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Titus Stahl deposited Beyond the nonideal: Why critical theory needs a utopian dimension in the group
Frankfurt School Critical Theory on Humanities Commons 2 months, 1 week ago
“Ideal theorists” in contemporary liberal political theory argue that we can only arrive at a conception of what our most important political values require by reference to an imagined ideal state of affairs and that we must therefore, to some extent, engage in utopian thinking. Critical theorists, from Marx and the Frankfurt School, have tra…[Read more]
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Brittany Myburgh deposited Disneyland and the American Frontiers: A Timeless Utopia in the group
Intaglio Journal on Humanities Commons 3 months, 2 weeks ago
In 1955, Disneyland opened its doors and the American public descended into the fantastical world of Walt Disney. While Disneyland corresponded to the company’s growing brand as a movie-making empire, it also reflected the way that the original American colonies and the ever-developing Western frontier shaped the American mindset. Based on the…[Read more]
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Brittany Myburgh deposited Flat Tire in the group
Intaglio Journal on Humanities Commons 3 months, 2 weeks ago
Flattened, the tire was. Pedalling with great strength, I push myself forward in the country road illuminated by lonely street lamps, leading the front tire—headstrong—advancing. Trailing behind, the synthetic black rubber greets the asphalt paved road with a kiss from a frail body. In turn, a bathetic road rash of a romance cut short by the jea…[Read more]
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Brittany Myburgh deposited The Challenge of Depicting Divinity: Stefano da Putignano’s Trinity in the group
Intaglio Journal on Humanities Commons 3 months, 2 weeks ago
Stefano da Putignano’s Trinity (1520) depicts Jesus on the cross placed between the legs of an enthroned God the Father with the dove of the Holy Spirit connecting the two. Located in the small southern Italian city of Turi, this painted stone statue is one of the earliest examples of a human-sized statue of God the Father. It is unique in its m…[Read more]
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Gustavo Racy deposited Of Cannibals and Witches: Monstrosity and Capitalism at the Onset of Colonial Visual Culture in the group
Visual Culture on Humanities Commons 7 months, 2 weeks ago
This article provides preliminary insight into the creation of colonial visual culture. Using visual examples, the author shows how the encounter between European and Amerindian was, at first, apparently deprived of moral judgement, later being increasingly signified through moral and physical monstrosity, especially the female body, which served…[Read more]
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Gustavo Racy deposited Of Cannibals and Witches: Monstrosity and Capitalism at the Onset of Colonial Visual Culture in the group
Visual Anthropology on Humanities Commons 7 months, 2 weeks ago
This article provides preliminary insight into the creation of colonial visual culture. Using visual examples, the author shows how the encounter between European and Amerindian was, at first, apparently deprived of moral judgement, later being increasingly signified through moral and physical monstrosity, especially the female body, which served…[Read more]
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Gustavo Racy deposited To Make See and to Let Die: photography and testimony in the group
Visual Culture on Humanities Commons 7 months, 2 weeks ago
The focus of this article is a speculative argument on the relation between photography and testimony as one that situates the viewer on a particularly powerless, but responsibility-laden position. Articulating Nilufër Demir’s viral 2015 photograph of Aylan Kurdi, and Walter Kleinfeldt’s 1918 photograph of an unknown fallen soldier, as images bear…[Read more]
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Gustavo Racy deposited To Make See and to Let Die: photography and testimony in the group
Visual Anthropology on Humanities Commons 7 months, 2 weeks ago
The focus of this article is a speculative argument on the relation between photography and testimony as one that situates the viewer on a particularly powerless, but responsibility-laden position. Articulating Nilufër Demir’s viral 2015 photograph of Aylan Kurdi, and Walter Kleinfeldt’s 1918 photograph of an unknown fallen soldier, as images bear…[Read more]
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Gustavo Racy deposited The Photographer as Producer: on photography in the group
Visual Anthropology on Humanities Commons 7 months, 2 weeks ago
The current article focuses on the approach to Walter Benjamin’s theory of the author as producer, narrowing it down to the case of photography. In the attempt to both expanding and testing Benjamin’s theory, the article speculates through an approach ranging from philosophy to visual culture propos-ing, at its end, a photographic principle in tun…[Read more]
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Gustavo Racy deposited The Photographer as Producer: on photography in the group
Frankfurt School Critical Theory on Humanities Commons 7 months, 2 weeks ago
The current article focuses on the approach to Walter Benjamin’s theory of the author as producer, narrowing it down to the case of photography. In the attempt to both expanding and testing Benjamin’s theory, the article speculates through an approach ranging from philosophy to visual culture propos-ing, at its end, a photographic principle in tun…[Read more]
