 Nov 2017 20:51:02 -0400 Im digitalen Zeitalter verschwimmen die institutionellen Grenzen innerhalb der Kulturlandschaft. Umso gewinnbringender wäre es, innerhalb der Kultureinrichtungen gemeinsame Handlungsfelder zu definieren und von etablierten Prozessen und vorhandenen Infrastrukturen zu profitieren. Worin bestehen die zentralen Probleme der bisher erst zaghaften…[Read more]

]]> 0 ca167892524b6d9c99e4bf2bff1fe060 https://hcommons.org/activity/p/1586380/ Thu, 02 Nov 2017 20:37:37 -0400 0 f355e3bedab78c9d6385e71f12635900 https://hcommons.org/activity/p/1586378/ Thu, 02 Nov 2017 20:34:13 -0400 0