Adelheid Heftberger deposited Den Prozess vom Ende her denken – Digitalisierung von Film zur Sicherung und Zugänglichmachung on Humanities Commons 8 months, 2 weeks ago
The digitisation of analogue film and the archiving
of the digitised material is a complex task and requires
not only technical decisions but also a discussion on how
to make the resulting digitised material accessible. This
contribution will start by outlining the concept of preservation
for film and then present the current state of…[Read more]Adelheid Heftberger‘s profile was updated on Humanities Commons 8 months, 2 weeks ago
Adelheid Heftberger‘s profile was updated on Humanities Commons 11 months, 2 weeks ago
Adelheid Heftberger deposited Kollision der Kader: Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities in the group
Soviet and Russian history and culture on Humanities Commons 1 year, 2 months ago
This book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of…[Read more]
Adelheid Heftberger deposited Kollision der Kader: Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities in the group
Film Studies on Humanities Commons 1 year, 2 months ago
This book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of…[Read more]
Adelheid Heftberger deposited Kollision der Kader: Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities in the group
Digital Humanists on Humanities Commons 1 year, 2 months ago
This book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of…[Read more]
Adelheid Heftberger deposited Kollision der Kader: Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities on Humanities Commons 1 year, 2 months ago
This book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of…[Read more]
Adelheid Heftberger deposited Linked Open Data for Filmarchives – Organised by the LOD-Task Force of the FIAF Cataloging and Documentation Commission (CDC) in the group
Film Studies on Humanities Commons 1 year, 9 months ago
It is of interest to discuss options, necessary actions and, most importantly, the most useful infrastructure for film archives (e.g. an ontology for audiovisual media which is adapted to the requirements of film heritage institutions), it seems advisable to discuss options in a workshop dedicated to this topic. The workshop brought together…[Read more]
Adelheid Heftberger deposited Linked Open Data for Filmarchives – Organised by the LOD-Task Force of the FIAF Cataloging and Documentation Commission (CDC) on Humanities Commons 1 year, 9 months ago
It is of interest to discuss options, necessary actions and, most importantly, the most useful infrastructure for film archives (e.g. an ontology for audiovisual media which is adapted to the requirements of film heritage institutions), it seems advisable to discuss options in a workshop dedicated to this topic. The workshop brought together…[Read more]
Adelheid Heftberger‘s profile was updated on Humanities Commons 1 year, 10 months ago
Adelheid Heftberger deposited Šestaja čast’ kadra in the group
Soviet and Russian history and culture on Humanities Commons 2 years, 3 months ago
Outlines the restoration of the Russian film classic “Man with a Movie Camera” (USSR, 1929) by Dziga Vertov which was carried out by the EYE Filmmuseum in Amsterdam between 2008 and 2010. The restoration allows contemporary audiences the possibility to once again experience Vertov’s film as the filmmaker originally intended – or at least in a v…[Read more]
Adelheid Heftberger deposited Šestaja čast’ kadra in the group
Film Studies on Humanities Commons 2 years, 3 months ago
Outlines the restoration of the Russian film classic “Man with a Movie Camera” (USSR, 1929) by Dziga Vertov which was carried out by the EYE Filmmuseum in Amsterdam between 2008 and 2010. The restoration allows contemporary audiences the possibility to once again experience Vertov’s film as the filmmaker originally intended – or at least in a v…[Read more]
Adelheid Heftberger deposited Šestaja čast’ kadra in the group
Archives on Humanities Commons 2 years, 3 months ago
Outlines the restoration of the Russian film classic “Man with a Movie Camera” (USSR, 1929) by Dziga Vertov which was carried out by the EYE Filmmuseum in Amsterdam between 2008 and 2010. The restoration allows contemporary audiences the possibility to once again experience Vertov’s film as the filmmaker originally intended – or at least in a v…[Read more]
Outlines the restoration of the Russian film classic “Man with a Movie Camera” (USSR, 1929) by Dziga Vertov which was carried out by the EYE Filmmuseum in Amsterdam between 2008 and 2010. The restoration allows contemporary audiences the possibility to once again experience Vertov’s film as the filmmaker originally intended – or at least in a v…[Read more]
Adelheid Heftberger‘s profile was updated on Humanities Commons 2 years, 3 months ago
Adelheid Heftberger‘s profile was updated on Humanities Commons 2 years, 5 months ago
Adelheid Heftberger deposited Die Öffnung von Forschungsdaten in den Film- und Medienwissenschaften: praktische und urheberrechtliche Herausforderungen in the group
Film Studies on Humanities Commons 2 years, 8 months ago
Forschungsdaten in den Geisteswissenschaften unterscheiden sich grundlegend von denjenigen in den Naturwissenschaften. Macht es überhaupt Sinn, davon in diesen allgemeinen Worten zu sprechen? Gibt es innerhalb der Disziplinen große Unterschiede, vor allem vor dem Hintergrund der Digital Humanities, die manchmal als eine Art übergeordnete Di…[Read more]
Adelheid Heftberger deposited Die Öffnung von Forschungsdaten in den Film- und Medienwissenschaften: praktische und urheberrechtliche Herausforderungen in the group
Digital Humanists on Humanities Commons 2 years, 8 months ago
Forschungsdaten in den Geisteswissenschaften unterscheiden sich grundlegend von denjenigen in den Naturwissenschaften. Macht es überhaupt Sinn, davon in diesen allgemeinen Worten zu sprechen? Gibt es innerhalb der Disziplinen große Unterschiede, vor allem vor dem Hintergrund der Digital Humanities, die manchmal als eine Art übergeordnete Di…[Read more]
Adelheid Heftberger deposited Die Öffnung von Forschungsdaten in den Film- und Medienwissenschaften: praktische und urheberrechtliche Herausforderungen on Humanities Commons 2 years, 8 months ago
Forschungsdaten in den Geisteswissenschaften unterscheiden sich grundlegend von denjenigen in den Naturwissenschaften. Macht es überhaupt Sinn, davon in diesen allgemeinen Worten zu sprechen? Gibt es innerhalb der Disziplinen große Unterschiede, vor allem vor dem Hintergrund der Digital Humanities, die manchmal als eine Art übergeordnete Di…[Read more]
Adelheid Heftberger‘s profile was updated on Humanities Commons 2 years, 8 months ago
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