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Gustavo Racy created the group
Visual Culture on Humanities Commons 7 months, 2 weeks ago
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Brittany Myburgh deposited Family Portraits: The Reconstruction of “Family Time” Through Generations in the group
Intaglio Journal on Humanities Commons 7 months, 2 weeks ago
Marianne Hirsch’s concept of “liquid time” states that photographs are not fixed into static permanence but remain dynamic and unfixed as they acquire new meanings in new circumstances. I had not considered this concept until I began going through family photographs after my grandfather passed away. There I was, sitting on the sofa in my grand…[Read more]
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Brittany Myburgh deposited Whose Neighbourhood? Immigrant Inhabitation in the Ward in the group
Intaglio Journal on Humanities Commons 11 months ago
The Ward, The Noble Ward, Saint John’s Ward, Old Chinatown, and most recently, the Bay Street Corridor all describe a particular area of Toronto bordered by College Street, Yonge Street, Queen Street, and University Avenue. Historically this area was the landing point for immigrants to Canada and over time became what was considered by the local g…[Read more]
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Brittany Myburgh deposited Wounds and Willful Objects: Art, Abject Sorrow and Adorno’s Totality in the group
Intaglio Journal on Humanities Commons 11 months, 3 weeks ago
Adorno’s conception of “serious art” posits that art rejects mimesis, has autonomy from the world as well as from itself but can, however, simultaneously be about the world. Autonomy, from my vantage, has always signaled will, volition, positive and negative freedom. Positive freedom being freedom from internal restraints—the art being autonom…[Read more]
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Karsten Schubert deposited Biopolitics of COVID-19: Capitalist Continuities and Democratic Openings in the group
Frankfurt School Critical Theory on Humanities Commons 1 year, 8 months ago
“Biopolitics” has become a popular concept for interpreting the COVID-19 pandemic, yet the term is often used vaguely, as a buzzword, and therefore loses its specificity and relevance. This article systematically explains what the biopolitical lens offers for analyzing and normatively criticizing the politics of the coronavirus. I argue that…[Read more]
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Justin Walsh deposited Visual Displays in Space Station Culture: An Archeological Analysis in the group
Visual Anthropology on Humanities Commons 1 year, 9 months ago
We offer an archaeological analysis of the visual display of “space heroes” and Orthodox icons in the Russian Zvezda module of the International Space Station (ISS). This study is the first systematic investigation of material culture at a site in space. The ISS has now been continuously inhabited for 20 years. Here, focusing on the period 200…[Read more]
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Karsten Schubert deposited Brauchen wir Political Correctness? Ein politisches Streitgespräch in the group
Frankfurt School Critical Theory on Humanities Commons 1 year, 9 months ago
Für ein Gespräch über die Themen Political Correctness, Identitätspolitik, Streitkultur und die Rolle der politischen Bildung kamen im Juli 2021 Saba-Nur Cheema von der Bildungsstätte Anne Frank und Dr. Karsten Schubert von der Universität Freiburg in einem Zoom-Raum zusammen. Die Fragen stellten Prof. Dr. Beate Rosenzweig und Petra Barz, beide…[Read more]
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Karsten Schubert deposited Konstruktivistische Identitätspolitik. Warum Demokratie partikulare Positionierung erfordert in the group
Frankfurt School Critical Theory on Humanities Commons 1 year, 10 months ago
Identity politics is subject to similar critiques in contemporary public debate and political theory. A central topos of this critique is that identity politics is essentializing: it fixes subjects to their social position and resorts to a politics of
particularity that leads to divisions in national citizenship and democratic discourse (the…[Read more] -
Karsten Schubert deposited Der letzte Universalismus. Foucaults Freiheitsdenken und die Begründung von radikaler Demokratie im Postfundamentalismus in the group
Frankfurt School Critical Theory on Humanities Commons 1 year, 11 months ago
Die Debatte um die politische Differenz stellt Kontingenz und Konfliktualität als fundamentale Eigenschaften des Politischen heraus. Dies birgt ein Problem für die postfundamentalistische Demokratietheorie, die auf Augenhöhe mit dieser Debatte argumentieren will: Durch die Kontingentsetzung aller normativen Begründungen ist zunächst unklar, welc…[Read more]
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Karsten Schubert deposited The Dismantler in the group
Frankfurt School Critical Theory on Humanities Commons 2 years, 1 month ago
A short story about the pitfals of a new law, the General Act for the Dismantling of Normalising Power and Structures of Privilege, and, more philosophically, about the problems of institutionalizing progressive politics through law. Published in The Cabinat of Imaginary Laws, by Peter Goodrich and Thanos Zartaloudis: Returning to the map of the…[Read more]
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